Suchergebnisse

Shin, Kei-Wah Victor. ; "November 2010." ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. ; Includes bibliographical references (leaves 177-198). ; Abstracts in English and Chinese. ; Abstract --- p.i ; Acknowledgments --- p.iv ; Table of Contents --- p.vi ; List of Tables --- p.ix ; List of Figures --- p.xii ; Chapter Chapter 1: --- Framing the Puzzles --- p.1 ; "INTRODUCING: ""The Curious Case of. a Fallen 'Asian Hollywood'""" --- p.3 ; METHOD AND DATA --- p.6 ; STRUCTURE OF THE THESIS --- p.12 ; Chapter Chapter 2: --- ""The Blind Side"" of Existing Explanations" --- p.15 ; CONVENTIONAL EXPLANATIONS --- p.17 ; Triad Intrusion and Piracy --- p.17 ; Hasty and Unpolished Productions --- p.19 ; EXPLANATIONS DERIVED FROM THEORETICAL PERSPECTIVES --- p.21 ; The Cultural Imperialism approach --- p.22 ; The Cultural-flows/ Network approach --- p.27 ; Suppositions related to the Cultural-flows/ Network approach --- p.32 ; The Reception approach --- p.36 ; The Cultural Policy and Strategies approach --- p.41 ; What about the Receiving Countries? --- p.46 ; THE POLITICAL-CULTURAL APPROACH --- p.48 ; Chapter Chapter 3: --- The "Bloom´ح in the 1970s and the 1980s --- p.53 ; "THE ""BLOOM""" --- p.53 ; BRINGING IN THE POLITICAL-CULTURAL APPROACH --- p.57 ; THE INDUSTRIAL SETTING OF THE HONG KONG FILM MARKET VIS-A-VIS HOLLYWOOD --- p.59 ; THE SOCIAL STRUCTURE OF THE HONG KONG FILM MARKET --- p.62 ; From Studio System to Independent Production System since the 1970s --- p.63 ; The Revenue-sharing Structure --- p.68 ; """CONCEPTIONS OF CONTROL"" IN THE HONG KONG FILM MARKET (1970s - 1980s)" --- p.70 ; Distributor-driven Exhibition --- p.72 ; Distributor-driven Production --- p.75 ; HONG KONG FILM INDUSTRY AT ITS PEAK IN THE LATE 1980s --- p.81 ; SUMMARY --- p.88 ; Chapter Chapter 4: --- "The ""Twilight"" since the mid-1990s" --- p.91 ; WHAT HAPPENED DURING THE 1990s? --- p.91 ; The Plot in Brief --- p.92 ; THE KEY TO SUCCESS TURNS INTO A SOURCE OF STRESS --- p.97 ; "Conventional Practices inscribed in the ...

Chung, Simon. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2007. ; Includes bibliographical references (leaves 123-130). ; Abstracts in English and Chinese; appendix 2 in Chinese. ; Abstract ; Chapter Chapter 1 --- Introduction --- p.4 ; Chapter Chapter 2 --- "Film Policies in France, Canada and Korea" --- p.19 ; Chapter Chapter 3 --- Hong Kong Film Policy --- p.65 ; Chapter Chapter 4 --- Conclusion --- p.106 ; Appendix --- p.114 ; Bibliography --- p.120

