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Transnational Representations: The State of Taiwan Film in the 1960s and 1970s by James Wicks
In: Journal of global south studies, Band 35, Heft 1, S. 186-188
ISSN: 2476-1419
Hollywood of the East: the rise and fall of the Hong Kong film industry since the 1970s
Shin, Kei-Wah Victor. ; "November 2010." ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. ; Includes bibliographical references (leaves 177-198). ; Abstracts in English and Chinese. ; Abstract --- p.i ; Acknowledgments --- p.iv ; Table of Contents --- p.vi ; List of Tables --- p.ix ; List of Figures --- p.xii ; Chapter Chapter 1: --- Framing the Puzzles --- p.1 ; "INTRODUCING: ""The Curious Case of. a Fallen 'Asian Hollywood'""" --- p.3 ; METHOD AND DATA --- p.6 ; STRUCTURE OF THE THESIS --- p.12 ; Chapter Chapter 2: --- ""The Blind Side"" of Existing Explanations" --- p.15 ; CONVENTIONAL EXPLANATIONS --- p.17 ; Triad Intrusion and Piracy --- p.17 ; Hasty and Unpolished Productions --- p.19 ; EXPLANATIONS DERIVED FROM THEORETICAL PERSPECTIVES --- p.21 ; The Cultural Imperialism approach --- p.22 ; The Cultural-flows/ Network approach --- p.27 ; Suppositions related to the Cultural-flows/ Network approach --- p.32 ; The Reception approach --- p.36 ; The Cultural Policy and Strategies approach --- p.41 ; What about the Receiving Countries? --- p.46 ; THE POLITICAL-CULTURAL APPROACH --- p.48 ; Chapter Chapter 3: --- The "Bloom´ح in the 1970s and the 1980s --- p.53 ; "THE ""BLOOM""" --- p.53 ; BRINGING IN THE POLITICAL-CULTURAL APPROACH --- p.57 ; THE INDUSTRIAL SETTING OF THE HONG KONG FILM MARKET VIS-A-VIS HOLLYWOOD --- p.59 ; THE SOCIAL STRUCTURE OF THE HONG KONG FILM MARKET --- p.62 ; From Studio System to Independent Production System since the 1970s --- p.63 ; The Revenue-sharing Structure --- p.68 ; """CONCEPTIONS OF CONTROL"" IN THE HONG KONG FILM MARKET (1970s - 1980s)" --- p.70 ; Distributor-driven Exhibition --- p.72 ; Distributor-driven Production --- p.75 ; HONG KONG FILM INDUSTRY AT ITS PEAK IN THE LATE 1980s --- p.81 ; SUMMARY --- p.88 ; Chapter Chapter 4: --- "The ""Twilight"" since the mid-1990s" --- p.91 ; WHAT HAPPENED DURING THE 1990s? --- p.91 ; The Plot in Brief --- p.92 ; THE KEY TO SUCCESS TURNS INTO A SOURCE OF STRESS --- p.97 ; "Conventional Practices inscribed in the ...
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"A Spontaneous Loss of Enthusiasm": Workplace Feminism and the Transformation of Women's Service Jobs in the 1970s
In: International labor and working class history: ILWCH, Band 56, S. 23-44
ISSN: 0147-5479
KONSTRUKSI FEMINISME DALAM FILM LITTLE WOMEN (Sebuah Studi Semiotika)
Clara Yunita Afdiani. 2216500005. 2021. KONSTRUKSI FEMINISME DALAM FILM LITTLE WOMEN (Sebuah Studi Semiotika). SKRIPSI. Pembimbing I : Dra. Hj. Oemi Hartati, M.Si. Pembimbing II : Diryo Suparto, S.IP, M.Si. Program Studi Ilmu Komunikasi. Fakultas Ilmu Sosial Dan Ilmu Politik. Universitas Pancasakti Tegal. Film Little Women adalah film yang diadaptasi dari novel klasik bertema feminisme karya Louisa May Alcott. Sesuai versi novelnya, film ini mengangkat cerita kehidupan dan dilemma perempuan abad ke -18 tentang impian dan penikahan. Penelitian ini bertujuan untuk mengetahui konstruksi feminisme dalam film Little Women dan mengetahui tanda-tanda yang terdapat dalam film tersebut. Dalam penelitian ini, penulis menggunakan metode kualitatif deskriptif dengan teknik pengumpulan data berupa pengamatan terhadap objek penelitian dan studi pustaka. Untuk menganalisis data, penulis menggunakan analisis Semiotika Charles Sander Pierce melalui tiga tahap yaitu Sign, Object, dan Interpretant. Untuk mengelompokkan scene dan capture dalam film ini penulis menggunakan Pendekatan Interseksional antar kategoris Mc Call dan Klasifikasi feminisme oleh Insani Nur Citra S yang terdiri dari Occupation, Sexuality, Gender, dan Labelling. Penelitian ini menghasilkan beberapa kesimpulan tentang feminisme dalam film Little Women. Terdapat 19 scene dan 73 gambar yang mengandung feminisme dalam film ini. Dari 5 konsep klasifikasi kemiskinan yang peneliti pilih untuk mengkonstruksikan feminisme dalam film Little Women, konsep feminisme pertama yakni klasifikasi Stereotipe membentuk opini individu (Labelling) merupakan klasifikasi dengan sub terbanyak yaitu terdapat 7 sub klasifikasi. Ditunjukkan jika labelling yang dibentuk masyarakat untuk perempuan sangatlah banyak dan mencakup ke berbagai aspek kehidupan pada zaman itu, mulai dari sikap, kelakuan, kesopan santunan, penampilan, bahkan hak yang mereka dapatkan juga diatur dalam stereotipe yang tumbuh subur dimasyarakat, hal ini mencerminkan bahwa ketidakberdayaan dan ketidakadilan yang dirasakan berasal dari masyarakat itu sendiri. Kata Kunci : Film, Feminisme, Semiotika
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From Vogue to the Virgin Mary: Marina Warner and Constructions of Female Agency in 1970s Feminism
In: Women's studies: an interdisciplinary journal, Band 45, Heft 8, S. 726
ISSN: 0049-7878
