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Gao Yang. ; Thesis submitted in: June 2005. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2006. ; Includes bibliographical references (leaves 123-133). ; Abstracts in English and Chinese. ; GENDER AND NATIONALISM IN CHINESE FILMS BETWEEN 1949 AND 1989 --- p.I ; 摘要 --- p.III ; ABBREVIATIONS --- p.VIII ; Chapter CHAPTER 1 --- INTRODUCTION --- p.1 ; Chapter 1.1 --- Literature Review --- p.2 ; Chapter 1.1.1 --- "Nation, State and Nationalism" --- p.2 ; Chapter 1.1.2 --- Gender and Nation in Chinese Cinematic Narration --- p.6 ; Chapter 1.2 --- Methodology --- p.10 ; Chapter 1.2.1 --- Typology --- p.10 ; Chapter 1.2.2 --- Film Analysis as Method --- p.11 ; Chapter 1.2.3 --- Case Selection --- p.16 ; Chapter CHAPTER 2 --- SOCIAL BACKGROUND OF CHINA: 1949-1989 --- p.22 ; Chapter 2.1 --- Background of the First Period:1949-1978 --- p.22 ; Chapter 2.1.1 --- "New China, New Women" --- p.22 ; Chapter 2.1.2 --- The Cooperative Movement and the Communization Movement:1952- --- p.24 ; Chapter 2.1.3 --- The Great Leap Forward and the Suppression of Individualism:1958-1960 --- p.26 ; Chapter 2.1.4 --- The Magnification of Class Struggle and the Cultural Revolution --- p.28 ; Chapter 2.1.5 --- The Unchanged Philosophy behind the Changing Policies: the Strategic Opening Up of Public Domain for Women --- p.30 ; Chapter 2.2 --- Economic and Political Landscape after the Cultural Revolution: 1979-1989 --- p.31 ; Chapter 2.2.1 --- Economic Reform and the Concomitant Social Problems --- p.31 ; Chapter 2.2.2 --- Political Liberalization and the Backlashes --- p.32 ; Chapter 2.2.3 --- "The ""Cultural Fever"" and the ""Fifth Generation"" Filmmakers" --- p.33 ; Chapter 2.2.3.1 --- Collective Frustration: The Social Sentiment after the National Trauma --- p.33 ; Chapter 2.2.3.1.1 --- Traumatic Experiences during the Cultural Revolution --- p.33 ; Chapter 2.2.3.1.2 --- The Lost Past --- p.36 ; Chapter 2.2.3.1.3 --- The Meaningless Present --- p.36 ; Chapter 2.2.3.2 --- The Specter of Westernization --- p.37 ; Chapter 2.2.3.2.1 --- ...

在過去的二十年中,隨著1989 年的革命(以及之後突進的新自由主義經濟政策),信息和通信技術(ICT)的擴散,世界經歷了急劇變化。但高等教育,尤其是英文文學研究有没有根據這一時期的文化、經濟、社會和政治的情況來修正呢?本論文探討從現代主義美學和片面國家論述的小說(英文書寫的),過渡到一個文化和政治驅動並行的後現代形式,及反映一個日益全球化和全球意識的二十一世紀引人注目的問題。通過當代小說的新自由主義全球化的測試 ──或者也被稱為後現代的情况和晚期資本主義的文化邏輯──我們了解世界據稱走向非殖民化只不過掩飾另一種殖民方式,導致葛蘭西的霸權理論效果,使馬克思主義理論的社會力量轉變成促使不同階級的政治權力形式,取決於一個非常關鍵的因素- 共識。 ; The world has experienced rapid changes in the last twenty years concomitant of the Revolutions of 1989 (and the subsequent onrush of neoliberal economic policies) and the proliferation of Information and Communication Technology (ICT), but has higher ed,and particularly, the study of English literature modified in accordance to the cultural, economic, social, and political circumstances of the period? This thesis explores the compelling question by illustrating the transition of contemporary literary fiction (written in English) from modernist aesthetics and one-sided national discourse into a culturally and politically driven postmodern form to parallel and reflect an increasingly global and globally aware 21st century. Through contemporary fiction's examination of neoliberal globalization - or perhaps what is also known as the postmodern condition and cultural logic of late capitalism - we come to understand a return of colonization in a world allegedly moving towards decolonization. What results is the Gramscian theory of hegemony, which gives rise to a Marxist theory of the transformation of social forces into forms of political power adequate to different class projects that depends on a very crucial factor - consensus. ; Detailed summary in vernacular field only. ; Tchan, Chrystal Ching. ; "December 2012." ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2013. ; Includes bibliographical references (leaves 105-110). ; Abstracts also in Chinese. ; Abstract --- p.i ; Table of Contents --- p.ii ; Introduction --- p.1 ; Chapter Chapter One: --- Nationalism and the Decline of Empire --- p.15 ; Chapter Chapter Two: --- The Reflexive Resurgence of Local and National Formations in Hari ...