Gao Yang. ; Thesis submitted in: June 2005. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2006. ; Includes bibliographical references (leaves 123-133). ; Abstracts in English and Chinese. ; GENDER AND NATIONALISM IN CHINESE FILMS BETWEEN 1949 AND 1989 --- p.I ; 摘要 --- p.III ; ABBREVIATIONS --- p.VIII ; Chapter CHAPTER 1 --- INTRODUCTION --- p.1 ; Chapter 1.1 --- Literature Review --- p.2 ; Chapter 1.1.1 --- "Nation, State and Nationalism" --- p.2 ; Chapter 1.1.2 --- Gender and Nation in Chinese Cinematic Narration --- p.6 ; Chapter 1.2 --- Methodology --- p.10 ; Chapter 1.2.1 --- Typology --- p.10 ; Chapter 1.2.2 --- Film Analysis as Method --- p.11 ; Chapter 1.2.3 --- Case Selection --- p.16 ; Chapter CHAPTER 2 --- SOCIAL BACKGROUND OF CHINA: 1949-1989 --- p.22 ; Chapter 2.1 --- Background of the First Period:1949-1978 --- p.22 ; Chapter 2.1.1 --- "New China, New Women" --- p.22 ; Chapter 2.1.2 --- The Cooperative Movement and the Communization Movement:1952- --- p.24 ; Chapter 2.1.3 --- The Great Leap Forward and the Suppression of Individualism:1958-1960 --- p.26 ; Chapter 2.1.4 --- The Magnification of Class Struggle and the Cultural Revolution --- p.28 ; Chapter 2.1.5 --- The Unchanged Philosophy behind the Changing Policies: the Strategic Opening Up of Public Domain for Women --- p.30 ; Chapter 2.2 --- Economic and Political Landscape after the Cultural Revolution: 1979-1989 --- p.31 ; Chapter 2.2.1 --- Economic Reform and the Concomitant Social Problems --- p.31 ; Chapter 2.2.2 --- Political Liberalization and the Backlashes --- p.32 ; Chapter 2.2.3 --- "The ""Cultural Fever"" and the ""Fifth Generation"" Filmmakers" --- p.33 ; Chapter 2.2.3.1 --- Collective Frustration: The Social Sentiment after the National Trauma --- p.33 ; Chapter 2.2.3.1.1 --- Traumatic Experiences during the Cultural Revolution --- p.33 ; Chapter 2.2.3.1.2 --- The Lost Past --- p.36 ; Chapter 2.2.3.1.3 --- The Meaningless Present --- p.36 ; Chapter 2.2.3.2 --- The Specter of Westernization --- p.37 ; Chapter 2.2.3.2.1 --- ...

So Ka Lok Carol. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2004. ; Includes bibliographical references (leaves 189-200). ; Abstracts in English and Chinese. ; Chapter Chapter 1 --- Introduction ; Chapter 1.1 --- Research Background --- p.1 ; Chapter 1.2 --- Research Puzzle --- p.4 ; Chapter 1.3 --- Research Questions and Major Thesis --- p.6 ; Chapter 1.4 --- Layout of the Thesis --- p.8 ; Chapter Chapter 2 --- Literature Review and Analytical Framework ; Chapter 2.1 --- Introduction --- p.12 ; Chapter 2.2 --- State Feminism and the Stetson and Mazur Model --- p.12 ; Chapter 2.3 --- The Macro Movement Dynamics: Political Opportunities Structure --- p.25 ; Chapter 2.4 --- The Micro Movement Dynamics: Framing Political Opportunities --- p.33 ; Chapter 2.5 --- Analytical Framework --- p.37 ; Chapter 2.6 --- Methodological Orientations --- p.44 ; Chapter Chapter 3 --- Women's Policy Machineries in Hong Kong: A Historical and Structural Overview ; Chapter 3.1 --- Introduction --- p.51 ; Chapter 3.2 --- Paving the Road --- p.51 ; Chapter 3.3 --- "The Equal Opportunities Commission: The ""Equality"" Project" --- p.55 ; Chapter 3.3.1 --- Appointment of Members: The Critical but Mysterious Process --- p.57 ; Chapter 3.3.2 --- EOC as Characterized by Investigation and Conciliation --- p.59 ; Chapter 3.4 --- Women's Commission: The Umbrella Organization --- p.60 ; Chapter 3.4.1 --- Actions of WoC --- p.62 ; Chapter 3.4.2 --- Appointment of WoC Members --- p.63 ; Chapter 3.4.3 --- The Structure of WoC: Following the International Pace? --- p.64 ; Chapter 3.4.4 --- Relationship Between EOC and WoC --- p.66 ; Chapter Chapter 4 --- Struggling for a Seat: Participation in the Political Arena ; Chapter 4.1 --- Introduction --- p.69 ; Chapter 4.2 --- Gaining an Entrance --- p.70 ; Chapter 4.2.1 --- The Significance of Gaining an Entrance --- p.79 ; Chapter 4.2.2 --- Obstacles in Entering the System --- p.81 ; Chapter 4.3 --- Collaborations and Participations with the System --- p.89 ; Chapter Chapter 5 --- Gender ...

