"From 1368 to 1953, China's administrative divisions were mainly composed of counties, prefectures, and provinces. This book shows the population figures, density, and changes in the provincial population in China during this period and population figures of each major city and town and its proportion in terms of the provincial population during this period - the urbanization rate. Data in this book is drawn partly from historical sources and partly from statistical-model-based calculations. The book also includes provincial population maps in 1393, and their original statistical models, population databases, and metadata"--
"From 1368 to 1953, China's administrative divisions were mainly composed of counties, prefectures, and provinces. This book shows the population figures, density, and changes in the provincial population in China during this period and population figures of each major city and town and its proportion in terms of the provincial population during this period - the urbanization rate. Data in this book is drawn partly from historical sources and partly from statistical-model-based calculations. The book also includes provincial population maps in 1393, and their original statistical models, population databases, and metadata"--
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by Cheung Hiu Wan. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 1999. ; Includes bibliographical references (leaves [135-140]). ; Abstracts in English and Chinese. ; Acknowledgement ; Abstract ; List of figures ; Chapter Chapter 1. --- Introduction ; Chapter 1.1 --- Scope of Study --- p.1 ; Chapter 1.2 --- Literature Review --- p.3 ; Chapter 1.3 --- Methodology --- p.13 ; Chapter 1.4 --- Structure of the Thesis --- p.17 ; Chapter Chapter 2. --- Historical Development of Comics in China ; Chapter 2.1 --- Comics History before1949 --- p.24 ; Chapter 2 . 2 --- Comics under the Reign of Chinese Communist Party --- p.29 ; Chapter 2.3 --- Beijing Cartoon after the Open Door Policy --- p.31 ; Chapter 2.4 --- Concluding Remarks --- p.39 ; Chapter Chapter 3 . --- Interaction with the Leaders of Beijing Publishing House ; Chapter 3.1 --- Leaders´ةExpectation for Beijing Cartoon --- p.41 ; Chapter 3.2 --- The Discrepancy between the Senior and Junior Editors --- p.51 ; Chapter 3.3 --- Editors' Comments on Interaction with the Leaders of the Beijing Publishing House --- p.54 ; Chapter Chapter 4. --- Interaction with the Senior Artists ; Chapter 4.1 --- Cartoon Art Festival98 --- p.57 ; Chapter 4.2 --- The Invasion of Japanese Comics --- p.59 ; Chapter 4.3 --- The Essence of Comics with Chinese Features --- p.63 ; Chapter 4.4 --- The Expected Role of the Chinese Government --- p.67 ; Chapter 4.5 --- The Editors´ة Comments on Cartoon Art Festival98 --- p.68 ; Chapter 4 . --- 6 Concluding Remarks --- p.70 ; Chapter Chapter 5. --- Interaction with the Junior Artists ; Chapter 5.1 --- Social Status of the Junior Artists --- p.12 ; Chapter 5.2 --- Cooperation with Beijing Cartoon --- p.11 ; Chapter 5.3 --- Why do they Join the Comics Business --- p.79 ; Chapter 5.4 --- Agreement and Terms of Payment --- p.87 ; Chapter 5.5 --- Summer Camping: Market Mechanism and Autonomy in Artists' Creation --- p.88 ; Chapter 5.6 --- The Editors' Expectation on the Roles of The Artists --- p.96 ; Chapter 5.7 --- Artists' Comments on the ...