FromVogueto the Virgin Mary: Marina Warner and Constructions of Female Agency in 1970s Feminism
In: Women's studies: an interdisciplinary journal, Band 45, Heft 8, S. 726-742
ISSN: 1547-7045
"A Spontaneous Loss of Enthusiasm": Workplace Feminism and the Transformation of Women's Service Jobs in the 1970s
In: International Labor and Working-Class History, Band 56, S. 23-44
Raised Fists:Politics, Technology, and Embodiment in 1970s French Feminist Video Collectives
In: Murray , R 2016 , ' Raised Fists : Politics, Technology, and Embodiment in 1970s French Feminist Video Collectives ' , CAMERA OBSCURA , vol. 31 , no. 1 (91) , pp. 93-121 . https://doi.org/10.1215/02705346-3454441
This article assesses the impact and import of 1970s French feminist video collectives, focusing on the relationship between technology, subjectivity, and embodiment. It investigates how early portable video technology provided the tools for an exploration of subjectivity as collective and political, focusing in particular on the work of French activist video collectives Vidéo Out, les Muses s'amusent, and les Insoumuses. Arguing for protoqueer, nomadic, dissident, and performative modes of expression, it demonstrates that collective subjectivity never follows a clear, linear pattern but rather emerges, so to speak, through the lines, much like the video image itself.
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Towards Other Cinemas : a critical re-assessment of 1970s independent film and video
Four screenings curated by Claire M. Holdsworth (Kingston School of Art) with writer and director Professor Sue Clayton (Goldsmiths University London) and theorist Professor Laura Mulvey (Birkbeck, University of London) in partnership with LUX, London and the Whitechapel Gallery. Each installment examined experimental film- and video- making in 1970s Britain, bringing together thematic collections of diverse works to explore how younger generations re-activate this recent past, engaging with essays in a new collection of writings. 4037 The opening event (Saturday 16 September) screened works by Clayton and Mulvey at Close-Up cinema, with a Q&A chaired by Helen de Witt (Curator, BFI). This was followed by a day-long series (Sunday 17 September) at the Whitechapel Gallery cinema: 'Activated Spaces' (chair, Clayton) with guest speaker Dr Steve Presence (Research Fellow, University of the West of England, Bristol); 'Listening In' (chair, Holdsworth) with Dr Lucy Reynolds (Senior Lecturer and researcher, Westminster University, London); and 'Time and Place' (chair Mulvey) with Kodwo Eshun (Lecturer in Contemporary Art Theory at Goldsmiths, Visiting Professor, Haut Ecole d'Art et Design, Genève and co-founder of the Turner Prize nominated Otolith Group).
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The 1970s
In: American popular culture through history
Few conventions were left unchallenged in the 1970s as Americans witnessed a decade of sweeping social, cultural, economic, and political upheavals. The fresh anguish of the Vietnam War, the disillusionment of Watergate, the recession, and the oil embargo all contributed to an era of social movements, political mistrust, and not surprisingly, rich cultural diversity. It was the "Me Decade," a reaction against 60s radicalism reflected in fashion, film, the arts, and music. Songs of the Ramones, the Sex Pistols, and Patti Smith brought the aggressive punk-rock music into the mainstream, introducing teenagers to rebellious punk fashions. It was also the decade of disco: Who can forget the image of John Travolta as Tony Manero in Saturday Night Fever decked out in a three-piece white leisure suit with his shirt collar open, his hand points towards the heavens as the lighted disco floor glares defiantly below him? While the turbulent decade ushered in Ms. magazine, Mood rings, Studio 54, Stephen King horror novels, and granola, it was also the decade in which over 25 million video game systems made their way into our homes, allowing Asteroids and Pac-Man games to be played out on televisions in living rooms throughout the country. Whether it was the boom of environmentalism or the bust of the Nixon administration and public life as we knew it, the era represented a profound shift in American society and culture. This compelling book chronicles the significant changes in our country during the 70s, from the women's and civil rights movements to the energy crisis. Chapters explore various aspects of popular culture, including advertising, literature, leisure activities, visual arts, and travel. Supplemental resources include a timeline of important events, cost comparisons, and an extensive bibliography for further reading
The Shaping of Political Agency: Feminism and the National Social Policy Debate, the 1970s and Early 1980s
In: Studies in political economy: SPE ; a socialist review, Heft 66, S. 37-58
ISSN: 0707-8552
The Real Impact of Subsidies on the Film Industry (1970s–Present): Lessons from France and Korea
In: Pacific affairs: an international review of Asia and the Pacific, Band 90, Heft 1, S. 51-75
ISSN: 1715-3379