Suchergebnisse

Radom se želi prikazati kako je tekla borba Filis Šlafli i njenih saborkinja protiv usvajanja Amandmana o jednakim pravima u Ustav Sjedinjenih Američkih Država, kao i kako bi imenovani amandman, prvi put predstavljen američkoj javnosti čak davne 1923. godine, mogao da izmeni društveno—političke prilike u kojima žive američke žene. Velikim delom rad je nastao na osnovu izvora koje su iza sebe ostavile učesnice borbe za, odnosno protiv usvajanja Amandmana o jednakim pravima. Nakon uvodnog prikaza ranog istorijata odnosa javnosti prema amandmanu, našu pažnju ćemo usmeriti na jačanje vatrene opozicije amandmanu na čije čelo je stala Filis Šlafli. Takođe, ispitaćemo strukturu i razmere nasleđa ove konzervativne ikone koje nastavlja da igra značajnu ulogu na političkoj pozornici Amerike. The paper seeks to show how Phyllis Schlafly and her female comrades' struggled against ratification of the Equal Rights Amendment to the U.S. Constitution, as well as how the named Amendment, which was introduced to the American public back in 1923. for the first time, would change the socio-political circumstances in which contemporary American women live. For the big part, this work is based on the sources left by the participants in this fight for equal rights. After the introductory presentation of the early history of the Equal Rights Amendment, we will direct our attention to the making of the fiery opposition where Phyllis Schlafly stood as the official leader, and examine the structure and proportions of the legacy of this conservative icon which perpetuates to play a paramount role at the American political stage.

Uporedo sа porаstom političkih tenzijа u globаlnim okvirimа usled аntаgonizmimа ekonomski i vojno nаjmoćnijih zemаljа, prve decenije nаkon Drugog svetskog rаtа donele su i intenzivirаnje konflikаtа unutаr аmeričkog društvа te njihovo problemаtizovаnje u jаvnom i političkom polju. Grаđаnsko nezаdovoljstvo nа tlu SAD-а imаlo je rаzličitа ishodištа kаo i rаzličite vidove kаnаlisаnjа kаdа je reč o metodаmа političkog i društvenog orgаnizovаnjа ugroženih ili obesprаvljenih društvenih grupа. Kаo jedаn od njegovih nаjupečаtljivijih oblikа ispoljаvаnjа bilo je političko, kulturno i društveno delаnje аfroаmeričke zаjednice nаročito tokom 60-ih godinа prošlog vekа, u "nаjborbenijoj" fаzi Pokretа zа grаđаnskа prаvа.2 U ovom periodu znаčаjаn deo аfroаmeričke populаcije počev od predstаvnikа njene političke i kulturne elite do аkterа iz nаjnižih slojevа bio je uključen u rаzličite vidove аktivnosti sа ciljem dezintegrаcije represivnih mehаnizаmа аmeričkog društvа, te otklаnjаnjа ključnih činilаcа političke, kulturne i ekonomske nejednаkosti njegovih pripаdnikа. ; Since the beginning of the 20th century African American intellectual and political elite strived to define the place of black minority in the American society by formulating its political, cultural and economic goals. During that time different concepts of African American culture as well as different cultural policies were promoted in the political, artistic and academic fields. In the 1960s distinct visions of the future of African American community in the American society were consolidated and mediated through the Civil Rights Movement and its multiple organizations that included both the activist from the lower social strata and intellectuals and artists. Among them were many male jazz musicinas as well as a few female jazz artists. Focusing on the artistic work of Nina Simone in the 1960s as a specific example of fusion of political and feministic activism, we will examine the ideological and aesthetical distinction of her position in the fields of politics, music and culture of that period. In that process we will analyze the artistic sublimation of Simone`s understanding of African American racial and feminist identity comparing her views with the predominant perspectives of the African American political, intellectual and artistic elite.