The Art of Teaching Art... Today
In: Bulletin de la Classe des Beaux-Arts, Band 16, Heft 7, S. 211-220
In: Bulletin de la Classe des Beaux-Arts, Band 16, Heft 7, S. 211-220
In: Multitudes, Band 4, Heft 1, S. 53-64
ISSN: 1777-5841
In: Bulletin de la Classe des Beaux-Arts, Band 42, Heft 1, S. 50-69
In: Documents: revue du dialogue franco-allemand, Heft 1, S. 23-34
ISSN: 0151-0827
World Affairs Online
In: Bulletin de la Classe des Beaux-Arts, Band 13, Heft 7, S. 305-315
In: Le débat: histoire, politique, société ; revue mensuelle, Band 98, Heft 1, S. 49-59
ISSN: 2111-4587
In: Archipel: études interdisciplinaires sur le monde insulindien, Band 9, Heft 1, S. 93-98
ISSN: 2104-3655
1. Uka Tjandrasasmita (National Centre for Archeology, Jakarta) emphasizes the parallels existing between the decorative motifs of the Mojopahit time and patterns from slightly later time which are to be found on the main Islamic buildings on the north coast of Java (Pasisir). In particular he mentions the famous tomb of Sunan Gunung Jati and publishes, for the first time, photographs of the tomb with the "influence" of Mojopahit clearly visible.
In: Le débat: histoire, politique, société ; revue mensuelle, Band 150, Heft 3, S. 116-133
ISSN: 2111-4587
Plates in v. 4 signed: Benard direxit. ; Plates to accompany this work published in v. 7 of: Recueil de planches de l'Encyclopédie par ordre de matières (Paris : Panckoucke, 1783-90). ; "Supplément, commencé en 1789 par le citoyen (Cessac) Lacuée . repris & continué l'an 5e (1797, v. st.) par le citoyen Joseph Servan"--Preface, v. 4. ; Vol. 2 published 1785, v. 3 - 1787, v. 3 - 1797 (by H. Agasse). ; Preface, v. 1, by the author M. de Keralio. ; Issued as part of Encyclopédie méthodique, ou par ordre de matières. ; t. 1. A-Conn -- t. 2. Conq-Guerre -- t. 3. Guêtre-Zig -- t. 4. Supplément, A-V. 2 leaves of plates (1 folded). Table alphabétique. Table analytique. ; Mode of access: Internet. ; Getty c. 2 lacks v. 4.
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Persian letters and scenes of Iran 29 For example in Khayyâm, the marriage vocabulary intervenes when the author cannot easily express his ideas about the course of the world and the fate of man in his terrestrial life. Thus, in the traditional form of wire puppet known today as Kheymeh shab bâzi, literally 'the nocturnal game of castelet', the Black Mobârak valet faces power, namely sultan or shah. This is reflected in gestures, jokes often consisting of word games and voice productions throughout the performance. In order to understand it more, it is important to bear in mind the development of this marriage representation, which, in its current form, dates back at least to the end of the nineteenth century. It is held in a cloth castelet supported by wooden bars, a tent in which the masterman hides and prepares his puppet to handle each of them in turn. The viewer contrasts them through a rectangular opening serving as stage, adapted to the size of the puppies, between 25 and 30 cm. The master of the small château moves in front of it, accompanies the musician with his entertaining songs and announces the start of the show. After this prologon, the master (hidden again behind his château) brought the first puppies onto the scene. They are held by two or three sons. The former are often danseuses which, by bringing a gay and festive atmosphere to the performance, attract more audiences. The dance scene continues for a few minutes, the time the public moves to settle. The first married character, with the acute voice produced by a device installed in the mouth of the marionnettist, enters stage and surprises the audience with its jokes. The Morched starts its dialogues by asking him a few questions to announce history. It was at that time that we realised the dual speech of this show: one produced by the distorted voice of the Safir, a small sifflet (the 'practice' in French), and the other by the master reinterpreting the words of puppies. It is in this gap that the comic is formed and the spectator welcomes ...
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In: Outre-terre: revue française de géopolitique, Band 50, Heft 1, S. 9-28
ISSN: 1951-624X
In: Le débat: histoire, politique, société ; revue mensuelle, Band 121, Heft 4, S. 187-192
ISSN: 2111-4587