Zou, Meiyang. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. ; Includes bibliographical references (leaves 99-103). ; Abstracts in English and Chinese. ; Acknowledgements --- p.iii ; Abstract --- p.iv ; 摘要 --- p.vi ; Abbreviations --- p.viii ; Chapter Chapter One: --- Introduction --- p.1 ; Nation and nationalism: problems and dilemmas --- p.2 ; James Joyce and Lu Xun --- p.10 ; Critical / ironical nationalism? --- p.16 ; Chapter Chapter Two: --- Negative Images of the Homeland --- p.21 ; Haunting death and insanity --- p.22 ; Problematic national identity and "backward´ح national character --- p.33 ; Chapter Chapter Three: --- Doubts Towards the Foreign Powers --- p.39 ; Criticizing the self-imposed inferiority --- p.42 ; Failed intellectuals --- p.53 ; Chapter Chapter Four: --- Rescuing the Nation Through Language --- p.63 ; Disillusionment with political revolutions --- p.63 ; Literary experimentations as alternative salvation --- p.76 ; Chapter Chapter Five: --- Conclusion --- p.83 ; After the short stories --- p.83 ; Exile and role of the intellectual --- p.89 ; Literature and politics --- p.96 ; WORKS CITED --- p.99

Chiu Yuen Ming Vivian. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2006. ; Includes bibliographical references (leaves 82-87). ; Abstracts in English and Chinese. ; Chapter Chapter 1 - --- Introduction --- p.1 ; Chapter 1.1 --- Overview --- p.1 ; Chapter 1.2 --- Significance --- p.7 ; Chapter Chapter 2 - --- Literature review --- p.8 ; Chapter 2.1 --- Definition of nation --- p.8 ; Chapter 2.2 --- History of Chinese nationalism --- p.8 ; Chapter 2.3 --- From state nationalism to popular nationalism --- p.16 ; Chapter 2.4 --- Three levels of Chinese nationalism --- p.17 ; Chapter 2.5 --- Media and nationalism --- p.17 ; Chapter 2.5.1 --- Media in China- newspapers --- p.20 ; Chapter Chapter 3 - --- Framing --- p.22 ; Chapter 3.1 --- Overview --- p.22 ; Chapter 3.2 --- Four different frames --- p.24 ; Chapter 3.2.1 --- National self respect --- p.27 ; Chapter 3.2.2 --- National self strengthening --- p.28 ; Chapter 3.2.3 --- Co-operation with Japan --- p.30 ; Chapter 3.2.4 --- National humiliation --- p.31 ; Chapter 3.3 --- Framing Sino-Japanese relationship --- p.33 ; Chapter Chapter 4 - --- Methodology --- p.35 ; Chapter 4.1 --- Theoretical concern --- p.35 ; Chapter 4.2 --- Case study --- p.35 ; Chapter 4.2.1 --- First case study: the Mukden incident --- p.36 ; Chapter 4.2.2 --- Second case study: Junichiro Koizumi's visit to Yasukuni Shrine --- p.37 ; Chapter 4.3 --- Media text --- p.39 ; Chapter 4.3.1 --- People's Daily --- p.40 ; Chapter 4.3.2 --- Global Times --- p.42 ; Chapter 4.3.4 --- Southern Metropolis News --- p.45 ; Chapter 4.4 --- Data and sampling --- p.47 ; Chapter 4.5 --- Content analysis --- p.49 ; Chapter 4.6 --- Hypothesis --- p.50 ; Chapter 4.7 --- Coding categories and schemes --- p.54 ; Chapter 4.8 --- Coding training --- p.55 ; Chapter Chapter 5 - --- Results --- p.57 ; Chapter 5.1 --- Overview --- p.57 ; Chapter 5.2 --- Quantitative results --- p.59 ; Chapter Chapter 6 - --- Discussion --- p.67 ; Chapter 6.1 --- Analysis --- p.67 ; Chapter 6.1.1 --- National self respect --- p.68 ...

