Suchergebnisse

International audience ; The activity of merchants crisscrossing the mediterranean Sea from West to East has since the early decades of the twentieth century attracted the attention of historians. The analysis of literary and epigraphic sources shows that the presence of Italians in the Eastern increased significantly from the second century BC. The last two centuries of the Republic are also marked by the implementation by Rome of a hegemonic policy in the East. The discovery in many sites in this region, amphoras produced on the Adriatic and the Tyrrhenian coast of Italy tends to support the hypothesis of the constitution of commercial networks for export to the East, of italian agricultural products, wine and oil primarily. In Lycia, the city of Xanthos has delivered ceramics assemblages associated with the fill related to a portico bordering the Roman Agora on the site. These level was composed of aegean and italic amphoras. This archaeological context gives the opportunity to insert Xanthos and widely Lycia in marketing italics products networks that hit the eastern part of the Mediterranean to the second and first centuries BC. ; L'activité des marchands au long cours sillonnant l'espace méditerranéen d'Ouest en Est a depuis les premières décennies du XXe siècle suscité l'intérêt des historiens. L'analyse des sources littéraires et épigraphiques montre que la présence des Italiens dans le bassin oriental de la Méditerranée s'est notablement accrue à partir du IIe siècle av. notre ère. Les deux derniers siècles de la République sont également marqués par la mise en œuvre par Rome d'une politique hégémonique en Orient. La découverte, dans de nombreux sites de cette région, d'amphores produites sur la façade adriatique et sur la côte tyrrhénienne de l'Italie tend à étayer l'hypothèse de la constitution de réseaux commerciaux destinés à l'exportation vers l'est des denrées agricoles italiennes, vin et huile prioritairement. La cité de Xanthos a livré un ensemble de mobiliers céramiques associé aux remblais de ...

International audience ; The activity of merchants crisscrossing the mediterranean Sea from West to East has since the early decades of the twentieth century attracted the attention of historians. The analysis of literary and epigraphic sources shows that the presence of Italians in the Eastern increased significantly from the second century BC. The last two centuries of the Republic are also marked by the implementation by Rome of a hegemonic policy in the East. The discovery in many sites in this region, amphoras produced on the Adriatic and the Tyrrhenian coast of Italy tends to support the hypothesis of the constitution of commercial networks for export to the East, of italian agricultural products, wine and oil primarily. In Lycia, the city of Xanthos has delivered ceramics assemblages associated with the fill related to a portico bordering the Roman Agora on the site. These level was composed of aegean and italic amphoras. This archaeological context gives the opportunity to insert Xanthos and widely Lycia in marketing italics products networks that hit the eastern part of the Mediterranean to the second and first centuries BC. ; L'activité des marchands au long cours sillonnant l'espace méditerranéen d'Ouest en Est a depuis les premières décennies du XXe siècle suscité l'intérêt des historiens. L'analyse des sources littéraires et épigraphiques montre que la présence des Italiens dans le bassin oriental de la Méditerranée s'est notablement accrue à partir du IIe siècle av. notre ère. Les deux derniers siècles de la République sont également marqués par la mise en œuvre par Rome d'une politique hégémonique en Orient. La découverte, dans de nombreux sites de cette région, d'amphores produites sur la façade adriatique et sur la côte tyrrhénienne de l'Italie tend à étayer l'hypothèse de la constitution de réseaux commerciaux destinés à l'exportation vers l'est des denrées agricoles italiennes, vin et huile prioritairement. La cité de Xanthos a livré un ensemble de mobiliers céramiques associé aux remblais de construction d'un portique bordant l'agora romaine du site, composé notamment d'un lot d'amphores égéennes et italiques. Cet assemblage permet d'insérer Xanthos et plus largement la Lycie dans les réseaux de commercialisation des produits italiques qui ont touché le bassin oriental de la Méditerranée aux IIe et Ier siècles avant notre ère.

