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This ring depicts two military saints on its bezel. The saint on the left holds a staff or spear with his right hand and the saint on the right holds a shield in his left hand. The maker of this ring likely used a cast or mold to form the bronze into a ring and then hammered it to the shape and size specified by the wearer. A similar ring at the British Museum (no. AF.229) features on its bezel a military saint holding a staff topped by a cross in his right hand, a shield in his left hand, and is fully dressed in military attire. This ring lends further support to the claim that the figures on the ring listed above represent military saints, given that all three saints appear to be holding similar objects. These rings were likely worn for their apotropaic properties, that is for their ability to ward off evil and provide protection to the wearer. In the early Christian world, it was believed that religious icons, such as the ones depicted on the bezels, provided a spiritual connection between the wearer of the icon and the religious figures it depicted. Given that the ring depicts two military saints, it can be suggested that the wearer was a young man of military age who wore this ring into battle in the hopes that the saints on his ring would watch over him and keep him safe. Sources Consulted Alexis Castor, "Etruscan Jewelry and Identity," in A Companion to the Etruscans, eds. Sinclair Bell, and Alexandra A. Carpino (Malden, MA: Wiley, 2016), 275–292. Anna Kartsonis, "The Responding Icon," in Heaven on Earth: Art and the Church in Byzantium, ed. Linda Safran (University Park, PA: The Pennsylvania State University Press, 1998). 58–80. Asen Kirin, ed. Sacred Art, Secular Context: Objects of Art from the Byzantine Collection of Dumbarton Oaks, Washington, DC (Athens, GA: Georgia Museum of Art, 2005). Eunice Dauterman Maguire, Henry Maguire, and Maggie J. Duncan-Flowers, Art and Holy Powers in the Early Christian House (Urbana: Krannert Art Museum, University of Illinois at Urbana-Champaign, 1989). Gary Vikan, "Sacred Image, Sacred Power," in Late Antique and Medieval Art of the Mediterranean World, ed. Eva R. Hoffman (Malden, MA: Blackwell, 2007), 135–146. Jimmy Clark ('22) for ARHS 110 Introduction to Western Art (Spring 2021). ; https://digital.kenyon.edu/arthistorystudycollection/2137/thumbnail.jpg

Shaw & Shoemaker 24472. ; With this is bound the author's Lectures on the Prophecies. Ballston Spa, 1811. ; Mode of access: Internet.

RESUMEN: Tres autores como John Stuart Mill, John Rawls y Amartia Sen son objeto de análisis en este artículo que estudia el tema de la equidad en un contexto que se caracteriza por el abandono casi generalizado del estudio de los valores en relación a los grandes problemas económicos; el artículo defiende como necesaria la recuperación de las preocupaciones éticas en la ciencia económica. La segunda parte, presenta una bibliografía reciente presentada como respuesta a la obra de John Rawls a partir de 1985, cuando este autor da el llamado giro desde su teoría de la justicia como equidad hacia un reciente liberalismo político, período de gran interés para comprender las discusiones actuales de la filosofía política y el futuro de la discusión interdisciplinaria con la economía. ; ABSTRACT: Jhon Stuart Mill, John Rawls And Amartya Sen are the authors analysed in this article which studies the topic of fairness in a context characterized by an almost generalized abandonment of value study in relation to the big economic problems. The article supports the recovery of ethic issues in economics as a necessary condition. In the second part recent literature is presented as a response to the work of John Rawls from 1985, when this author produces the turn from his theory of justice as fairness to his recent political liberalism, period which is of great interest to understand the present issues of political philosophy and the future of an interdisciplinary analysis with economics.