Yeung Shuk Man. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. ; Includes bibliographical references (leaves 150-162). ; Abstracts in English and Chinese. ; Abstract --- p.i ; 論文摘要 --- p.ii ; Acknowledgements --- p.iii ; Transliteration --- p.iv ; Table of Contents --- p.v ; Chapter Chapter 1 --- Introduction: Sending the women back home --- p.1 ; Chapter Chapter 2 --- Connections between Germany and China --- p.20 ; Post-First World War experience --- p.22 ; Sino-German relationship --- p.28 ; Similar characteristics in nationalistic leadership and political ideology …… --- p.36 ; Chapter Chapter 3 --- "´ب´بNew women, liberated women"": The 1920s" --- p.44 ; New roles and images --- p.46 ; New sexualities and moralities --- p.61 ; The "old´ح values --- p.70 ; Chapter Chapter 4 --- Women under NSDAP and GMD --- p.76 ; Home and family --- p.78 ; Employment --- p.97 ; War years --- p.105 ; Chapter Chapter 5 --- Women leaders in NSDAP and GMD --- p.114 ; The profile of the women leaders --- p.115 ; Women organizations --- p.124 ; Viewpoints of the women leaders --- p.132 ; Chapter Chapter 6 --- Conclusion: Nationalism and women --- p.141 ; Bibliography --- p.150

二零一零年一月,全球最大的互联网搜索引擎谷歌在其官网上宣布了他们由于不满中国政府长期以来的网络审查制度而有意退出中国市场的决定。西方主流媒体及评论家对于中国的网络审查制度惯常以负面评价为主。中国民众对此又持怎样的态度呢?这个研究将焦点放在了中国的海归派身上。由于长年游走在中国大陆及海外之间,他们常常可以体验及比较不同地区的网络世界,故此对网络审查比一般的中国大陆民众有更深的体会及更详尽的洞悉。本研究旨在探索这群曾在或仍在中国境外居住的中国人是如何理解中国的互联网审查制度的。 ; 在此研究的受访对象中,有些人将网络审查视为一个来自政府的负面干涉,并认为它代表了一个不诚实的政府。而另一些人则认为由于中国社会及中国文化的特殊性,网络审查制度有其存在的道理。虽然受访对象的看法多样,但他们在谈论这个话题的时候都表现出了一种充满矛盾感的民族主义情节 ---他们会竭力为一个另自己蒙羞的政府辩护。通过深入分析了这种充满矛盾感的民族主义情节:它是如何产生的,又意味着什么,它与网络审查制度又有何相关,笔者力图强调,本研究受访对象的国家认同感在这个辩护过程中得到了加强。此分析有助于更好的了解中国的网络审查制度,以及它的合理性是如何被塑造出来的。 ; In January, 2010, the biggest internet search engine, Google, announced its potential exodus from the Chinese market due to China's practice of censorship. Many foreign commentators have criticized China's practice of censorship. But what are the views of Chinese citizens? This research focuses on a special group of Chinese netizens called "returnees" [overseas Chinese who are living in between China and elsewhere], who have experienced both the domestic and overseas cyber-worlds. Through studying their perspectives on censorship, this research seeks to understand how those who have lived outside China understand internet censorship within China. ; Some informants view internet censorship as a negative intrusion and a representation of an untruthful government while others consider it as a necessity in managing China's cyberspace due to the special cultural context of Chinese society. Though their perceptions vary, my informants expressed a paradoxical nationalism, defending a government they felt ashamed of; this was expressed repeatedly during interviews. In this thesis, by bringing censorship and nationalism together, I analyze in depth my informants' paradoxical and conflicting attitude toward these two concepts, in order to better understand Chinese censorship and how it may be justified. I argue that by defending censorship, my informants' Chinese identities have been reinforced. ; Detailed summary in vernacular field only. ; Detailed summary in vernacular field only. ; Chang, Xinyue. ; Thesis ...

