Suchergebnisse

Borderland Cities in New India explores contemporary urban life in two cities in India's Northeast borderland at a time of dramatic change. Social and economic transformation from India's embrace of neoliberalism and globalisation, often referred to as 'new' India, has become a popular subject for academic analysis in the last decade. This is epitomised by focus on so-called 'mega-cities', reflecting a general trend in scholarship on other parts of Asia. However, far less attention has been afforded to borderland regions and to the provincial cities of 'new' India. Using ethnographic material, this book focuses on two cities in India's Northeast borderland: Aizawl and Imphal. Both cities have been profoundly affected by armed conflict, militarism, displacement, and inter-ethnic tensions. Yet, both are also experiencing intensified flows of goods and people, rapid urban development, and expansion of Indian and foreign capital associated with the opening of the borderland west to the rest of India and east to the rest of Asia. This title was made Open Access by libraries from around the world through Knowledge Unlatched.

Development Zones in Asian Borderlands maps the nexus between global capital flows, national economic policies, infrastructural connectivity, migration, and aspirations for modernity in the borderlands of South and South-East Asia. In doing so, it demonstrates how these are transforming borderlands from remote, peripheral backyards to front-yards of economic development and state-building. Development zones encapsulate the networks, institutions, politics and processes specific to enclave development, and offer a new analytical framework for thinking about borderlands; namely, as sites of capital accumulation, territorialisation and socio-spatial changes.

A person may be legally blind, yet not "blind enough" to qualify for social services. Beth Omansky explores the lives of legally blind people to show how society responds to those who don't fit neatly into the disabled/nondisabled binary. Probing the experience of education, rehabilitation, and work, as well as the more intimate spheres of religion, family, and romantic relationships, her frank and theoretically sophisticated portrait of the legally blind experience offers an original insight into our understanding of the social construction of disability.

A person may be legally blind, yet not "blind enough" to qualify for social services. Beth Omansky explores the lives of legally blind people to show how society responds to those who don't fit neatly into the disabled/nondisabled binary. Probing the experience of education, rehabilitation, and work, as well as the more intimate spheres of religion, family, and romantic relationships, her frank and theoretically sophisticated portrait of the legally blind experience offers an original insight into our understanding of the social construction of disability.

Cover -- Contents -- 1. Introduction -- Part 1: "Borderland Schengen" -- 2. Coordinates -- 3. The Transnational Social Space of "Borderland Schengen" -- Part 2: Borderland Visualities -- 4. The Visuality and Mediality of Documentary Film -- 5. Representational and Performative Practices -- 6. Attempts of Visibility and Recognition -- 7. Transnational Social Spaces - Transitional Social Spaces -- 8. Conclusion: Borderland Counter-Topographies -- Filmography -- Bibliography

Analysing recent documentary films dealing with undocumented migration at the Schengen Area's fringes and against the backdrop of what has been termed the `European refugee crisis', Jan Kühnemund investigates the interface between migration discourses and image discourses. As an analytical framework, he conceptualises `Borderland Schengen' as a visual-political transnational space emerging from the interplay of migration movements and border policies. Putting the spaces and iconologies of `illegal' migration under scrutiny and aiming at establishing their protagonists as subjects, Kühnemund in this regard reads the films as attempts at discursive participation as an aesthetic political practice.

Analysing recent documentary films dealing with undocumented migration at the Schengen Area's fringes and against the backdrop of what has been termed the `European refugee crisis', Jan Kühnemund investigates the interface between migration discourses and image discourses. As an analytical framework, he conceptualises `Borderland Schengen' as a visual-political transnational space emerging from the interplay of migration movements and border policies. Putting the spaces and iconologies of `illegal' migration under scrutiny and aiming at establishing their protagonists as subjects, Kühnemund in this regard reads the films as attempts at discursive participation as an aesthetic political practice.