Leung Po Cheung. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2004. ; Includes bibliographical references (leaves 131-136). ; Abstracts in English and Chinese. ; Abstract --- p.i ; Acknowledgments --- p.iii ; Chapter Chapter 1 --- Introduction --- p.1 ; Research Questions ; Background to the research ; Research site ; Methodology ; Chapter Chapter 2 --- Literature Review and Theoretical Framework --- p.15 ; Cultural identity and its relation to the past ; The museum as a place for the creation and representation of the past ; The museum as a place of identity construction ; Chapter Chapter 3 --- The Development of the Hong Kong Museum of History and Its Exhibitions --- p.26 ; Historical development of the Museum ; Structure ; Missions ; The permanent exhibitions ; Chapter Chapter 4 --- "The Design and Construction of Identity in ""The Hong Kong Story""" --- p.47 ; "Behind ""The Hong Kong Story""" ; Designing the exhibition ; The construction of identity in the exhibition ; Conclusion ; Chapter Chapter 5 --- Interpretations of the Museum Visitors --- p.68 ; Visitors' general interpretations of the exhibition ; Impacts of the exhibition on visitors' cultural identity ; Conclusion ; Chapter Chapter 6 --- Analysis: The Museum and the Construction of Identity --- p.96 ; The interpretations and negotiations of identity among the Hong Kong people ; The Hong Kong Museum of History as a locus of identity construction ; The visitors' different museum experiences ; The political nature of the exhibition ; Conclusion ; Chapter Chapter 7 --- Conclusion --- p.121 ; Appendix --- p.130 ; Bibliography --- p.131
Ng King Sau. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. ; Includes bibliographical references (leaves 138-147). ; Abstracts in English and Chinese. ; Abstract --- p.iii ; 論文摘要 --- p.iv ; Acknowledgements --- p.v-vi ; Chapter Chapter 1 --- Introduction ; Chapter 1.1 --- Research Background --- p.1-3 ; Chapter 1.2 --- Research Questions --- p.3-5 ; Chapter 1.3 --- Research Significance --- p.5-7 ; Chapter 1.4 --- Overview of the Research --- p.7-9 ; Chapter Chapter 2 --- Literature Review ; Chapter 2.1 --- Definition of Civil Society --- p.10-16 ; Chapter 2.2 --- The Idea of Global Civil Society --- p.16-19 ; Chapter 2.3 --- Development of Chinese Civil Society --- p.19-23 ; Chapter 2.4 --- Development of Global Civil Society in China --- p.23-26 ; Chapter Chapter 3 --- Analytical Framework and Methodology ; Chapter 3.1 --- Structural Level of Analysis --- p.21-29 ; Chapter 3.2 --- Organizational Level of Analysis --- p.29-33 ; Chapter 3.3 --- Individual Level of Analysis --- p.33-34 ; Chapter 3.4 --- Definition of Culture --- p.34-40 ; Chapter 3.5 --- Methodology --- p.40-45 ; Chapter Chapter 4 --- Global Civil Society: The case of Greenpeace ; Chapter 4.1. --- A History of Greenpeace --- p.46-47 ; Chapter 4.2. --- The Mission of Greenpeace --- p.47 ; Chapter 4.3 --- The Resources of Greenpeace --- p.48-49 ; Chapter 4.4. --- Organizational Structure of Greenpeace: a M-form organization --- p.49-52 ; Chapter 4.5. --- Global Strategy of Greenpeace --- p.52-56 ; Chapter 4.6 --- Background of Establishment of China Office --- p.56-57 ; Chapter 4.7 --- Greenpeace China I: An Introduction to the Hong Kong Unit --- p.57-58 ; Chapter 4.8 --- Greenpeace China II: An Introduction to the Beijing Unit --- p.58-60 ; Chapter 4.9 --- Greenpeace China III: An Introduction to the Guangzhou Unit --- p.60-62 ; Chapter 4.10 --- Conclusion --- p.62-63 ; Chapter Chapter 5 --- Guangzhou Unit: Process and Mechanisms of Cultural Diffusion ; Chapter 5.1 --- Structural Level of Analysis: An Introduction of Guangzhou --- ...