prepared by Chu Yan-kit. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 1999. ; Includes bibliographical references (leaves 125-145). ; Abstract also in Chinese. ; Acknowledgments --- p.iii-iv ; List of Tables and Figures --- p.vii-ix ; List of Abbreviations --- p.x ; Abstract --- p.xi-xiv ; Chapter Chapter One: --- Introduction --- p.1-39 ; Chapter 1.1 --- Scope and Purpose --- p.1-2 ; Chapter 1.2 --- Literature Review --- p.3-18 ; Chapter 1.2.1 --- Public Budgeting Researches in Hong Kong --- p.3-4 ; Chapter 1.2.2 --- On-Hand Budgeting Theories --- p.5-12 ; Chapter 1.2.3 --- Neo-Institutional Approach --- p.13-18 ; Chapter 1.3 --- Conceptualization --- p.19-27 ; Chapter 1.3.1 --- Premises of the Explanatory Model --- p.19 ; Chapter 1.3.2 --- Rationale of the Model --- p.20-27 ; Chapter 1.4 --- Operationalization --- p.28-36 ; Chapter 1.4.1 --- Working Definitions --- p.28-29 ; Chapter 1.4.2 --- Operationalization of the Research --- p.29-32 ; Chapter 1.4.3 --- Indicators and Hypotheses --- p.32-34 ; Chapter 1.4.4 --- Methodology --- p.35-36 ; Chapter 1.5 --- Organization of the Research --- p.37 ; Notes --- p.38-39 ; Chapter Chapter Two: --- The Background --- p.40-69 ; Chapter 2.1 --- Characteristics of the Colonial Public Finance System & Marco-Economic Context for the Public Finance System --- p.40-47 ; Chapter 2.1.1 --- Revenue Aspect of the Public Finance System --- p.40-41 ; Chapter 2.1.2 --- Expenditure Aspect of the Public Finance System 42- --- p.47 ; Chapter 2.2 --- Macro Economic Context for the Two Institutional Levels from the 1970s to the 1990s --- p.48-53 ; Chapter 2.2.1 --- Financially Non-Stringent & Stringent Periods for the First Level Institutions --- p.48-50 ; Chapter 2.2.2 --- Non-Hostile & Hostile Periods for the Second Level Institutions --- p.51-53 ; Chapter 2.3 --- Composition and Characteristics of the Actors in the Two Institutional Levels --- p.54-59 ; Chapter 2.3.1 --- Actors in the First Level Institutions and the Second Level Institutions --- p.54 ; Chapter ...

Chan, Pui Shan. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. ; Includes bibliographical references (leaves 113-118). ; Abstracts in English and Chinese; appendixes includes Chinese. ; Acknowledgements --- p.ii ; Abstract --- p.iii ; Chapter Chapter 1: --- The Political and Social Influence on the Development of Hong Kong Film Industry and the Cantonese Cinema in the 1950s and the 1960s --- p.1 ; Chapter Chapter 2: --- Defining the Genre: Three Characteristics of Hong Kong Cantonese Youth Film --- p.24 ; Chapter Chapter 3: --- The Functions and Characteristics of Song in Cantonese Youth Film --- p.53 ; Chapter Chapter 4: --- The Modernity of Cantonese Cinema and the City (Hong Kong) --- p.87 ; Chapter Conclusion: --- Hong Kong Cantonese Youth Film and the Construction of Identity --- p.104 ; Appendix 1 --- p.107 ; Appendix 2 --- p.109 ; Appendix 3 --- p.111 ; Bibliography --- p.112

He, Mali. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2007. ; Includes bibliographical references (leaves 104-112). ; Abstracts in English and Chinese. ; Abstract (English version) --- p.i ; Abstract (Chinese version) --- p.iii ; Acknowledgement --- p.v ; Table of Contents --- p.vii ; List of Tables --- p.ix ; List of Figures --- p.x ; Chapter Chapter 1. --- Local Media Industry in the Global Context --- p.1 ; Chapter 1.1 --- Introduction --- p.1 ; Chapter 1.2 --- The Issues of Globalization --- p.5 ; Chapter 1.3 --- Cultural Industries: Political Economy in Practice --- p.12 ; Chapter 1.4 --- Hollywood Reacquainted --- p.14 ; Chapter Chapter 2. --- Industrial Reforms and the Current Development of the Chinese Film Industry --- p.18 ; Chapter 2.1 --- Trajectory of the Chinese Film Industrial Reforms --- p.18 ; Chapter 2.11 --- The Internal Industrial Reform --- p.20 ; Chapter 2.12 --- The Reforms on External Policy --- p.22 ; Chapter 2.13 --- Closer Economic Partnership Agreement (CEPA) --- p.26 ; Chapter 2.14 --- Consequences of and Implications for the Chinese Film Industrial Reforms --- p.29 ; Chapter 2.2 --- A Glance at the Current Development and Dilemma in the Chinese Film Industry --- p.31 ; Chapter Chapter 3. --- Research Questions and Methodology --- p.39 ; Chapter 3.1 --- Analytical Framework --- p.39 ; Chapter 3.2 --- Research Questions --- p.42 ; Chapter 3.3 --- Methodology --- p.43 ; Chapter Chapter 4. --- The Analysis of Localization of the Foreign Media Capital in Crazy Stone --- p.48 ; Chapter 4.1 --- Trajectory of Warner Bros. Entering Mainland China Market --- p.49 ; Chapter 4.2 --- Investment Mode of Crazy Stone --- p.53 ; Chapter 4.3 --- Successful Strategies Contributing to the Success of Crazy Stone --- p.60 ; Chapter 4.3.1 --- Localization of the Creative --- p.60 ; Chapter 4.3.2 --- Localization of the Content --- p.65 ; Chapter 4.33 --- Localization of the Economic --- p.74 ; Chapter 4.34 --- Localization of Marketing Strategies --- p.80 ; Chapter 4.35 --- Success of Crazy Stone ...

