Suchergebnisse

The author tackles the controversial problem of the relation between theory and ideology in Karl Marx's and Friedrich Engels' political writings. The article is structured into two main parts: the first one is focused on Marx's vision of a revolutionary intellectual as a base for the development of both theory and ideology. The second one deals with Marx's posterity, as it was established by the contribution of Friedrich Engels.

The article is an account of Romanian Marxist discourse between 1970 and 1980, one that was completely engaged in the justification and legitimation of the contemporary totalitarian political regime. Radu Florian's works, one of the most representative authors of this decade, are analysed via the conceptual lenses of Austrian economic theory. This methodological approach is quite fertile, since it generates clear explanations why Marxist theory and the communist state incarnating its teachings could not and cannot implement their claims. The samples of Romanian Marxist discourse under scrutiny are a showcase of philosophy invaded by rhetorics and converted into ideology. The author concludes that Romanian Marxism in the designated period represents a long line of contradictions resulting from the attempt to adapt a cruel reality to a generous and humane self-construction of a political programme.

Cinematography was deliberately organized, financed and oriented towards the purposes of the system and consequently became the most effective element of political and cultural pedagogy. The synchronic correlation between word and image, the power of visual suggestibility, empathy as an emotional response to the actors' performance - all these had immediate effects on the collective imaginary, on the perception of reality as a social and identity-forging project determined by the emergence of the ideological discourse. The Romanian socialist cinematography from the time of Ceauşescu synthesized and systemized a coherent and explicit system of values wherein it integrated the message of literary and other artistic works, of variegated forms of cultural expression, so that Romanian cultural axiology could find new possibilities to stand out in strict dependence to the institutional and optional structures of mass culture. The cinema per se thus became a sort of pedagogy for universal use, rendering the past heroic, as it exacerbated the national ego via the instruments of entertainment. Highly permeated ideologically and quasi entirely subordinated to the Communist cultural policies, the cinema production, carried out because of the appeal to emotions and collective memory, thus became part of the official discourse and orientated its issues, especially after the 11th Congress of RCP, according with the political and ideological interests of the national Communist project. The analysis focuses on the Romanian historical films with subjects and episodes relevant for the ancient and mediaeval history, in relation with the efforts of identity reconstruction, coordinated during the Communist regime in relationship with the project of the socialist nation's building and, after 1989, in relationship with the attempt of reconsolidating, sometimes from a radical perspective, the nationalist mythologies. Socialist patriotism thus incorporated many stereotypes drawn out from the ante-bellum, as well as from the inter-bellum Romanian spirit: the lyric of self-identification expressed by the film soundtrack and by the majestic character of the heroic gestures, the heroic epic obvious in the popular ballad pattern of pre-modern nature, the activist pedagogy specific to all forms of identitarianism. Despite all this ideological infusion, the mythology of Romanian historical films during the Communist nationalist times remains one of a sadistic-masochistic nature, cultivating the fear towards the Other, fatalism, expectation and obedience, all chronic and historicized.

Nicolae Ceauşescu was born in 1918 and he died in 1989. Due to the extraordinary changes that the Romanian society witnessed during his time, the biography of this son of the peasantry may be re-signified in several vastly contradictory ways. For all intents and purposes however, he may be placed in the category of "professional revolutionaries", an extremely positive valuation within the contemporary Leninist ideology. Once in contact with the illegal communist movement, Ceauşescu became an outlaw, practically from the age of 15. The aftermath of WWII thrust him at the core of decision-making and at the focal point of Romanian power, a position he retained uninterruptedly until three days before his death. He held absolute power for nearly a quarter of a century. His atypical biography also dwindled his already scarce grasp of reality. The propaganda that had sustained the cult for "professional revolutionaries", and -during the final decades- the cult of his own personality determined grave distortions in his social perception, leading, in the "Ceauşescu case", to the "ultimate solution".

Any reflection on the relationship between religion and politics in the Catholic thought cannot do without reminding the Augustinian distinction between the civitas Dei and civitas terrena. The goal and foundation of any just political community should be the orientation to wards the common good. In the contemporary catholic thought, Johann Baptist Metz proposes a political theology revolving around the concepts of the value of the human person, the necessary refusal, on the part of the Church, of any mundane ideology and the necessary use of the socially critical potential of theological thought. Hans Küng criticizes any politicization of theology. He insists on the development of an internal pluralism within the Church and advocates a self-limitation of the magisterial intervention in the world in the name of a necessary "eschato logical reserve". Joseph Ratzinger/Pope Benedict the XVIth , invested with the magisterial authority, relies heavily on official documents of the Catholic social doctrine. He emphasizes the necessity of founding the state on the central value of justice and its acting according to the principle of subsidiarity. In this context, the Christian faith and the Church in particular may have a pedagogical role, as it may guide reason to follow the right priorities. All three thinkers agree on the public significance of the Christian vision of society and on the fact that it may help society both by its critical and by its constructive dimension.

This study consists in an analysis of the modern Romanian conservatism's evolution. Starting with the semantic definition of the term "conservative", the author sketches the circumstances of its use in the Romanian political language in the middle of the 19thcentury and later in political practice. The author highlights that in the 50's and the 60's decades of the 19th century there was a great interest in a precise definition of the term in the political vocabulary. It was the time when "conservative" together with its antonym "liberal" were two political terms just entering the political language. Also in Romania, the conservatism defined its identity from the ideas of natural progress, organic evolution, order and legality in the spirit of the ideas of E. Burke, already common in the political imagology of the European conservatism. At the beginning of the 20th century Romanian conservatives continued to use the specific vocabulary and ideas of the former century, trying to unveil the consequences of the forced modernisation of the country, so that later, after the First World War, to disappear as a party from the political stage; conservative doctrine persisted in a fragmentary form in the interwar period.

The last years of World War II have brought, per ensemble, complex problems for the "Regele Ferdinand I" University, which, after the Vienna Treaty of 1940, has been functioning in exile from Sibiu and Timişoara. From 1944 the model of the modern University of Cluj was brutally converted to an instrument of propaganda for a communist ideology, far fetched from its original nationalistic vocation. The period of transition from democracy to totalitarianism, 1944-1947, was marked by a series of events such as: the beginning of the process of politicization within the University of Cluj, the problems related to the foundation of "Bolyai" University, the return in 1945 of the University to its original sight from Cluj, the students strikes in January-June 1946, the university repression generally speaking, and particularly the repressions of students, and, last but not least, the debates of the University Senate concerning the politicization of the academic environment and the dismissal of some "compromised" members of the teaching staff. After 1944, the communists were interested in eliminating all political rivals, therefore the dismissal threats, followed by the contractions within the Departments of the University of Cluj, became a cruel reality between 1944-1948. Like all the other Romanian universities, the Cluj University began compiling "expurgation" dossiers for the so called "fascist" university professors, and substituting the old rectors and deans with new ones from amongst those who had adapted to the "new age". The public stand of the academics has gradually declined after 1944, when their life and activity has been brought to challenge, the changing values after March 1945 favouring the devotion towards the new regime, and praising less and less the academic fulfilment. On the background of "democratic" reforms, the new regime authorities have intensified the brutal isolation, especially of scholars among which a great number of university professors, by means of massive arrests. The most invoked reasons were: denigration of the power of the state, opposition to the construction of socialism, or the need to re-educate the "hostile" elements from within the Popular Republic of Romania.