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"This book explores the foundations of early Soviet architecture and planning in a narrative arc across vast geography. The book binds together three industrial-residential projects in Baku, Magnitogorsk, and Kharkiv, built during the first fifteen years of the Soviet Union, that became living laboratories to test socialist spatial models"--

Spatial Revolution is the first comparative parallel study of Soviet architecture and planning to create a narrative arc across a vast geography. The narrative binds together three critical industrial-residential projects in Baku, Magnitogorsk, and Kharkiv, built during the first fifteen years of the Soviet project and followed attentively worldwide after the collapse of capitalist markets in 1929. Among the revelations provided by Christina E. Crawford is the degree to which outside experts participated in the construction of the Soviet industrial complex, while facing difficult topographies, near-impossible deadlines, and inchoate theories of socialist space-making. Crawford describes how early Soviet architecture and planning activities were kinetic and negotiated and how questions about the proper distribution of people and industry under socialism were posed and refined through the construction of brick and mortar, steel and concrete projects, living laboratories that tested alternative spatial models. As a result, Spatial Revolution answers important questions of how the first Soviet industrialization drive was a catalyst for construction of thousands of new enterprises on remote sites across the Eurasian continent, an effort that spread to far-flung sites in other socialist states—and capitalist welfare states—for decades to follow. Thanks to generous funding from Emory University and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.

This is the first comparative parallel study of Soviet architecture and planning to create a narrative arc across a vast geography. The narrative binds together three critical industrial-residential projects in Baku, Magnitogorsk, and Kharkiv, built during the first fifteen years of the Soviet project and followed attentively worldwide after the collapse of capitalist markets in 1929.Among the revelations provided by Christina E. Crawford is the degree to which outside experts participated in the construction of the Soviet industrial complex, while facing difficult topographies, near-impossible deadlines, and inchoate theories of socialist space-making. Crawford describes how early Soviet architecture and planning activities were kinetic and negotiated and how questions about the proper distribution of people and industry under socialism were posed and refined through the construction of brick and mortar, steel and concrete projects, living laboratories that tested alternative spatial models. As a result, Spatial Revolution answers important questions of how the first Soviet industrialization drive was a catalyst for construction of thousands of new enterprises on remote sites across the Eurasian continent, an effort that spread to far-flung sites in other socialist states – and capitalist welfare states – for decades to follow.

pt. I. Conceptual challenges : re-addressing public space in a relational perspective / Chiara Tornaghi and Sabine Knierbein -- pt. II. Practical challenges : exploring innovative tools in teaching architecture and planning / Sabine Knierbein and Chiara Tornaghi -- pt. III. Research challenges : innovating curricula by learning from lived space / Sabine Knierbein and Chiara Tornaghi.

Historic Arab cities show a variety of origins and modernization patterns; these were conditioned on the one hand by external factors such as pre-existing settlements, deliberate locational choices and prevailing dynastic modernization and transformation, on the other hand by internal factors such as the morphological principles implied in individual architecture components and in genesis of the urban environment In this paper, we will try to highlight the socio-cultural aspects in the city structure context and their relations to the city morphology referring to the underlying shaping forces of urban form which, drawing on related, deep-rooted human attitudes, constitute the real agents of physical manifestation and are source of the non-material qualities transpiring through materials expressions. This presentation seeks to understand the significance of the city structure in different dimensions of urban environment.Understanding the interaction between underlying political, economic, socio-cultural forces as deep structure elements is an important aspect of research objectives. This paper also studies how physical or functional changes follow changes in the underlying forces among the modernization process and city structure regeneration.The approach to the research objectives is based on two methodologies:• Deductive: a theoretical investigation based on the properties of the city structure, definitions, principles of design, and the dilemma of achieving modernization is as much cultural as technical. This combines information from literature reviews and the ideas of key figures in the urban development field and the place-identity, social identity and identity process as theories for cultural models of the city.• Inductive: a study of Algiers as example of historical settlements that have undergone much change processes. The study looks to elicit the images of the city main structure to support the theoretical propositions of surface and deep structural city elements. The conclusion to this part is based on an analysis of the case study.The research concludes its conclusion through the theoretical and empirical work the socio- cultural aspect in the modernization process as a board and complex field.Moreover, it introduces the concept of City Structure as a new way to envisage urban Conservation studies.

