Mass Communication and Media play an integral part in modern societies. This publication reflects on fundamental theoretical works and recent key texts from different backgrounds such as political analysis, feminism, media studies or Cultural Theory. It is designed as a workbook in European-Chinese intercultural studies. Therefore thorough descriptions of the texts in Chinese language are backed up by additional information and questions to ponder to deepen the understanding. This book is part of the series "interKULTUR European-Chinese intercultural Studies" which consists of teaching material for intercultural studies in higher education and research results of such studies.
Chan, Mun Tak Ada. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. ; Includes bibliographical references (leaves 65-69). ; In English with some Chinese characters; abstract also in Chinese. ; Abstract --- p.i ; Abstract (Chinese) --- p.iii ; Acknowledgements --- p.iv ; Table of Contents --- p.V ; List of Figures and Tables --- p.vii ; Chapter Chapter One --- Introduction --- p.1 ; Geographical Location and Political Status of Hong Kong --- p.3 ; Personal Reflection on the Change of HKSAR´ةs Sovereignty --- p.8 ; Chapter Chapter Two --- Propaganda on Television: Music Video in Hong Kong Mass Media --- p.10 ; Defining Post-colonialism --- p.10 ; A Brief History of Hong Kong --- p.12 ; National Affiliation of the Hong Kong Citizens in the Pre- and Post-Handover Era --- p.14 ; Chapter Chapter Three --- The Changing Audiovisual Presentation of the PRC National Anthem Video Clips in Post-colonial Hong Kong --- p.23 ; Chinese Musical Nationalism in Post-colonial Hong Kong --- p.23 ; "Vocabulary´ح and Its Post-colonial Interpretation --- p.24 ; "Structure´ح and Its Post-colonial Interpretation --- p.25 ; Conceptualization of the Nation by Displaying the PRC flag and the Hong Kong SAR flag --- p.26 ; Conceptualizing the Ideas of Ethnicity --- p.30 ; Image of People´ةs Liberation Army in Constructing the Concept of the Nation --- p.32 ; Interrelationship between the Musical Interpretation and the People featured --- p.34 ; Vocabulary in Constructing the Concepts of the Chinese Nation --- p.41 ; Conclusion --- p.44 ; Chapter Chapter Four --- Conclusion --- p.48 ; Post-Colonial Influences Upon the Cultural Identity of Hong Kong Citizens --- p.48 ; Reinforcing Political Affiliation to the PRC using the National Anthem after the 1997 Handover --- p.49 ; Our Home Our Country featuring the PRC National Anthem as a Political Tool --- p.50 ; The Historical Significance of Our Home Our Country --- p.52 ; Appendix I Basic Information of the National Anthem Video Clip Our Home Our Country --- p.54 ; Appendix II Musical ...