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The author treats the topic of AIDS as a focal point for artistic politics in the United States and, eventually, in a larger international context as well. He considers a range of representations of AIDS in contemporary art since the 1980s & considers how AIDS became a pivotal point around which thinking about artists' activism & art as social intervention turned. He discusses AIDS as a paradigmatic case for a new global, biopolitical, & mediatized cultural phenomenon that bore with it a new ensemble of political, moral, & economic effects, in turn profoundly affecting conceptions of aesthetics & activist art. In the latter part of the essay, he develops a typology of strategies utilized by artists in addressing the problem of AIDS: 1) transcoding strategies; 2) media critiques and/or critiques of culture industry representations of AIDS; 3) alternative publicity; 4) AIDS exemplars; & 5) strategies of mourning & memoralization. Adapted from the source document.

Rusija i Balkan između istorije i budućnosti; Velika Britanija i Balkan; Američki interes na Balkanu i Srednozemnom basenu; Nemačka i Balkan; Balkanske zemlje - Slovenija, Hrvatska, Bosna i Hercegovina, Srbija, Crna Gora, Makedonija, Albanija, Grčka, Rumunija, Moldavija, Bulgarska; Ekonomski aspekt zemalja Balkana; Srbija i ekonomska kriza - privredi i geopolitički aspekt; Pitanje Kosova i Metohije; Vojna neutralnost Crne Gore [...].