自1989 年以来,中国独立电影在国家电影体制的管控之下,已经发展二十余年。随着数字摄影、非线性编辑、互联网应用等技术的不断提升,今天的独立电影与以往相比,拍摄成本更低、制作方式更便捷、影像质量更高、传播手段多样化;但其创作力和艺术水准并没有大幅提升,反而呈现停滞,甚至下降趋势。究其原因,当然包括官方压制、国内电影市场冲击、海外影展关注度降低等多方面外界因素的影响,但中国独立电影内部环境和中国独立电影人自身所存在的问题则往往被人们忽略掉了。本研究正是通过对中国独立电影二十余年历史的梳理,力图描述其内部生态环境的变化,提出中国独立电影在原有国家电影体制之外建构了一个新的体制--"亚体制",并分析"亚体制"对于当前独立电影创作和独立电影评论的影响。 ; 国家电影体制对中国独立电影的管控由来已久,尤其表现在对其传播、发行、放映的控制上。在此情况下,"前DV 时代(1989-2000 年)的独立电影人经历了从体制中逃离、与体制合作、回归体制的路线。而同时,一些民间电影放映社团逐渐搭建起了自己的独立电影放映管道,并培养了一批帮助独立作者进行影片推广的"中间人"。在"后DV 时代"(2000 至今),各地放映社团发展壮大,开始举办独立电影节,"中间人"也由此获得了更多的权力和威信,变为具有较强话语权的"关键人。就这样,以民间放映社团为单位,独立电影节为支柱,"关键人"为核心,独立电影基金、学校、资料馆、公司为分支的独立电影"亚体制"框架基本形成。本研究主要通过人物采访、田野考察、影像文本分析等方法,结合布迪厄(Pierre Bourdieu)"场域"的相关理论分析这一"亚体制"的结构关系、经济链条和体制化表象。 ; 经过论证,本研究认为在独立电影"亚体制"的场域中,"关键人"通过积累文化资本、经济资本和社会资本的方式来获得权力,并在此基础之上建立其评价体系,形成"非主流"中的主流标准。如果这种状况得不到改善,"阶级"、"霸权"、"垄断"等问题将会愈演愈烈,独立电影界也会重蹈原有体制的覆辙,其内部会逐渐丧失"独立性",最终导致抑制独立电影多元化发展的结果。 ; Since 1989, the independent film in China, under the control of national cinema institution, has already had a history of more than 20-year development. With the continuous improvement of technology in the fields of photography, editing and internet application, today's Chinese independent film has lower producing cost, quicker production methods, higher image quality, and more diversified transmission methods. However, instead of a substantial improvement, the creativity and theartistic criteria of the films tend to stagnate and even have a tendency to decline, for which the main reasons might be government control, the impact of the domestic film market, the reduced attention of abroad film festivals and other external factors, but we cannot ignore the internal problems in the ecosystems of the independent film and the filmmaker themselves. This study, through sorting the over-20-year development history of independent films in China, strives to describe the changes of the internal ecological environment and put forward institutionalization of the independent film outside the national institution. ; The national cinema institution has a ...

張詠思. ; "2012年1月". ; "2012 nian 1 yue". ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2012. ; Includes bibliographical references (leaves 144-152). ; Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. ; Abstract in Chinese and English. ; Zhang Yongsi.