本研究以一个曾经在文革中施暴的红卫兵──李乾的生命传记为个案,以布迪厄的社会实践理论为理论框架,探讨主体参与文革与记忆、反思文革的实践,以及对文革意义的理解,进而理解一系列红卫兵实践(尤其是暴力实践)的逻辑。不同于已有文革研究的精英史和社会史路径,本研究试图发展一种传记取向的文革研究路径,分析个体生命经验与其所处社会情境,红卫兵的惯习与其所处的场域的复杂关系,由此更深刻地理解文革以及无产阶级专政的政治文化。 ; 首先,本研究聚焦这些红卫兵文革初期对文革的认知、情感机制与行动策略,指出其实践如何受制于无产阶级专政场域与惯习的作用,如何再生产无产阶级专政的政治文化,即再生产无产阶级专政的象征秩序、权力技术、话语方式与组织机制,如何再生产文革"武斗"的直接暴力与"文斗"的话语暴力。并且,本研究试图说明早期"造反者"的"造反"动力来自其与老红卫兵在革命资格竞争中的"相对剥夺感";这种"造反"并不是为了反抗主流的象征秩序,而是努力争取自身在这套象征秩序中的优势位置和资本。 ; 其次,本研究探讨主体生命经验中关键性的暴力事件──"一二.五"事件的实际发生过程,分析"一二.五"事件中这些红卫兵对暴力的认知与情感,以及暴力如何被合法化及赋权,其中的专政对象──"流氓"是如何被建构与想象的,由此揭示特定的政治文化脉络中主体的贱斥动力以及这一暴力实践的逻辑。红卫兵暴力惯习的形塑,不仅受制于文革的革命场域的作用,更受制于建国以来历时性的无产阶级专政场域的作用;同时,这一惯习的运作又在维持和再生产无产阶级专政的政治文化。 ; 此外,本研究探讨主体在"一二.五"事件后,如何在一系列社会互动的过程中,逐步实现了意识的转化和主体性变迁,如何从符号中介的生命经验中引入新的认知与情感机制重新理解"一二.五"事件、文革以及无产阶级专政的政治文化。这种批判性的反思实践与主体所处行动场域中的社会位置以及所能接收的多元的、异质性的符号资源密切相关,可以形塑主体惯习的转化,生产新的社会实践以及相应社会关系的改变。 ; 最后,本研究试图将当下民间文革记忆与反思实践置于文革与后文革、毛时代与后毛时代的连续性与转型的关系之中,指出为民间记忆与反思实践赋权的政治文化意义。这一反记忆实践不仅打捞普通人被遗忘的、被边缘化的文革记忆,也介入对历史与现实的批判,积极争取个体对历史的话语权,与对现实政治、文化的参与权。 ; Taking the life biography of a former Red Guard Li Qian who committed violence during the Cultural Revolution (CR) as a case, this research employs Pierre Bourdieu's theory of social practice to explore the Red Guards' participatory, mnemonic and reflective practices during the CR, as well as their understanding of the CR, with the aim of further understanding the logics of the Red Guards' practices (especially their violent practices). Different from the traditional approaches of political history and social history, this study attempts to develop a biography approach to study the CR. It analyzes the complex relations between individuals' life experiences and their social contexts, between the Red Guards' habitus and the specific field, to understand the political culture of the CR and the Proletarian Dictatorship. ; First, this study focuses on the Red Guards' cognitive and emotional mechanism and action strategy during the early days of the CR. It investigates how their practices are subject to the conditioning of the field and ...
