Angewandte Philosophie: eine internationale Zeitschrift = Applied philosophy : an international journal
ISSN: 2198-8404
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ISSN: 2198-8404
In: Applied Theatre
In: Applied Theatre Ser.
FC -- Half title -- Series -- Title -- Copyright -- Contents -- List of Illustrations -- Acknowledgements -- Notes on Contributors -- Part 1 -- Introduction Katharine Low -- 1 Understanding Health, Wellbeing, the Millennium Development Goals and Health Inequities Katharine Low -- 2 Aesthetics, Instrumentalism and Ethics in Health and Wellbeing Veronica Baxter -- Part 2 -- 3 Ageing: Dementia Care, Death and Dying (the UK and North America) -- 3.1 Introduction Katharine Low -- 3.2 Essay - Participatory theatre and dementia Nicola Hatton
In: White, Gareth (2015) Applied Theatre: Aesthetics. Applied Theatre . Methuen Drama, London. ISBN 9781472513557
Applied Theatre: Aesthetics re-examines how the idea of 'the aesthetic' is relevant to performance in social settings. The disinterestedness that traditional aesthetics claims as a key characteristic of art makes little sense when making performances with ordinary people, rooted in their lives and communities, and with personal and social change as its aim. Yet practitioners of applied arts know that their work is not reducible to social work, therapy or education. Reconciling the simultaneous autonomy and heteronomy of art is the problem of aesthetics in applied arts. Gareth White's introductory essay reviews the field, and proposes an interdisciplinary approach that builds on new developments in evolutionary, cognitive and neuro-aesthetics alongside the politics of art. It addresses the complexities of art and the aesthetic as everyday behaviours and responses. The second part of the book is made up of essays from leading experts and new voices in the practice and theory of applied performance, reflecting on the key problematics of applying performance with non-performers. New and innovative practice is described and interrogated, and fresh thinking is introduced in response to perennial problems. - See more at: http://www.bloomsbury.com/uk/applied-theatre-aesthetics-9781472513557/#sthash.bX5R1Tmy.dpuf
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In: Narrative inquiry: a forum for theoretical, empirical, and methodological work on narrative, Band 16, Heft 1, S. 181-190
ISSN: 1569-9935
Ethnopoetics is a form of narrative analysis designed, initially, for the analysis of folk stories and based on an ethnographic performance-based understanding of narrative emphasizing that meaning is an effect of performance. It offers opportunities for analyzing 'voice'. The ways in which speakers themselves organize stories along indexical patterns of emphasis, focus, super- and subordination and so on. As such, it is a potentially very useful tool for tracking 'local' patterns of meaning-making in narrative. I argue that ethnopoetics could be productively applied to data in which different systems of meaning-making meet — a condition that defines many important service-providing systems in globalizing contexts. Asylum applications in Western Europe are a case in point, and examples will be used from that domain, but the potential usefulness of such an applied ethnopoetics stretches into many other types of service encounters in which crosscultural storytelling is crucial.
APPLIED MACROECONOMETRICS -- LEGAL -- CONTENTS -- CHAPTER 1: PANEL DATA MODELS -- 1.1. STATIC PANEL DATA MODELS -- 1.2 THE FIXED EFFECTS ('WITHIN') ESTIMATOR -- 1.3 THE BETWEEN ESTIMATOR -- 1.4 THE FIRST-DIFFERENCED (FD) ESTIMATOR -- 1.5 AN EXTENSION OF THE FIXED EFFECTS ESTIMATOR -- 1.6 THE POOLED OLS ESTIMATOR -- 1.7 RANDOM EFFECTS -- 1.8 FIXED EFFECTS OR RANDOM EFFECTS -- 1.9 MEAN GROUP (MG) ESTIMATOR -- 1.10 DYNAMICS PANEL DATA MODELS -- CHAPTER 2: VAR MODELS -- 2.1 BIVARIATE STRUCTURAL MODEL -- 2.2 MULTIVARIATE STRUCTURAL MODEL -- 2.3 STATIONARITY -- 2.4 IDENTIFICATION -- 2.5 ESTIMATION -- 2.6 MODEL SELECTION CRITERIA -- 2.7 IMPULSE RESPONSE ANALYSIS -- 2.8 IMPULSE RESPONSE ANALYSIS: SENSITIVITY (...) -- 2.9 EXAMPLES FROM MACRO VARS -- 2.10 FORECASTING.
In: Journal of social philosophy, Band 21, Heft 1, S. 16-26
ISSN: 1467-9833
Without in the least teaching common reason anything new, we need only to draw its attention to its own principle, in the manner of Socrates, thus showing that neither science nor philosophy is needed in order to know what one has to do in order to be honest and good, and even wise and virtuous.
In: Computers, Environment and Urban Systems, Band 14, Heft 1, S. 69