Suchergebnisse

The portrait of King Bladud is engraved by Bernard Baron after William Hoare. ; First published in 1742 as "An essay towards a description of the city of Bath." ; With a leaf of postscript, and a final page of advertisements. ; Signatures: v. 1: A-2G⁴; v. 2: A⁴ 2H-3M⁴ [3N]². ; Vol. 1: [8], 232 p.; v. 2: [8], [233]-456, [4] p. ; ESTC (RLIN) ; Mode of access: Internet. ; Bound in sprinkled calf; spine rebacked; gilt rules on boards; gilt label on spine; edges sprinkled red.

[4], 20 p. ; Dedication signed: Balthazar Gerbier. ; Imperfect: cropped, with print show-through and slight loss of print. ; Reproduction of original in the Harvard University Library.

Includes bibliographic references. ; Mode of access: Internet. ; Spingarn Collection.

Sign.: * 4 , A-Z 4 , Aa-Zz 4 , Aaa-Yyy 4 ; Portada con grabado calcográfico alegórico ; Apostillas marginales

Printed by S. Gusnell. ; Mode of access: Internet. ; BANC; N7425.D23 1800: Imperfect copy: p. v-vi omitted in numbering ; BANC; N7425.D23 1800: Bound with: Dallaway, James. Anecdotes of the arts in England

Vol. 1 has added t.-p., engraved, dated 1801. ; Imprint varies slightly. ; Mode of access: Internet.

Engraved plates by Matthäus Rembold after Furttenbach's designs. ; Signatures: pi²(-pi1) )(² 2):(², ²2):(² 3):(⁴ 4):(² A-V⁴. ; Mode of access: Internet. ; Bound in old mottled calf, with gilt armorial designs on front and rear boards; gilt spine with ornaments and initials "B.P."; gilt red and black label on spine; edges mottled blue; bookplate of Theodore Besterman on front pastedown.

A separate issue of the title appended to The theatre of the present war in the Netherlands and upon the Rhine (London : J. Brindley, 1745). ; Signatures: a-o⁴ p² [-p2]. ; Mode of access: Internet.

This reproduction depicts a view of Saint Mark's Basilica in Piazza San Marco in Venice made by Filippo Vasconi for the cartography collection, "Il gran Teatro di Venezia," first published in 1720 by Domenico Lovisa. Piazza San Marco is the site of some of Venice's most iconic buildings. A key at the bottom of the print identifies various buildings in the square. To the right of the domed basilica is the Doge's Palace, its long rectangular facade articulated in the Venetian Gothic style. Closer the the foreground on the right, the Campanile towers above the people gathered in the square—it is so tall part of the building is out of frame. On the far left of the scene is the Clock Tower, topped with a winged lion of Venice. Together these buildings form the political, social, and religious backbone of Venice. Vasconi carefully rendered these buildings, attempting to capture the architectural details of each. The groups of people standing in the square or huddled around tables speak to the square as a popular and important gathering place. As part of a larger book on cartography, this print preserves an idyllic view of Saint Mark's Basilica and other surrounding landmarks. —Jessica Ferrer ('17) ; https://digital.kenyon.edu/arthistorystudycollection/1073/thumbnail.jpg

Title vignette (printer's device); head and tail pieces. ; Vol. [2] has title: Grund-sätze der heut zu tag üblichen und allen in krieg- und civil-bedienungen höchst-nöthigen mathematischen wissenschaften und lehren. ; 1 th. Arithmetic, geometrie, trigonometrie, mechanic, hydrostatic, aerometrie, hydravlic.--[2. th.]Artillerie, architectvra militaris und civilis. ; Mode of access: Internet. ; Autograph of Georg Louis comte d'Erbach on t.-p. of v.1.

Each vol. includes index. ; Translation of: Neueste Reise durch Teuschland, Böhmen, Ungarn, die Schweiz, Italien und Lothringen. ; Mode of access: Internet.