中國歷史上屢有異邦人士親身踏訪禹域,其中不乏有心之人將見聞感受付諸紙筆,撰文紀行。考慮到此類材料的政治意涵與文類屬性,本文採用「中國行紀」的概念指稱明治時代日本人結合親身踏訪禹域體驗撰寫的紀行文字。本文討論之日本明治(1868-1912)在時段上與中國晚清大致相當。不到五十年裏,兩國都經歷了翻天覆地但又截然相反的變動。也就是說,在日本不斷進步、日趨興盛的同時,中國卻世風日下,走向衰頹。一百多年前日本漢學者的中國行紀從異域鄰人的角度爲今人理解與進入晚清提供了嶄新的研究視角。 ; 有關明治漢文中國行紀的先行研究側重於中日政治關係的歷史描繪,對兩國知識人士之間文化交流與知識轉型方面的價值則有待繼續討論。本文將集中討論被視為明治三大漢文中國行紀的竹添進一郎《棧雲峽雨日記》、岡千仞《觀光紀游》與山本憲《燕山楚水紀遊》。它們分別代表了明治前期、中期與後期日本人對中國的旅行書寫,顯示出日本漢文中國行紀逐漸走向盡頭的趨勢。上述三書不僅影響到許多同代及其後大正、昭和時期的中國行紀,而且行紀文體的親歷性與權威性也使其對於近代日本人中國認識的轉變與形塑起到潛移默化的作用。三位作者都是受到過傳統舊式教育的漢學者,通過寫作傳達出親歷中國後想像與現實的落差,又以文學家的筆調記錄了晚清社會政治與士民生活的方方面面,在近代中日文化交流與知識轉型上扮演了重要角色。筆者將以漢文筆談為切入點,討論近代中日知識人士圍繞文化交流、知識轉型、文士往來與書籍酬贈等重要議題展開的交際與互動。本文期望通過勾稽相關文獻史料,回歸晚清歷史語境,藉助異域之眼反躬自省。 ; In Chinese history, there were always overseas people travelling to China, including Japanese sinologists, many of whom had recorded their impressions of China by composing travelogues. Considering the political implication and the genre application of this kind of materials, this research adopts the term "travelogues about China" to generalize all these records. The time period to be discussed in this research project is the whole Meiji era, namely, from 1868 to 1912, less than half a century, corresponding roughly to the late Qing period. These two countries had undergone tremendous but reversed revolutions during this period. That is to say, when Japan made progress everyday, China, on the other hand, was in an apparent state of decline. Travelogues about China 150 years ago provide people nowadays with a new research angle to comprehend and enter the late Qing history from Japanese sinologists' perspectives. ; Previous research about on Japanese travelogues about China in Chinese during the Meiji Period focused on historical descriptions of Sino-Japanese political relationships, however, the value of cultural exchange and transformation of knowledge between literary elites from both of these two countries remain to be discussed. This research plans to focus on Takezoe Shin'ichirō's San'un Kyōu Nikki (A Diary of Clouds Hanging between the Mountains and ...
Lee, Chui Mei. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. ; Includes bibliographical references (leaves 171-185). ; Abstracts in English and Chinese. ; Abstract ; 提要 --- p.vi ; Acknowledgement --- p.vii ; Chapter Chapter 1 --- Introduction --- p.1 ; Chapter 1.1 --- Urban Renewal and Heritage Conservation in Hong Kong --- p.2 ; Chapter 1.2 --- The Blue House Complex Revitalization Project --- p.9 ; Chapter 1.3 --- Fieldsite Specification: Why the Blue House Complex in Hong Kong? --- p.14 ; Chapter 1.4 --- Introduction of the Blue House Complex Community-led Conservation Movement --- p.16 ; Chapter Chpater 2 --- Literature Review --- p.18 ; Chapter 2.1 --- Construction of Heritage --- p.19 ; Chapter 2.2 --- Uses of Heritage --- p.21 ; Chapter 2.3 --- Community in Heritage Conservation --- p.26 ; Chapter 2.4 --- Politics in Heritage Conservation --- p.29 ; Chapter 2.5 --- Heritage Conservation in Hong Kong Urban Renewal --- p.36 ; Chapter Chapter 3 --- Objectives and Methodology --- p.39 ; Chapter 3.1 --- Objectives --- p.39 ; Chapter 3.2 --- Methodology --- p.40 ; Chapter 3.3 --- Ethical Concerns --- p.48 ; Chapter Chapter 4 --- The Blue House Complex --- p.50 ; Chapter 4.1 --- History of Wan Chai --- p.51 ; Chapter 4.2 --- History of Stone Nullah Lane and the Blue House Complex --- p.53 ; Chapter 4.2.1 --- Stone Nullah Lane --- p.53 ; Chapter 4.2.2 --- History of the Blue House Complex --- p.56 ; Chapter 4.3 --- Architectural Features and Specific Lifestyles in the Blue House Complex --- p.59 ; Chapter 4.4 --- Lifestyle of Current Residents in the Blue House Complex --- p.60 ; Chapter 4.5 --- The Demographics of the Blue House Complex --- p.63 ; Chapter 4.6 --- Economic Structure of the Blue House Complex --- p.66 ; Chapter 4.7 --- Social Structure of the Blue House Complex --- p.70 ; Chapter 4.8 --- Cultural Significance of the Blue House Complex --- p.76 ; Chapter 4.9 --- Various Interpretations of the Blue House Complex --- p.78 ; Chapter 4.9.1 --- Interpretation of the Antiquities Advisory ...