本項研究旨在探討近代中國男性知識分子性別與國族論述之間的互動關係,藉以突顯近年學者利用後殖民性別/國族理論模式解釋上述問題的盲點和不足之處。 ; 根據後殖民性別/國族理論的觀點,反殖民男性精英的性別與國族論述之間呈現出對立和矛盾,這成為了學者們以性別角度,批評近代中國國族主義的基調。然而,本研究要論證的正是這種後殖民性別/國族理論難以完全解釋近代中國歷史語境中的相關議題。 ; 本文第一章探討康有為的「男女平等」論述如何假借儒家傳統「聖人」的論述模式,開拓現代性別平等的論說空間;第二章分析金天翮在晚清國族主義脈絡下建構的「女權」論述,如何為當時女權主義者打開批判男權統治的論述場域;第三章闡述周作人五四時期的「女性」論述如何通過新性道德討論,以及批判父權意識型態,創建女性主體性的論述模式;第四章解析張競生的「女體」論述如何將女性情慾與國族論述連結起來,開創女性情慾自主論的空間。通過四位知識分子的思想分析,本文勾勒出晚清以迄五四這個歷史階段較突出的性別/國族論述模式,闡釋近代中國性別與國族論述之間的互動關係。 ; This research aims to explore the interactive relation between gender and nation in the discourse of the Modern Chinese intellectuals. Through details examination of the interactive discourse of gender and nation, this study seeks to demonstrate the inadequacy of the postcolonial critique of the nationalist bias on gender. ; According to the gender analyses of the post-colonialists, gender and nation appear to be placed in opposition and conflict with one another. It is from this perspective of gender that many Chinese study scholars advance their critique on Chinese nationalism. However what I want to argue in this thesis is that such application of the post-colonial critique on gender and nation is over-representation of the gender/nation discourse in the context of Modern China. ; In the first chapter of this thesis, I shall demonstrate how the discourse of Kang Youwei on "equality between men and women (「男女平等」)has revised the conception of the "Confucian sagefor the alignment with the modern discourse on equality of gender. In the second chapter, I shall how Chin Sung-ts'en's(「金天翮」) dissemination of the conception of" Women's Right(「女權」) has inspired the female elite to criticize the patriarchy in the context of the national discourse on Late Qing period. In the third chapter, I shall examine how Zhou Zuoren's(周作人) discourse on women (「女性」)has, through his participation in the construction of the "New Sexual Morality and his critique of the ideology of patriarchy, constructed the discursive foundation of female subjectivity during May Fourth period. And ...

Chan, Mun Tak Ada. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. ; Includes bibliographical references (leaves 65-69). ; In English with some Chinese characters; abstract also in Chinese. ; Abstract --- p.i ; Abstract (Chinese) --- p.iii ; Acknowledgements --- p.iv ; Table of Contents --- p.V ; List of Figures and Tables --- p.vii ; Chapter Chapter One --- Introduction --- p.1 ; Geographical Location and Political Status of Hong Kong --- p.3 ; Personal Reflection on the Change of HKSAR´ةs Sovereignty --- p.8 ; Chapter Chapter Two --- Propaganda on Television: Music Video in Hong Kong Mass Media --- p.10 ; Defining Post-colonialism --- p.10 ; A Brief History of Hong Kong --- p.12 ; National Affiliation of the Hong Kong Citizens in the Pre- and Post-Handover Era --- p.14 ; Chapter Chapter Three --- The Changing Audiovisual Presentation of the PRC National Anthem Video Clips in Post-colonial Hong Kong --- p.23 ; Chinese Musical Nationalism in Post-colonial Hong Kong --- p.23 ; "Vocabulary´ح and Its Post-colonial Interpretation --- p.24 ; "Structure´ح and Its Post-colonial Interpretation --- p.25 ; Conceptualization of the Nation by Displaying the PRC flag and the Hong Kong SAR flag --- p.26 ; Conceptualizing the Ideas of Ethnicity --- p.30 ; Image of People´ةs Liberation Army in Constructing the Concept of the Nation --- p.32 ; Interrelationship between the Musical Interpretation and the People featured --- p.34 ; Vocabulary in Constructing the Concepts of the Chinese Nation --- p.41 ; Conclusion --- p.44 ; Chapter Chapter Four --- Conclusion --- p.48 ; Post-Colonial Influences Upon the Cultural Identity of Hong Kong Citizens --- p.48 ; Reinforcing Political Affiliation to the PRC using the National Anthem after the 1997 Handover --- p.49 ; Our Home Our Country featuring the PRC National Anthem as a Political Tool --- p.50 ; The Historical Significance of Our Home Our Country --- p.52 ; Appendix I Basic Information of the National Anthem Video Clip Our Home Our Country --- p.54 ; Appendix II Musical ...