International audience ; The reliefs of the pillar tomb from Isinda belong to the earliest group of Lycian images known at the present time. The iconographic and stylistic choices reveal the values, the social and political views of the tomb owner. This Anatolian « nobleman » or « dynast » is deliberately open to Greek culture. The pillar tomb from Isinda, in the same way as the other pillar tombs with an iconographic programme known from central Lycia, is the result of the emulation among the members of the upper strata of Lycian society. Concurrently, it comes from their project of assertion in a new political background, the Persian empire, during the last quarter of the VIth century B.C. ; Le décor sculpté du pilier funéraire d'Isinda compte parmi les premières images produites en Lycie connues à ce jour. Les choix iconographiques et stylistiques sont l'expression des valeurs, des ambitions sociales et politiques du commanditaire. Ce dernier, potentat ou « dynaste » de culture anatolienne, s'ouvre à dessein à la culture grecque. Le pilier d'Isinda, à l'instar des autres piliers de Lycie méridionale centrale dotés d'un véritable programme iconographique, naît d'une émulation au sein des élites lyciennes, et d'une volonté d'affirmation dans un nouveau cadre politique, celui de l'empire perse, dans le dernier quart du VIe siècle av. J.-C.

International audience ; The reliefs of the pillar tomb from Isinda belong to the earliest group of Lycian images known at the present time. The iconographic and stylistic choices reveal the values, the social and political views of the tomb owner. This Anatolian « nobleman » or « dynast » is deliberately open to Greek culture. The pillar tomb from Isinda, in the same way as the other pillar tombs with an iconographic programme known from central Lycia, is the result of the emulation among the members of the upper strata of Lycian society. Concurrently, it comes from their project of assertion in a new political background, the Persian empire, during the last quarter of the VIth century B.C. ; Le décor sculpté du pilier funéraire d'Isinda compte parmi les premières images produites en Lycie connues à ce jour. Les choix iconographiques et stylistiques sont l'expression des valeurs, des ambitions sociales et politiques du commanditaire. Ce dernier, potentat ou « dynaste » de culture anatolienne, s'ouvre à dessein à la culture grecque. Le pilier d'Isinda, à l'instar des autres piliers de Lycie méridionale centrale dotés d'un véritable programme iconographique, naît d'une émulation au sein des élites lyciennes, et d'une volonté d'affirmation dans un nouveau cadre politique, celui de l'empire perse, dans le dernier quart du VIe siècle av. J.-C.

The aim of this study is to analyse the images, the representations and idiom of those in power in Cappadocia at the time of the iron age. We hope to demonstrate that the ideology, practices and propaganda of these rulers can be examined and fully understood in a context characterized by both strong permanences from the hittite imperial past and important changes. The study is divided into six parts. The first one deals with the external sources (biblical, Urartian and Assyrian) and reviews the situation in terms of historical geography and geopolitics. The second presents the internal epigraphic and iconographic sources while proposing several new datations. The third section is devoted to a panorama, which we hope to be complete, of the society, the urbanization, the religion and the various rulers of our area. The fourth shows that the images (political and religious iconography) and the phraseology (topical, « royal» anthroponymy, annalistic formulas) used by those in power revolve around three elements : mountain and rock, vine and cereals, fair justice and « good government ». After a fifth part that centers on an examination over a long period of the iconography, the open air rock sanctuaries and the archeology of the cappadocian landscapes, the last section contextualizes our research in different koiné, seen as a meeting point between east and west, producing and absorbing various elements (commercial products, symbols, politcal titles and anthroponyms) and spreading them over the East (Assyria and the neo-hittite, Aramaic, Urartians and Phoenicians) and the West (Phrygia, Lycia, and the Greek and Lydian worlds). ; Ce travail se propose d'analyser les images et les langages des pouvoirs en Cappadoce à l'âge du fer. Il vise à démontrer que l'idéologie, les pratiques et les propagandes des pouvoirs peuvent s'analyser et se comprendre entre de fortes permanences par rapport au passé hittite impérial d'une part, et d'autre part d'importantes mutations. L'étude procède selon six parties. La première étudie ...