Shin, Kei-Wah Victor. ; "November 2010." ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. ; Includes bibliographical references (leaves 177-198). ; Abstracts in English and Chinese. ; Abstract --- p.i ; Acknowledgments --- p.iv ; Table of Contents --- p.vi ; List of Tables --- p.ix ; List of Figures --- p.xii ; Chapter Chapter 1: --- Framing the Puzzles --- p.1 ; "INTRODUCING: ""The Curious Case of. a Fallen 'Asian Hollywood'""" --- p.3 ; METHOD AND DATA --- p.6 ; STRUCTURE OF THE THESIS --- p.12 ; Chapter Chapter 2: --- ""The Blind Side"" of Existing Explanations" --- p.15 ; CONVENTIONAL EXPLANATIONS --- p.17 ; Triad Intrusion and Piracy --- p.17 ; Hasty and Unpolished Productions --- p.19 ; EXPLANATIONS DERIVED FROM THEORETICAL PERSPECTIVES --- p.21 ; The Cultural Imperialism approach --- p.22 ; The Cultural-flows/ Network approach --- p.27 ; Suppositions related to the Cultural-flows/ Network approach --- p.32 ; The Reception approach --- p.36 ; The Cultural Policy and Strategies approach --- p.41 ; What about the Receiving Countries? --- p.46 ; THE POLITICAL-CULTURAL APPROACH --- p.48 ; Chapter Chapter 3: --- The "Bloom´ح in the 1970s and the 1980s --- p.53 ; "THE ""BLOOM""" --- p.53 ; BRINGING IN THE POLITICAL-CULTURAL APPROACH --- p.57 ; THE INDUSTRIAL SETTING OF THE HONG KONG FILM MARKET VIS-A-VIS HOLLYWOOD --- p.59 ; THE SOCIAL STRUCTURE OF THE HONG KONG FILM MARKET --- p.62 ; From Studio System to Independent Production System since the 1970s --- p.63 ; The Revenue-sharing Structure --- p.68 ; """CONCEPTIONS OF CONTROL"" IN THE HONG KONG FILM MARKET (1970s - 1980s)" --- p.70 ; Distributor-driven Exhibition --- p.72 ; Distributor-driven Production --- p.75 ; HONG KONG FILM INDUSTRY AT ITS PEAK IN THE LATE 1980s --- p.81 ; SUMMARY --- p.88 ; Chapter Chapter 4: --- "The ""Twilight"" since the mid-1990s" --- p.91 ; WHAT HAPPENED DURING THE 1990s? --- p.91 ; The Plot in Brief --- p.92 ; THE KEY TO SUCCESS TURNS INTO A SOURCE OF STRESS --- p.97 ; "Conventional Practices inscribed in the ...
Prehistory to Unification -- The Qin/Han era -- The Tang dynasty -- The Song dynasty -- The Yuan dynasty -- The Ming dynasty -- The high Qing dynasty -- The late Qing dynasty -- The first decades of the Republic -- The war years -- The early PRC, 1949-1965 -- The Cultural Revolution, 1966-1976 -- The PRC reform era, 1978 to the present -- Global China -- Special categories of migrant
