Suchergebnisse

1. Introduction : Radical Rural Intellectuals -- 2. Fields of Socially Engaged Art -- 3. Imagining the Commune -- 4. The Great Leap Into Utopia -- 5. Trojan Horses or the Artist as Realtor -- 6. "Whose Villiage? -- 7. Conclusion : The end of Utopia? -- Epilogue : Guanxi Aesthetics or the State as Artistic Director

Chau, Tsz Kin. ; "December 2011." ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2012. ; Includes bibliographical references. ; Abstracts in English and Chinese. ; Introduction --- p.1 ; Chapter Chapter 1 --- Who's Pan Yuliang? Whose Pan Yuliang? --- p.7 ; Who's Pan Yuliang? --- p.7 ; Life and Art of Pan Yuliang: Existing Account --- p.12 ; Whose Pan Yuliang? --- p.22 ; "Summary of Existing Accounts: Biography, Oedipus complex and Narcissism" --- p.30 ; Chapter Chapter 2 --- Reconsidering Pan Yuliang --- p.33 ; Academic works in Mainland China and Taiwan since 2000 --- p.33 ; Theorizing the Woman Painter --- p.42 ; Background I: Modern Art in Republican China --- p.54 ; Background II: Paris Modernism --- p.60 ; Chapter Chapter 3 --- Expanding Biography into History --- p.63 ; Chapter Chapter 4 --- The Political Xiesheng and its Gender Politics --- p.82 ; "Pan Yuliang: from Shanghai (1928-32, 36-37) to Nanjing (1933-35)" --- p.83 ; The Mission ofNanjang: National Administering of Modernism --- p.86 ; Pan Yuliang and the Chinese Arts Association --- p.97 ; Xiesheng and a New Woman/painter Subject --- p.113 ; Conclusion: a Different Modern for a Woman Painter --- p.123 ; Chapter Chapter 5 --- Differencing the Modern and Women's Culture --- p.127 ; Theorizing Women's Culture --- p.130 ; Pan Yuliang and Women's Community --- p.134 ; Contextualizing Women's Community: Republican Modernity and Post-war ; Pacifism --- p.137 ; Conclusion: Women's Art and Modernism --- p.145 ; Conclusion Rethinking Republican and Women's Art --- p.146 ; Appendix --- p.150 ; Glossary --- p.158 ; Graphical Materials --- p.165 ; Bibliography --- p.251