Analyzing China's socialist revolution
In: Bulletin of concerned Asian scholars, Band 9, Heft 4, S. 38-49
In: Bulletin of concerned Asian scholars, Band 9, Heft 4, S. 38-49
In: Soviet studies, Band 24, Heft 3, S. 411-413
In: International affairs, Band 48, Heft 1, S. 144-144
ISSN: 1468-2346
In: Monthly Review, Band 24, Heft 7, S. 38
ISSN: 0027-0520
In: Monthly review: an independent socialist magazine, Band 63, Heft 2, S. 38-52
ISSN: 0027-0520
In: Far Eastern affairs: a Russian journal on China, Japan and Asia-Pacific Region ; a quarterly publication of the Institute for Far Eastern Studies, Russian Academy of Sciences, Band 2, S. 78-96
ISSN: 0206-149X
In: East Asian popular culture
"Surveying the latest Chinese TV shows centered on romantic relationships, this book joins the expanding body of literature on the ever-evolving structures of feelings while breaking new grounds in media studies. With its thorough investigation of a wide range of genres, narratives, and public discourses, the volume makes timely and significant contributions to the fields of media studies, China studies, and the cultural history of love and romance." --Hui Faye Xiao, University of Kansas, USA "What does romantic love mean for Chinese people today? How is love represented in popular Chinese television programs? Huike Wens fascinating and important book explores how romantic love promises young Chinese urbanites individual freedom, fulfillment, and purpose in life, yet also plays an ideological role in creating social cohesion and maintaining traditional patriarchal values in post-socialist China. An entertaining and thought-provoking insight into how love functions in contemporary Chinese society." --Hsu-Ming Teo, Macquarie University, Australia This book examines how representations of romantic love in Chinese television programs reflect the contradictions inherent to changing dominant values in post-socialist Chinese mainstream culture. These representations celebrate individual freedom, passion, and gender equality, and promise change based on individual diligence and talent, while simultaneously obstructing the fulfillment of these ideals. Huike Wen is an Associate Professor at Willamette University (Salem, Oregon). Her research focuses on the intersection of genders, emotions, media technology, and nations in transnational Chinese and East Asian media and culture
In: Problems of communism, Band 38, Heft 1, S. 76
ISSN: 0032-941X
In: Pacific affairs, Band 24, Heft 1, S. 3
ISSN: 0030-851X
In: Pacific affairs: an international review of Asia and the Pacific, Band 57, Heft 3, S. 493
ISSN: 1715-3379
In: Routledge contemporary china series
"This book assembles translations of the work of leading critical socialist feminist Song Shaopeng, presenting a concise narrative which theorizes China's political and social development through a gendered lens. Providing insightful editor introductions, the book explores poignant themes from the late imperial to the contemporary eras to examine the evolution of Chinese socialist feminism. This includes analysis of the relationship between the party-state and the women's movement, the gains and losses of collectivism for women's liberation, and the inadequacy of contemporary gender studies in China at addressing the ongoing influence of political economy on the lives of women in China. Offering a succinct exploration of the historical and theoretical context of Song Shaopeng's writings, this book will be a valuable resource for students and scholars of Chinese history and politics, as well as those of Chinese feminism and intellectual history"--
In: World development: the multi-disciplinary international journal devoted to the study and promotion of world development, Band 11, Heft 8, S. 631-637
ISSN: 0305-750X