The aim of this study is to analyse the images, the representations and idiom of those in power in Cappadocia at the time of the iron age. We hope to demonstrate that the ideology, practices and propaganda of these rulers can be examined and fully understood in a context characterized by both strong permanences from the hittite imperial past and important changes. The study is divided into six parts. The first one deals with the external sources (biblical, Urartian and Assyrian) and reviews the situation in terms of historical geography and geopolitics. The second presents the internal epigraphic and iconographic sources while proposing several new datations. The third section is devoted to a panorama, which we hope to be complete, of the society, the urbanization, the religion and the various rulers of our area. The fourth shows that the images (political and religious iconography) and the phraseology (topical, « royal» anthroponymy, annalistic formulas) used by those in power revolve around three elements : mountain and rock, vine and cereals, fair justice and « good government ». After a fifth part that centers on an examination over a long period of the iconography, the open air rock sanctuaries and the archeology of the cappadocian landscapes, the last section contextualizes our research in different koiné, seen as a meeting point between east and west, producing and absorbing various elements (commercial products, symbols, politcal titles and anthroponyms) and spreading them over the East (Assyria and the neo-hittite, Aramaic, Urartians and Phoenicians) and the West (Phrygia, Lycia, and the Greek and Lydian worlds). ; Ce travail se propose d'analyser les images et les langages des pouvoirs en Cappadoce à l'âge du fer. Il vise à démontrer que l'idéologie, les pratiques et les propagandes des pouvoirs peuvent s'analyser et se comprendre entre de fortes permanences par rapport au passé hittite impérial d'une part, et d'autre part d'importantes mutations. L'étude procède selon six parties. La première étudie ...

The aim of this study is to analyse the images, the representations and idiom of those in power in Cappadocia at the time of the iron age. We hope to demonstrate that the ideology, practices and propaganda of these rulers can be examined and fully understood in a context characterized by both strong permanences from the hittite imperial past and important changes. The study is divided into six parts. The first one deals with the external sources (biblical, Urartian and Assyrian) and reviews the situation in terms of historical geography and geopolitics. The second presents the internal epigraphic and iconographic sources while proposing several new datations. The third section is devoted to a panorama, which we hope to be complete, of the society, the urbanization, the religion and the various rulers of our area. The fourth shows that the images (political and religious iconography) and the phraseology (topical, « royal» anthroponymy, annalistic formulas) used by those in power revolve around three elements : mountain and rock, vine and cereals, fair justice and « good government ». After a fifth part that centers on an examination over a long period of the iconography, the open air rock sanctuaries and the archeology of the cappadocian landscapes, the last section contextualizes our research in different koiné, seen as a meeting point between east and west, producing and absorbing various elements (commercial products, symbols, politcal titles and anthroponyms) and spreading them over the East (Assyria and the neo-hittite, Aramaic, Urartians and Phoenicians) and the West (Phrygia, Lycia, and the Greek and Lydian worlds). ; Ce travail se propose d'analyser les images et les langages des pouvoirs en Cappadoce à l'âge du fer. Il vise à démontrer que l'idéologie, les pratiques et les propagandes des pouvoirs peuvent s'analyser et se comprendre entre de fortes permanences par rapport au passé hittite impérial d'une part, et d'autre part d'importantes mutations. L'étude procède selon six parties. La première étudie ...

The aim of this study is to analyse the images, the representations and idiom of those in power in Cappadocia at the time of the iron age. We hope to demonstrate that the ideology, practices and propaganda of these rulers can be examined and fully understood in a context characterized by both strong permanences from the hittite imperial past and important changes. The study is divided into six parts. The first one deals with the external sources (biblical, Urartian and Assyrian) and reviews the situation in terms of historical geography and geopolitics. The second presents the internal epigraphic and iconographic sources while proposing several new datations. The third section is devoted to a panorama, which we hope to be complete, of the society, the urbanization, the religion and the various rulers of our area. The fourth shows that the images (political and religious iconography) and the phraseology (topical, « royal» anthroponymy, annalistic formulas) used by those in power revolve around three elements : mountain and rock, vine and cereals, fair justice and « good government ». After a fifth part that centers on an examination over a long period of the iconography, the open air rock sanctuaries and the archeology of the cappadocian landscapes, the last section contextualizes our research in different koiné, seen as a meeting point between east and west, producing and absorbing various elements (commercial products, symbols, politcal titles and anthroponyms) and spreading them over the East (Assyria and the neo-hittite, Aramaic, Urartians and Phoenicians) and the West (Phrygia, Lycia, and the Greek and Lydian worlds). ; Ce travail se propose d'analyser les images et les langages des pouvoirs en Cappadoce à l'âge du fer. Il vise à démontrer que l'idéologie, les pratiques et les propagandes des pouvoirs peuvent s'analyser et se comprendre entre de fortes permanences par rapport au passé hittite impérial d'une part, et d'autre part d'importantes mutations. L'étude procède selon six parties. La première étudie ...

