Suchergebnisse

De geschiedschrijving van de zogenaamd Spaanse periode van de Benedenwindse eilanden Curaçao, Aruba en Bonaire (ca. 1499-1634/6) wordt nog steeds gedomineerd door koloniale mythes over inheemse bewoners en Spaanse encomenderos. Inheemse bewoners worden beschreven vanuit een eurocentrisch perspectief ofwel als Giganten (Vespucci) ofwel als volgzame onderworpenen van Europese kolonisatie. Al in 1588, verdedigde Juan de Castellanos in zijn 'Elegías de los claros varones de Indias y la historia del Nuevo Reino de Granada' het encomienda systeem en prees hij de Benedenwindse encomendero's Juan de Ampiés en Lazaro Bejarano. Twintigste eeuw historici reproduceerden deze koloniale verbeelding van de Benedenwindse eilanden. Europese nieuwkomers werden afgebeeld als de brengers van het christendom en humanisme of als oprichters van het (post) koloniale context van de Nederlandse Antillen. Ook literatoren werden beïnvloed door deze koloniale mythen. In 1970 liet arts en dichter Chris Engels (pseudoniem: Luc Tournier) archeologisch onderzoek in Aruba uitvoeren om uit te vinden of de inheemse bevolking inderdaad Giganten waren. Cola Debrot baseerde zijn novelle De Vervolgden (1981) op het werk en leven van christenhumanist Bejarano. Humanist Frank Martinus Arion pleitte in 2003 zelfs voor het oprichten van een standbeeld voor Bejarano: 'als de eerste Curaçaose bestuurder die zich met hart en ziel voor ons eiland heeft ingezet en zijn nut meer dan eens bewees. Bovendien was hij één van de eerste humanisten van de nieuwe wereld'. Deze publicatie is een exercitie in het deconstrueren van koloniale mythen en het tot stand brengen van een gedekoloniseerde inheems Atlantische Benedenwindse geschiedschrijving

This paper focuses on possibilities and obstacles for a circular economy in the waste management sector in Aruba. The authors describe the Aruban economy and the consequences of its SIDS characteristics. The article defines concepts in the field of circular economy and presents a conceptual model for research in this area. Based on multimethod research, the paper argues that small and medium-sized firms (SMEs) in the waste sector in Aruba determine their financial needs partly on the opportunities offered by the international market and price developments. Financing often takes place from own resources or via a local bank. No examples of circular chain financing were identified. Chain cooperation takes place with partners within the existing holding or with international partners, whereby performance and hedging contracts are concluded to guarantee quality and delivery and to mitigate business risks such as price fluctuations on the world market. During the research, it became obvious that limitations resulting from Aruba's small scale and 'islandness' – such as the limited goods flow, limited quantities of feed waste materials and financing facilities offered by the local banking sector, as well as insufficiently stimulating legislation and regulations, coupled with faltering knowledge circulation and social awareness – seriously hamper the development of circular entrepreneurism in Aruba. The article offers policy recommendations to mitigate the bottlenecks for sustainable development in Aruba. ; peer-reviewed

Centuries of intense and involuntary migrations deeply impacted the development of the creolised cultures on the Dutch Caribbean islands of Aruba, Bonaire, and Curaçao. This volume describes various forms of cultural heritage produced on these islands over time and whether these heritages are part of their 'national' identifications. What forms of heritage express the idea of a shared "we" (nation-building) and what images are presented to the outside world (nation-branding)? What cultural heritage is shared between the islands and what are some real or perceived differences? In this book, examples of cultural heritage on these three islands ranging from sports to questions of reparations, from museums to digital humanities, from archaeology to music, from language and literature to tourism, and from visual art to diaspora policies are compared to developments elsewhere in the Caribbean.

Centuries of intense and involuntary migrations deeply impacted the development of the creolised cultures on the Dutch Caribbean islands of Aruba, Bonaire, and Curaçao. This volume describes various forms of cultural heritage produced on these islands over time and whether these heritages are part of their 'national' identifications. What forms of heritage express the idea of a shared "we" (nation-building) and what images are presented to the outside world (nation-branding)? What cultural heritage is shared between the islands and what are some real or perceived differences? In this book, examples of cultural heritage on these three islands ranging from sports to questions of reparations, from museums to digital humanities, from archaeology to music, from language and literature to tourism, and from visual art to diaspora policies are compared to developments elsewhere in the Caribbean.