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Explores the relationship between the African National Conference (ANC), as movement & resistance symbol, & the Inkatha movement of nkosi Mangosuthu Buthelezi during the 1970s & 1980s, highlighting Inkatha's perception & presentation of the ANC. The argument is that Inkatha leadership had not only the ideological pressure, but the opportunity to place the movement in an ANC resistance history that was also populist, denying class & other divisions. However, Inkatha was never able to escape its political location with the KwaZulu ethnic bantustan. Thus, the ANC was driven to an uncompromising position through the rise of internal resistance from the late-1970s. 35 References. Adapted from the source document.

"Those old eco-feminists knitted. But we were using a machine! That was a big difference indeed" (2020, personal interview with the author). That statement was made by musician and knitwear designer Gudrun Gut of the punk girl band Mania D./Malaria! and it cuts out what this article is about: Women knitting and making music on their machines in the subculture of West Berlin in the late 1970s and early 1980s. New and easily accessible technology, such as the Atari console, enabled new Do-It-Yourself strategies. At the same time—within fashion and knitting in particular—there was a shift in feminist generations: Loud, technical, noisy music, and machine-made knitwear signified aggressive, modern, and self-assured women. In West Berlin specifically, punk women musicians and designers looked back in time, and sought to reconnect with the hedonistic avant-garde and the "new women," the divas, dadaists, and women modernists of Berlin in the 1910s–1930s.

Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Part I. The 1970s -- 1. The 1970s: An Overview -- 2. Conversion Politics: From Countercultural Revolution to the Born-Again Presidency of Jimmy Carter -- 3. Feminist Challenges: Women and Gender Debates -- Part II. The 1980s -- 4. The 1980s: An Overview -- 5. Christian America: The Era of the New Christian Right and the Reagan Revolution -- 6. Biomedical Challenges: From Abortion to Genetic Engineering -- Conclusion -- Notes -- Bibliography -- Index.

Since the 1999 elections in South Africa the Inkatha Freedom Party (IFP) has entered into a 'coalition' with the African National Congress (ANC) (now described as such by both parties) at both provincial (KwaZulu‐Natal ‐ KZN) and national levels of government. Such close cooperation, albeit largely at leadership and parliamentary representative level, would have been hard to imagine even five years ago, when the IFP refused to participate in the first democratic elections unless a range of demands were met by the negotiators in the transition process. Such confrontation reflected the vicious, state‐supported, war that was waged between IFP and ANC supporters in KZN and on the east Rand, in which thousands were killed and many more turned into internal refugees.
While any steps to attain lasting peace are to be welcomed, if the past is not addressed such moves may prove to be fragile. An aspect of the past is the relationship between the ANC, as movement and as resistance symbol, and the Inkatha movement of nkosi Mangosuthu Buthelezi during the 1970s and 1980s. Inkatha's perception and presentation of 'the ANC during this period is discussed. The argument is that Inkatha leadership had the opportunity, and not only the ideological pressure, to place the movement within an ANC resistance history, that was also populist, denying class and other divisions. However, Inkatha was never able to escape its political location with the KwaZulu ethnic bantustan, and the ANC was driven to an uncompromising position through the rise of internal resistance from the late‐1970s.

AbstractThis article discusses the phenomenon of punk in Ljubljana, the capital of Slovenia, from its beginnings in the early 1970s to its heyday in early 1980s and its subsequent differentiation and dissolution in a wider alternative scene. The subject is thereby being treated primarily as a genre of protest music and as a youth subculture. A special focus is given to the harsh reactions on part of the communist regime, in particular the 1981 "Nazi punk affair," and the strong political significance punk thus came to possess—albeit to a large extent unintentionally. Excerpts of lyrics from Ljubljana punk rock bands are also presented, pointing to the attitudes of the punk youth towards their social environment and political situation and revealing how they came to be seen as a threat to the socialist order. In the conclusion, the sociopolitical legacy of punk and certain controversies surrounding it are shortly touched upon.