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In: Politische Narrative
In: Politische Narrative
In: Unterhaltungsforschung
Was ist ›Narration‹ und welche Effekte lassen sich mit narrativer Kommunikation erzielen? Trotz der jahrzehntelangen Beschäftigung mit diesen Problemstellungen herrscht weder Einigkeit hinsichtlich der Definition von ›Narration‹, noch ist die empirische Befundlage ihrer Effekte eindeutig. Dennoch wird ›Storytelling‹ in jüngster Zeit insbesondere im Journalismus breit propagiert - in der Überzeugung, dass eine narrative Darstellung verständlicher, unterhaltsamer und attraktiver für das Publikum sei als etwa eine analytische oder beschreibende Darstellung desselben Sachverhalts. Gleichzeitig wird jedoch Kritik laut, die in einer solchen Berichterstattung die journalistischen Qualitätsanforderungen im Zusammenhang mit dem Informationsauftrag der Medien nicht gewahrt sieht. Werner Früh, Felix Frey und Jette Blümler untersuchen diese Aspekte von Narration und Storytelling sowohl in systematischen Synopsen des Forschungsstands als auch in eigenen Theorieentwürfen und empirischen Forschungsprojekten anhand von Film- und Fernsehbeiträgen. Biographische Informationen Werner Früh, Jg. 1947, Prof. Dr. phil., ist Professor für empirische Kommunikations- und Medienforschung an der Universität Leipzig. Felix Frey, M.A., geb. 1981, ist seit 2008 wissenschaftlicher Mitarbeiter am Institut für Kommunikations- und Medienwissenschaft der Universität Leipzig.
In: Zeitschrift für Didaktik der Gesellschaftswissenschaften: zdg ; Geographie, Geschichte, Politik, Wirtschaft = Journal for didactics of social science, Band 4, Heft 2, S. 20-35
ISSN: 2191-0766
In: The Crisis of British Protestantism, S. 91-121
In: Zeitschrift für Geschichtswissenschaft: ZfG, Band 34, Heft 2, S. 113-115
ISSN: 0044-2828
"'Diskussionsbeitrag' in der Commission Internationale d'Historiographie auf dem Historikerkongreß in Stuttgart. Die 'bürgerliche' Geschichtswissenschaft habe sich seit dem letzten Drittel des vorigen Jahrhunderts zunehmend von der marxistischen Geschichts- und Gesellschaftsauffassung herausgefordert gesehen; daß habe die Entwicklung der nichtmarxistischen Wirtschafts-, Sozial- und Strukturgeschichtsschreibung geprägt. Der Erzählung komme auch in der Sozialgeschichtsschreibung eine besondere Rolle zu. Abzulehnen sei jedoch eine extreme Auswertung des Erzählbegriffs. Nicht nur die Erzählung stifte Betroffenheit, sondern auch andere Darstellungsformen. Die stärker theoretisch orientierten Darstellungsformen seien für den Historiker ebenso unverzichtbar wie die Erzählung; wichtig sei die kluge Auswahl und eine sinnvolle Kombination der verschiedenen Formen." (IGW-Referat)
Describes the formation and operation of a category of Palestinian and Israeli 'world literature' whose authors actively respond to the expectation that their work will 'narrate' the nation, invigorating critical debates about the political and artistic value of national narration as a literary practice. The crisis in Israel/Palestine has long been the world's most visible military conflict. Yet the region's cultural and intellectual life remains all but unknown to most foreign observers, which means that literary texts that make it into circulation abroad tend to be received as historical documents rather than aesthetic artefacts. Rhetorics of Belonging examines the diverse ways in which Palestinian and Israeli world writers have responded to the expectation that they will 'narrate' the nation, invigorating critical debates about the political and artistic value of national narration as a reading and writing practice.
In: Freiburger Studien zur Archäologie & visuellen Kultur Band 1
In: Frontiers of Narrative
In: Multitudes, Band 29, Heft 2, S. 15-22
ISSN: 1777-5841
In: Postcolonialism Across the Disciplines
Describes the formation and operation of a category of Palestinian and Israeli 'world literature' whose authors actively respond to the expectation that their work will 'narrate' the nation, invigorating critical debates about the political and artistic value of national narration as a literary practice. The crisis in Israel/Palestine has long been the world's most visible military conflict. Yet the region's cultural and intellectual life remains all but unknown to most foreign observers, which means that literary texts that make it into circulation abroad tend to be received as historical documents rather than aesthetic artefacts. Rhetorics of Belonging examines the diverse ways in which Palestinian and Israeli world writers have responded to the expectation that they will 'narrate' the nation, invigorating critical debates about the political and artistic value of national narration as a reading and writing practice. It considers writers whose work is rarely discussed together, offering new readings of the work of Edward Said, Amos Oz, Mourid Barghouti, Orly Castel-Bloom, Sahar Khalifeh, and Anton Shammas. This book helps to restore the category of the nation to contemporary literary criticism by attending to a context where the idea of the nation is so central a part of everyday experience that writers cannot not address it, and readers cannot help but read for it. It also points a way toward a relational literary history of Israel/Palestine, one that would situate Palestinian and Israeli writing in the context of a history of antagonistic interaction. The book's findings are relevant not only for scholars working in postcolonial studies and Israel/Palestine studies, but for anyone interested in the difficult and unpredictable intersections of literature and politics.
This title was made Open Access by libraries from around the world through Knowledge Unlatched.
In this important book, a leading authority in the field of social theory and communication shows how scientific practice is a rhetorical and narrative activity, a story well told. Richard Harvey Brown develops the idea of science as narration, casts various scientific disciplines as literary genres, and argues that expert knowledge of any kind is a form of power. He then explains how a narrative view of science can help integrate science within a democratic civic discourse.Brown shows why social science knowledge is as much a rhetorical enterprise as is the social reality that it describes. He construes laboratory science, physics, ethnography, sociology, philosophy, and astronomy as genres, narratives, and other rhetorical practices, and thereby portrays science as a special kind of narrative discourse that generates theories and shapes their validity and significance. He next focuses on the political dimensions of science, including the politics of psychology in the United States, showing how power and knowledge shape, limit, and infuse each other. Brown argues that this linguistically and socially constructed character of knowledge does not undermine its truth value but rather reaffirms the moral status and political responsibilities of its practitioners. In one important chapter, written with Robert Brulle, he explores the movement for environmental justice in the United States, showing how ordinary people can use science as part of a larger civic narration. Brown concludes by discussing how the rationality of science can be preserved even as it is subsumed within a rational and moral civic discourse
In: Routledge innovations in political theory, volume 99
"Political Narratosophy offers a critically subversive rethinking of the political and philosophical significance of narrative, and why feminist epistemology and feminist social theory matters for the meaning of the 'self' and narrativity. Through a re-examination of the notions of democracy and emancipation, Senka Anastasova coins the term 'political narratosophy', a unique interpretation of the philosophy of narrative, identification, and disidentification, developed in conversation with philosophers Jacques Rancière, Nancy Fraser, and Paul Ricoeur. Utilizing the author's own identity as a feminist philosopher has lived in socialist Yugoslavia, post-Yugoslavia, and Macedonia (now North Macedonia), Anastasova explores the fluctuating and disappearing borders around which identity is situated in a country that no longer exists. She expertly reveals how the subject finds, makes and unmakes itself through narrativity, politics, and imagination. Political Narratosophy is an important intervention in political philosophy and a welcome contribution to the historiography on female authors who lived through twentieth century communism and its aftermath. It will be of great interest to scholars and researchers in the fields of political theory, philosophy, women's studies, international relations, identity studies, (comparative) literary studies, and aesthetics studies"--