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The study examines the friezes of the Heroon of Trysa in context of Lycian culture and society and interprets the selection of the picture themes. In a very exceptional way the friezes visualize Greek, Lycian and Persian subjects and contents which characterize the world of the Lycians and meet the requirements of the tomb owner. The first part of the publication includes an introduction, the status of research, typological and iconographical analysis of the friezes, chapters on the style, the interpretation of the Heroon, and a catalogue, including description and technical information on the friezes and bibliographical abbrevations.The first part of the 2-volume publication includes an introduction, the status of research, typological and iconographical analysis of the friezes, chapters on the style, the interpretation of the Heroon, and a catalogue, including description and technical information on the friezes, and bibliographical abbreviations.
http://e-book.fwf.ac.at/o:874
The second part includes images, supplements, tables, lists of images
http://e-book.fwf.ac.at/o:875 - In der vorliegenden Studie werden die Friese des Heroons von Trysa im Kontext der Kultur und Gesellschaft der Lykier untersucht und Fragen zu der Auswahl des Bildprogramms neu interpretiert, das mit griechischen, lykischen und auch persischen Themen und Inhalten die Lebenswelt der Lykier in so charakteristischer Weise visualisiert und den Wünschen und Vorstellungen des Grabherrn gerecht wird. Der erste Band umfasst die Einleitung, Forschungsgeschichte, die typologische und ikonographische Analyse der Friese, die Kapitel zum Stil und zur Interpretation des Heroons von Trysa, sowie den Katalog mit der Beschreibung der Figurenfriese und das Abkürzungsverzeichnis.

The study examines the friezes of the Heroon of Trysa in context of Lycian culture and society and interprets the selection of the picture themes. In a very exceptional way the friezes visualize Greek, Lycian and Persian subjects and contents which characterize the world of the Lycians and meet the requirements of the tomb owner. The second part includes images, supplements, tables, and lists of images.The first part of the 2-volume publication includes an introduction, the status of research, typological and iconographical analysis of the friezes, chapters on the style, the interpretation of the Heroon, and a catalogue, including description and technical information on the friezes, and bibliographical abbreviations.
http://e-book.fwf.ac.at/o:874
The second part includes images, supplements, tables, lists of images
http://e-book.fwf.ac.at/o:875 - In der vorliegenden Studie werden die Friese des Heroons von Trysa im Kontext der Kultur und Gesellschaft der Lykier untersucht und Fragen zu der Auswahl des Bildprogramms neu interpretiert, das mit griechischen, lykischen und auch persischen Themen und Inhalten die Lebenswelt der Lykier in so charakteristischer Weise visualisiert und den Wünschen und Vorstellungen des Grabherrn gerecht wird. Der zweite Band beinhaltet die Abbildungen, die Beilagen, Tabellen sowie die Abbildungsverzeichnisse.

The article summarises the results of a survey conducted in the city of Neisa in the mountains in central Lycia in 2009. An overview of Neisa's history and remains is followed by the pre­sen­tation of eight new inscriptions with commentary. Coins from the 2nd cent. BCE pro­­vide the earliest evidence of Neisa as an autonomous polis. The city retained its polis status into the early Prin­cipate, as is shown by inscription no. 2. According to the Stadiasmus Patarensis, Neisa was a mem­ber of the Lycian League, at the latest around the time when the province was founded, and was linked to Xanthos, Choma and Phellos by road. Although epigraphic and archaeological eviden­ce attests to a rise in Neisa's prosperity in the age of the An­to­nines, the city had seen its heyday in the late second and early third centuries CE. The descen­dants of Diogenes II. were the leading family of Neisa and, in the closing years of the 2nd cent. CE, the first Neisans to receive Roman citizenship. The Notitiae Episcopatuum attests the existence of the city until the 12th cent. CE as a sub­ordinate diocese of Myra. The city's most important extant monuments are the Hellenistic city wall, which was extended in a later period, the theatre, three baths and some burial sites. The cobbled main street in the southern part of the urban area is particularly well preserved and probably doubled as stadium; it was also provided with a stoa. Two new inscriptions from the early Principate furnish the first epigraphic evidence of the city's history: Inscription no. 1 hints at a sanctuary dedicated to Augustus, while inscription no. 2 mentions repair work in baths, financed by donations from the city's elite. Inscription no. 3 was set up in honour of Iulia Domna Augusta; nos. 4‒6 honour Diogenes II. and his descen­dants. From no. 4 we learn the public offices held by Dio­ge­nes II., whose sons, Diogenes III. and Dionysos I., were the first citizens of Neisa to attain the fe­deral priesthood. Diogenes II. had held the most important public offices in ...