URL: http://iconarp.selcuk.edu.tr/iconarp/article/view/87 ; Historic Arab cities show a variety of origins and modernization patterns; these were conditioned on the one hand by external factors such as pre-existing settlements, deliberate locational choices and prevailing dynastic modernization and transformation, on the other hand by internal factors such as the morphological principles implied in individual architecture components and in genesis of the urban environment. In this paper, we will try to highlight the socio-cultural aspects in the city structure context and their relations to the city morphology referring to the underlying shaping forces of urban form which, drawing on related, deep-rooted human attitudes, constitute the real agents of physical manifestation and are source of the non-material qualities transpiring through materials expressions. This presentation seeks to understand the significance of the city structure in different dimensions of urban environment. Understanding the interaction between underlying political, economic, socio-cultural forces as deep structure elements is an important aspect of research objectives. This paper also studies how physical or functional changes follow changes in the underlying forces among the modernization process and city structure regeneration. The approach to the research objectives is based on two methodologies: • Deductive: a theoretical investigation based on the properties of the city structure, definitions, principles of design, and the dilemma of achieving modernization is as much cultural as technical. This combines information from literature reviews and the ideas of key figures in the urban development field and the place-identity, social identity and identity process as theories for cultural models of the city. • Inductive: a study of Algiers as example of historical settlements that have undergone much change processes. The study looks to elicit the images of the city main structure to support the theoretical propositions of surface and deep structural city elements. The conclusion to this part is based on an analysis of the case study. The research concludes its conclusion through the theoretical and empirical work the socio- cultural aspect in the modernization process as a board and complex field. Moreover, it introduces the concept of City Structure as a new way to envisage urban Conservation studies

Traditional approaches to understand space tend to view public space mainly as a shell or container, focussing on its morphological structures and functional uses. That way, its ever-changing meanings, contested or challenged uses have been largely ignored, as well as the contextual and on-going dynamics between social actors, their cultures, and struggles. The key role of space in enabling spatial opportunities for social action, the fluidity of its social meaning and the changing degree of ""publicness"" of a space remain unexplored fields of academic inquiry and professional practice. Publi

As an antidote to the substandard tenement apartment, the ideal of the "small house" (Kleinhaus) was ubiquitous in housing debates in Germany before World War One. Denoting a modestly sized two-story family house aligned with the street, it had its origins in the Middle Ages, during which it was constructed to serve the humble domestic needs of urban craftsmen who lived and worked in thriving trade cities including Lübeck, Bremen, Hamburg, Augsburg, Nuremberg, and Ulm. For modern promoters of low-density alternatives to the tenement, the Kleinhaus was an ideal model for mass appropriation. Unlike foreign and untranslatable dwelling models like the "villa" and the "cottage," the Kleinhaus conveyed something that was both urban and quintessentially Germanic. It was thus enlisted by housing reformers to strengthen local cultural identity whilst raising the standards of the nation's housing stock. This article examines the significance of the Kleinhaus in fostering dialogue between the fields of architecture and planning, and considers its embeddedness in a wider project of cultural nationalism in pre-war Germany.

As an antidote to the substandard tenement apartment, the ideal of the "small house" (Kleinhaus) was ubiquitous in housing debates in Germany before World War One. Denoting a modestly sized two-story family house aligned with the street, it had its origins in the Middle Ages, during which it was constructed to serve the humble domestic needs of urban craftsmen who lived and worked in thriving trade cities including Lübeck, Bremen, Hamburg, Augsburg, Nuremberg, and Ulm. For modern promoters of low-density alternatives to the tenement, the Kleinhaus was an ideal model for mass appropriation. Unlike foreign and untranslatable dwelling models like the "villa" and the "cottage", the Kleinhaus conveyed something that was both urban and quintessentially Germanic. It was thus enlisted by housing reformers to strengthen local cultural identity whilst raising the standards of the nation's housing stock. This article examines the significance of the Kleinhaus in fostering dialogue between the fields of architecture and planning, and considers its embeddedness in a wider project of cultural nationalism in pre-war Germany.