Suchergebnisse

El cine de autor defiende la figura del director como centro creativo y núcleo del proceso fílmico. Dicho concepto se encuentra establecido en la Historia del Cine desde su surgimiento en la década de los cincuenta junto al movimiento de la Nouvelle Vague. Este fenómeno cinematográfico se adapta a las características del vídeo musical creando el videoclip de autor, definido como aquellos en los que se manifiesta el estilo del realizador en detrimento de otros factores de creación estética como el propio cantante o el tema musical que actúa como base. En este artículo se plantean los rasgos de dicha teoría extrapolables al vídeo musical y se muestran las similitudes e influencias entre el cine y el videoclip en cuanto al estilo y la personalidad artística. Los objetivos propuestos son la aplicación de los conceptos de autor y de estilo al vídeo musical, y de forma específica, la creación e implantación de la categoría de videoclip de autor para la mejora del estudio de este formato. La metodología utilizada se basa en la descripción y en la exposición objetiva de la teoría cinematográfica así como de las características del videoclip, y la posterior extrapolación y comparación entre ambas producciones audiovisuales. Se concluye la relación de las nociones de autor y de estilo con los rasgos propios del vídeo musical realizados por directores que plasman sus personalidades artísticas en estas creaciones que combinan imágenes y música con un gran efectismo y experimentación. Igualmente, se trata de poner en valor la figura del director clip de un modo equiparable al prestigio del director de cine. ; Auteur theory defends the director figure as a creative centre and as the core of the film process. This concept is established in the history of cinema since the fifties by the movement of the Nouvelle Vague and the politique des auteurs. This cinematographic phenomenon adapts to music video's characteristics creating the auteur music video theory. In these music videos manifests director's style at detriment to other factors of aesthetic creation as the singer or musical theme of base. This article arise the features of this theory extrapolated to music video and shows similarities and influences between film and music video in style and artistic personality. The proposed objectives are the application of the concepts of author and style to the music video, and, specifically, the creation and implementation of author category in music video to improve the study of this format. The methodology is based on the objective description and exposure of film theory and the characteristics of the music video, and subsequent extrapolation and comparison between the two audiovisual productions. As conclusion, is obtained the relationship of the notions of author and style with the features of the music video made by directors that reflect their artistic personalities in these creations combining images and music with a great spectacular and experimentation. Similarly, it is to value the clip of the director of a comparable way to the prestige of the film director, being as the autor's music video shows the choices of techniques and artistic options by the clip director.

Title varies slightly. ; At head of title: 1905-1914, Legislative Assembly of British Columbia; 1919-1928, 1934-1961, Province of British Columbia; 1967-1972, The Government of the Province of British Columbia. ; With supplement. ; Mode of access: Internet. ; Delivered in the Legislative Assembly . by the Honorable ., Premier and Minister of Finance. ; 1975. ; 1974; title from cover.

"This book is the outgrowth of a series of lessons originally prepared under the auspices of the Extension department of the University of Wisonsin for use in military camps."--Pref. ; Mode of access: Internet.

Later published under title: Pora poni︠a︡tʹ. ; Mode of access: Internet.

"Date originated 08/11/78; Date updated 07/31/80." ; Includes bibliographical references. ; Mode of access: Internet. ; Description based on print resource; title from title page.

"Parts of this book are adapted from the writings of Benjamin Franklin and Woodrow Wilson." ; Mode of access: Internet. ; 14

Mit dem Zuwachs an Daten und Informationen in Datenbanken und Informationssystemen steht die angewandte Umweltinformatik ambitionierten Aufgaben gegenüber. Die Aufbereitung dieser großen Datenmengen für verschiedene Zielgruppen erfordert eine klare konzeptionelle Ausrichtung der Anwendungsentwicklungen. Die Nutzung von Methoden und Werkzeugen der Informatik ist ein Weg, Produkte und Dienste aus diesen Daten zu generieren. Die Bereitstellung dieser Produkte für die verschiedenen Nutzergruppen wie der wissenschaftlichen Community der Modellierer, der Fachnutzer in Umweltbehörden oder eine App auf mobilen Endgeräten für die Öffentlichkeit spiegeln die breite Vielfalt von Datenangeboten wider.

The Traditional Health Practitioners Act 22 of 2007 was enacted to regulate the traditional health sector in South Africa. With effect from 1 May 2014, a cluster of the Act's sections became effective by promulgation in the Government Gazette. This development made the majority of the sections of this statute binding after the last proclamation in 2008. The current article discusses the key provisions of the Act and the implications it has for the traditional health sector. After presenting these key provisions and highlighting their strengths and weaknesses, the article relates them to other legislative measures in the form of the Intellectual Property Laws Amendment Act 28 of 2013 and the Medicines and Related Substances Amendment Bill (B 6-2014). It then argues that the legislative measures introduced thus far fall short of providing a framework necessary for the protection of the traditional health practice. Thereafter, the article discusses the bias of the Act, evident in the more concern shown about the protection of the public against the practices of traditional health practitioners and less concern about the protection of the traditional health practitioners against the hegemony of Western health practitioners and low respect that the former have been accorded. The main argument is that there could have been more balance in the legislative measures effected to bring about justice in the health care system of South Africa.