The aim of this study is to analyse the images, the representations and idiom of those in power in Cappadocia at the time of the iron age. We hope to demonstrate that the ideology, practices and propaganda of these rulers can be examined and fully understood in a context characterized by both strong permanences from the hittite imperial past and important changes. The study is divided into six parts. The first one deals with the external sources (biblical, Urartian and Assyrian) and reviews the situation in terms of historical geography and geopolitics. The second presents the internal epigraphic and iconographic sources while proposing several new datations. The third section is devoted to a panorama, which we hope to be complete, of the society, the urbanization, the religion and the various rulers of our area. The fourth shows that the images (political and religious iconography) and the phraseology (topical, « royal» anthroponymy, annalistic formulas) used by those in power revolve around three elements : mountain and rock, vine and cereals, fair justice and « good government ». After a fifth part that centers on an examination over a long period of the iconography, the open air rock sanctuaries and the archeology of the cappadocian landscapes, the last section contextualizes our research in different koiné, seen as a meeting point between east and west, producing and absorbing various elements (commercial products, symbols, politcal titles and anthroponyms) and spreading them over the East (Assyria and the neo-hittite, Aramaic, Urartians and Phoenicians) and the West (Phrygia, Lycia, and the Greek and Lydian worlds). ; Ce travail se propose d'analyser les images et les langages des pouvoirs en Cappadoce à l'âge du fer. Il vise à démontrer que l'idéologie, les pratiques et les propagandes des pouvoirs peuvent s'analyser et se comprendre entre de fortes permanences par rapport au passé hittite impérial d'une part, et d'autre part d'importantes mutations. L'étude procède selon six parties. La première étudie ...

The aim of this study is to analyse the images, the representations and idiom of those in power in Cappadocia at the time of the iron age. We hope to demonstrate that the ideology, practices and propaganda of these rulers can be examined and fully understood in a context characterized by both strong permanences from the hittite imperial past and important changes. The study is divided into six parts. The first one deals with the external sources (biblical, Urartian and Assyrian) and reviews the situation in terms of historical geography and geopolitics. The second presents the internal epigraphic and iconographic sources while proposing several new datations. The third section is devoted to a panorama, which we hope to be complete, of the society, the urbanization, the religion and the various rulers of our area. The fourth shows that the images (political and religious iconography) and the phraseology (topical, « royal» anthroponymy, annalistic formulas) used by those in power revolve around three elements : mountain and rock, vine and cereals, fair justice and « good government ». After a fifth part that centers on an examination over a long period of the iconography, the open air rock sanctuaries and the archeology of the cappadocian landscapes, the last section contextualizes our research in different koiné, seen as a meeting point between east and west, producing and absorbing various elements (commercial products, symbols, politcal titles and anthroponyms) and spreading them over the East (Assyria and the neo-hittite, Aramaic, Urartians and Phoenicians) and the West (Phrygia, Lycia, and the Greek and Lydian worlds). ; Ce travail se propose d'analyser les images et les langages des pouvoirs en Cappadoce à l'âge du fer. Il vise à démontrer que l'idéologie, les pratiques et les propagandes des pouvoirs peuvent s'analyser et se comprendre entre de fortes permanences par rapport au passé hittite impérial d'une part, et d'autre part d'importantes mutations. L'étude procède selon six parties. La première étudie ...