Suchergebnisse

BRIEFE AUS KRIEG UND FRIEDEN Briefe aus Krieg und Frieden ( - ) Einband ( - ) Titelblatt ( - ) Widmung (Für Gerburg und Hubertus) ( - ) Porträt von Gerhard Kanus ( - ) Brief vom 10.09.1917 (2) Brief vom 18.11.1926 (3) Brief vom Dezember 1926 (5) Brief vom Dezember 1926 (7) Brief vom 24.11.1928 (9) Brief vom Totensonntag (11) Brief vom 06.02.1930 (11) Brief vom 07.02.1930 (13) Brief vom 08.02.1930 (14) Brief vom 06.06.1932 (17) Brief vom 12.11.1932 (19) Brief vom 14.11.1932 (21) Brief vom 20.02.1933 (21) Brief vom 10.03.1933 (23) Brief vom 24.03.1933 (24) Brief vom 01.04.1933 (25) Brief vom 05.04.1933 (27) Brief vom 10.01.1934 (29) Brief vom Sommer 1936 (32) Brief vom 04.04.1938 (32) Brief vom 20.05.1938 (34) Brief vom 29.05.1938 (34) Brief vom 01.06.1938 (35) Brief vom Sommer 1938 (35) Brief vom 11.09.1938 (36) Brief vom 27.09.1938 (38) Brief vom September 1938 (40) Brief vom 20.09.1938 (42) Brief vom 23.09.1938 (43) Brief vom 20.11.1938 (44) Brief vom 03.12.1938 (45) Brief vom 08.01.1939 (46) Brief vom 31.01.1939 (48) Brief vom 06.03.1939 (50) Brief vom 28.02.1940 (50) Brief vom 06.03.1940 (52) Brief vom 23.03.1940 (54) Brief vom 19.05.1940 (55) Brief vom Freitag Abend (56) Brief vom 27.07.1940 (57) Brief vom 04.08.1940 (61) Brief vom 15.08.1940 (63) Brief vom 18.08.1940 (65) Todesanzeige von Gerhard Kanus (68) Erste Ruhestätte von Gerhard Kanus im Park des Klosters von Orleans (69) Farbkeil ( - ) Einband ( - )

In "towards a theory of the periodical genre," Margaret Beetham observes that "the material characteristics of the periodical . have consistently been central to its meaning" (22–23). In particular, Beetham emphasizes, "the elation of blocks of text to visual material is a crucial part of " the periodical's processes of signification and the reader's experience of making meaning out of its time-stamped yet open-ended issues (24). While this theoretical position underlies much excellent critical work in periodical studies, it is less evident in the electronic repositories on which research in the field increasingly relies. In this paper, I examine what it might mean to inform our digitization practices with a theory of the periodical hypertext as a remediated object. Focusing on the specific editorial problem of periodical pages decorated with textual ornaments, I take as my case study The Evergreen: A Northern Seasonal (1895 to 1897), a Scottish magazine scheduled for markup and publication on The Yellow Nineties Online. Making remediated Celtic ornament a structural feature of its aesthetic design and an integral expression of its larger political agenda, the Evergreen reminds us of what is at stake if our own electronic remediation practices are not adequate to the periodical objects we study. ; "The Politics of Ornament: Remediation and/in The Evergreen" was first published in ESC: English Studies in Canada in the special issue on Magazines and/as Media: The Politics and Aesthetics of Periodical Form, vol 41, no. 1 (2015): 1-24.

p. [25]-56 ; 23 cm. (8vo) ; Signed on p. 56: Common sense. Philadelphia, April 19, 1777. Attributed to Thomas Paine in the Dictionary of American biography. ; Advertised in the Philadephia evening post, Apr. 29, 1777.

p. [1], 58-60 ; (8vo) ; Signed on p. 60: Common sense. Philadelphia, Sept. 12, at noon. Attributed to Thomas Paine in the Dictionary of American biography. ; Date of publication supplied by Evans.

11, [1] p. ; 16 cm. (8vo) ; Caption title. ; Imprint from colophon.

Zsfassungen teilw. dt., teilw. ungar.