Investigations into the Phenomenology and the Ontology of the Work of Art: What Are Artworks and How Do We Experience Them?
In: Contributions to Phenomenology Ser. v.81
Intro -- Contents -- Introduction -- References -- Temporal Aspects of Literary Reading -- 1 Introduction -- 2 No Habituation -- 3 Intentionality Deferred -- 4 Thwarting of Prototypical Feeling -- 5 Bodily Alertness Underlies Representation -- 6 Animacy of Events and Objects -- 7 Sequence Issues -- References -- Memory and Mental States in the Appreciation of Literature -- 1 Introduction -- 2 Literary Studies -- 3 Evidence on Memory for Text -- 4 Text Processing in Context -- 5 Evidence on Mind Wandering and Engagement -- 5.1 Method -- 5.2 Results -- 5.3 Discussion -- 6 Conclusions -- References -- Temporal Conflict in the Reading Experience -- 1 Introduction -- 2 Presentation of Literary Artworks and the Reader's Temporal Perspective -- 3 Temporal Perspective in Memory -- 4 Temporal Perspective in Literature -- 5 Temporal Conflict in the Reading Experience: The Example of the Pseudo-Iterative -- 5.1 Flaubert's Éternel Imparfait -- 5.2 Kafka's Eternal Present -- 6 Conclusion -- References -- The Aesthetic Experience with Visual Art "At First Glance" -- 1 The Painting Gist -- 2 Early Investigations of the Nature of the Painting Gist -- 3 Pre-attentive Detection of the Collative Properties of Paintings -- 4 Pictorial Balance-A Perceptual Primitive -- 5 Meaningfulness Is Detectable in Painting Gist Perception -- 6 Categorization of a Painting's Content and Style at First Glance -- 7 Perceptual Processing of Paintings Across the Time-Course of an Aesthetic Experience -- 8 Conclusions -- References -- What Is a Surface? In the Real World? And Pictures? -- 1 Real Surfaces -- 2 Information and Surfaces -- 3 The Surface in the History of Perception Science -- 4 Perception and Elevation and Azimuth -- 5 Perception's Biases and Far Surfaces -- 6 Theories of Biases -- 7 Bias on a Picture Surface -- 8 Conclusion -- References.