Die folgenden Links führen aus den jeweiligen lokalen Bibliotheken zum Volltext:
Alternativ können Sie versuchen, selbst über Ihren lokalen Bibliothekskatalog auf das gewünschte Dokument zuzugreifen.
Bei Zugriffsproblemen kontaktieren Sie uns gern.
In: Springer eBook Collection
1. Introduction: A Case for Copies -- 2. Apprentice Artists -- 3. Copies for the Colonies -- 4. Paintings-within-Paintings -- 5. Education and Entertainment. - 6. Copies in Public Collections. - 7. Protecting the Past. - 8. Cash for Copies. - 9. Conclusion: Sorting the Wheat from the Chaff. .
In: New Directions in Contemporary Art
In: Kunst und Gesellschaft
The focus on concepts of power and domination in societal structures has characterized sociology since its beginnings. Max Webers definition of power as "imposing ones will on others" is still relevant to explaining processes in the arts, whether their production, imagination, communication, distribution, critique or consumption. Domination in the arts is exercised by internal and external rulers through institutionalized social structures and through beliefs about their legitimacy, achieved by defining and shaping art tastes. The complexity of how the arts relate to power arises from the complexity of the policies of artistic production, distribution and consumptionpolicies which serve to facilitate or hinder an aesthetic object from reaching its intended public. Curators, critics and collectors employ a variety of forms of cultural and artistic communication to mirror and shape the dominant social, economic and political conditions. Arts and Power: Policies in and by the Arts brings together diverse voices who position the societal functions of art in fields of domination and power, of structure and agencywhether they are used to impose hegemonic, totalitarian or unjust goals or to pursue social purposes fostering equal rights and grassroots democracy. The contributions in this volume are exploratory steps towards what we believe can be a more systematic, empirically and theoretically founded sociological debate on the arts and power. And they are an invitation to take further steps. The editors Prof. Dr. Lisa Gaupp, Professor of Cultural Institutions Studies at the Department of Cultural Management and Gender Studies (IKM) at the mdw University of Music and Performing Arts Vienna Hon. Prof. Dr. Alenka Barber-Kersovan, Honorary Professor of Sociology of Music at the Institute of Sociology and Cultural Organization at Leuphana University of Luneburg Prof. Dr. Volker Kirchberg, Professor of Sociology of the Arts at the Institute of Sociology and Cultural Organization at Leuphana University of Luneburg
In: Phaenomenologica, Collection Fondée par H.L. van Breda et Publiée sous le Patronage des Centres D'Archives-Husserl 99
In: Phaenomenologica, Series Founded by H. L. Van Breda and Published Under the Auspices of the Husserl-Archives 99
I. Some Observations on the History of Aesthetics and on the Manner in which Heidegger Has Tried to Retrieve Some of its Essential Moments -- § 1. Introduction. Aesthetics: The Discipline and the Name -- I. The Classical Conceptions of Beauty and Art -- II. Modern Aesthetics -- III. Hegel -- IV. The Century after Hegel -- II. Heidegger's "On the Origin of the Work of Art" -- I. Introductory Reflections. — The Historical Context of the Lectures. — Their Subject Matter and Method -- II. The Thing and The Work -- III. Art Work and Truth -- IV. Truth and Art -- V. On the Essence of Art. Its Coming-to-Presence and Its Abidance -- Notes.
In: Studies in theology and the arts
"Creation and the new creation are inextricably bound, for the God who created the world is the same God who promises a new heaven and a new earth. Bringing together theologians, biblical scholars, and artists, this volume based on the DITA10 conference at Duke Divinity School explores how the relation between creation and the new creation is informed by and reflected in the arts"--
In: Studies in theology and the arts
"Creation and the new creation are inextricably bound, for the God who created the world is the same God who promises a new heaven and a new earth. Bringing together theologians, biblical scholars, and artists, this volume based on the DITA10 conference at Duke Divinity School explores how the relation between creation and the new creation is informed by and reflected in the arts"--
In: Addison Locke Roache Memorial lecture, given at the Conference on Graduate Study in Business and Economics, School of Business, Indiana University 1
In: Indiana BusinessReport, Bureau of Business Research, School of Business, Indiana University 29
Das gesellschaftliche Leben ist im neuen Jahrtausend - besonders seit der Bankenkrise - spürbar politischer geworden. Die Kunst betreibt und dokumentiert diesen Umbruch, denn anfangs haben vorwiegend junge Künstler und Aktivisten ihre Stimme gegen Globalisierung oder Umweltverschmutzung erhoben. Zunehmend werden auch wieder Arbeiten etablierter Künstler von politischen Themen dominiert. "Art & Agenda" untersucht, wie politischer Aktivismus auf globaler und lokaler Ebene auf die zeitgenössische Kunst als Ganzes einwirkt, und stellt eine Vielzahl von Künstlern vor, die sich lokal oder international politisch und gesellschaftlich engagieren. Manche stehen dabei in der Tradition von Agitprop und der Bürgerrechtsbewegung der 1960er Jahre und arbeiten mit Postern, Urban Interventions oder Grafikdesign. Andere bevorzugen etablierte Ausdrucksformen wie Malerei, Skulptur oder Performance. Die Persönlichkeiten und künstlerischen Praktiken sind dabei so unterschiedlich wie die Themen, die bearbeitet werden, denn je nachdem, aus welchem Kulturkreis die Künstler stammen, unterscheiden sich ihre Anliegen, ihre Techniken und ihre Radikalität stark, abhängig vom jeweiligen gesellschaftlichen und politischen Umfeld.
In: World of art
Body art, practiced across the world cultures and throughout history, is the most intimate art form, linking the self, the senses, and the social and political. In recent years, it has proliferated in an unprecedented way, borrowing motifs and practices from many different traditions. Explore their role in expressing personal and cultural identity; their longstanding associations with ritual, theatricality, criminality and beauty; and their recent resurgence via the Modern Primitabe movement and the work of contemporary artists such as Marc Quinn and Rebecca Belmore. The diversity of body arts is chronicled here: from Australian and African traditions of painting and scarification to Chinese footbinding, Russian prison tattoos, Harlem drag balls and the inked designs worn by celebrities such as Tupac Shakur and David Beckham
In: Kunst und Gesellschaft
PrefaceIntroduction: The Art in ArtefactsPart I: Western Perspectives Chapter 1 - The Origins of ArtChapter 2 - Classical ArtChapter 3 - Oriental ArtChapter 4 - Primitive ArtChapter 5 - Prehistoric ArtPart II: Cross-cultural PerspectivesChapter 6 - FormChapter 7 - MeaningChapter 8 - PerformanceChapter 9 - ArchaeologyChapter 10 - The Work of ArtPart III: Artistic Globalisation Chapter 11 - The Art WorldChapter 12 - The Exotic PrimitiveChapter 13 - Marketing Exotic ArtChapter 14 - Artistic ColonialismChapter 15 - The Global and the LocalAfterwordReferencesIndex