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In: Key concepts
12 The Actuality of The Ignorant Schoolmaster -- With Andrea Benvenuto, Laurence Cornu and Patrice Vermeren Le Télémaque, 2005 -- 13 Losing Too Is Still Ours: An Interview about the Thwarted Politics of Literature -- With Martin Jalbert Cahiers littéraires Contre-jour, 2005 -- 14 The Indecisive Affect -- With Patrice Blouin, Élie During and Dork Zabunyan Critique, 2005 -- 15 The New Anti-Democratic Discourse -- With Amador Fernández-Savater Archipélago, 2006 -- 16 Art of the Possible -- With Fulvia Carnevale and John Kelsey Artforum, 2007 -- 17 Another Type of Universality
In: Constellations: an international journal of critical and democratic theory, Band 17, Heft 1, S. 175-178
ISSN: 1467-8675
Historicizing untimeliness / Kristin RossThe lessons of Jacques Rancière : knowledge and power after the storm / Alain Badiou -- Sophisticated continuities and historical discontinuities, or, why not protagoras? / Eric Méchoulan -- The classics and critical theory in postmodern France : the case of Jacques Rancière / Giuseppina Mecchia -- Rancière and metaphysics / Jean-Luc Nancy -- What is political philosophy? contextual notes / Etienne Balibar -- Rancière in South Carolina / Todd May -- Political agency and the ambivalence of the sensible / Yves Citton -- Staging equality : Rancière's theatrocracy and the limits of anarchic equality / Peter Hallward -- Rancière's leftism, or politics and its discontents / Bruno Bosteels -- Jacques Rancière's ethical turn and the thinking of discontents / Solange Guénoun -- The politics of aesthetics : political history and the hermeneutics of art / Gabriel Rockhill -- Cinema and its discontents / Tom Conley -- Politicizing art in Rancière and Deleuze : the case of postcolonial literature / Raji Vallury -- Impossible speech acts : Jacques Rancière's Erich Auerbach / Andrew parker -- Style indirect libre / James swenson -- The method of equality : an answer to some questions -- Jacques Rancière
The French philosopher Jacques Rancière has influenced disciplines from history and philosophy to political theory, literature, art history, and film studies. His research into nineteenth-century workers' archives, reflections on political equality, critique of the traditional division between intellectual and manual labor, and analysis of the place of literature, film, and art in modern society have all constituted major contributions to contemporary thought. In this collection, leading scholars in the fields of philosophy, literary theory, and cultural criticism engage Rancière's work, illuminating its originality, breadth, and rigor, as well as its place in current debates. They also explore the relationships between Rancière and the various authors and artists he has analyzed, ranging from Plato and Aristotle to Flaubert, Rossellini, Auerbach, Bourdieu, and Deleuze. The contributors to this collection do not simply elucidate Rancière's project; they also critically respond to it from their own perspectives. They consider the theorist's engagement with the writing of history, with institutional and narrative constructions of time, and with the ways that individuals and communities can disturb or reconfigure what he has called the "distribution of the sensible." They examine his unique conception of politics as the disruption of the established distribution of bodies and roles in the social order, and they elucidate his novel account of the relationship between aesthetics and politics by exploring his astute analyses of literature and the visual arts. In the collection's final essay, Rancière addresses some of the questions raised by the other contributors and returns to his early work to provide a retrospective account of the fundamental stakes of his project. Contributors. Alain Badiou, Étienne Balibar, Bruno Bosteels, Yves Citton, Tom Conley, Solange Guénoun, Peter Hallward, Todd May, Eric Méchoulan, Giuseppina Mecchia, Jean-Luc Nancy, Andrew Parker, Jacques Rancière, Gabriel Rockhill, Kristin Ross, James Swenson, Rajeshwari Vallury, Philip Watts
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The French philosopher Jacques Rancière has influenced disciplines from history and philosophy to political theory, literature, art history, and film studies. His research into nineteenth-century workers' archives, reflections on political equality, critique of the traditional division between intellectual and manual labor, and analysis of the place of literature, film, and art in modern society have all constituted major contributions to contemporary thought. In this collection, leading scholars in the fields of philosophy, literary theory, and cultural criticism engage Rancière's work, illuminating its originality, breadth, and rigor, as well as its place in current debates. They also explore the relationships between Rancière and the various authors and artists he has analyzed, ranging from Plato and Aristotle to Flaubert, Rossellini, Auerbach, Bourdieu, and Deleuze.
In: European journal of political theory: EJPT, Band 10, Heft 3, S. 303-326
ISSN: 1741-2730
Over the past decade, Jacques Rancière's writings have increasingly provoked and inspired political theorists who wish to avoid both the abstraction of so-called normative theories and the philosophical platitudes of so-called postmodernism. Rancière offers a new and unique definition of politics, la politique, as that which opposes, thwarts and interrupts what Rancière calls the police order, la police — a term that encapsulates most of what we normally think of as politics (the actions of bureaucracies, parliaments, and courts). Interpreters have been tempted to read Rancière as proffering a formally pure conception of politics, wherein politics is ultimately separate from and in utter opposition to all police orders. Here I provide a different account of Rancière's thinking of politics: for Rancière politics goes on within police orders and for this reason he strongly rejects the very idea of a pure politics. Politics is precisely that which could never be pure; politics is an act of impurity, a process that resists purification. In carefully delineating the politique— police relation I show that the terms of Rancière's political writings are multiple and multiplied. Rancière consistently undermines any effort to render politics pure, and therein lies his potential contribution to contemporary political theory.
In: E-Duke Books Scholarly Collection
In: Paragraph 28,1
In: Special issue
In: Contemporary political theory: CPT, Band 11, Heft 1, S. e10-e13
ISSN: 1476-9336
In this essay, I propose a mutually constructive reading of the work of Jacques Rancière and Jean-Paul Sartre. On the one hand, I argue that Rancière's egalitarian political thought owes several important conceptual debts to Sartre's Being and Nothingness, especially in his use of the concepts of freedom, contingency and facticity. These concepts play a dual role in Rancière's thought. First, he appropriates them to show how the formation of subjectivity through freedom is a dynamic that introduces new ways of speaking, being and doing, instead of being a mode of assuming an established identity. Second, Rancière uses these concepts to demonstrate the contingency of any situation or social order, a contingency that is the possibility of egalitarian praxis. On the other hand, I also argue that reading Sartre with Rancière makes possible the reconstruction of Sartre's project within the horizon of freedom and equality rather than that of authenticity. ; Peer reviewed ; Final article published. ; Jean-Paul Sartre ; Politics ; Contingency ; Equality ; Jacques Ranciere
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