Suchergebnisse

Index on leaves [1]-[5] at end. ; Errors in foliation: 13, 19, 28, 36, 107, 112, 123, 137, 172, 180, 196 and 210 misnumbered 145, 29, 20, 37, 109, 120, 12, 150, 173, 181, 188 and 110 respectively. Some of these errors have been corrected in various extant copies. ; Title within 4-part woodcut border, with woodcut Spanish royal arms on title page and leaf 5v; woodcut ornamented and historiated initials. ; Signatures: a-2d⁸ [2e]² [$4 (-a1, t2) signed; misprinting d4 as 'c4' and 2a4 as 'a4']. ; Colophon (leaf [5]r at end) reads: "[par.] A ho[n]rra y gloria de Nuestro Señor Iesu Christo acabose este presente libro en Mexico en casa de Pedro Ocharte, a veynte y tres dias del mes de nouiembre de mill [et] quinientos [et] sesenta y tres años. [par.] Esta tassado por el illustrissimo señor do[n] Luys de Uelasco uirrey a real el pliego. Por ma[n]dado de su señoria Antonio de Turcios secretario." ; García Icazbalceta (incorrectly?) reports the month in line 2 of leaf 2 verso as "mayo", but most (all?) extant copies read "março", as is also reported by Medina. ; The license on recto of second leaf is dated Toledo, 4 September, 1560. On verso of leaf 2 is the "Comision para la impression" of Luis de Velasco to Vasco de Puga. ; This work, the earliest printed summary of Spanish colonial law, was compiled by Vasco de Puga and is generally known as the "Cedulario" of de Puga. ; Wagner, H.R. Nueva bibliografía mexicana del siglo xvi, 1946, ; Dobbs & Haun. Law Library at LC, ; Streit, R. Bibliotheca missionum, ; Palau y Dulcet, A. Manual del librero hispano-americano (2. ed.), ; García Icazbalceta, J. Bibliografía mexicana del siglo XVI (1954 ed.), ; Sabin, J. Dictionary of books relating to America from its discovery to the present time, ; Medina, J.T. Imprenta en México (1539-1821), ; Bibliotheca Americana: catalogue of the John Carter Brown Library in Brown University, Providence, Rhode Island, ; Mode of access: Internet. ; Armorial bookplate of Maximilian I, Emperor of Mexico. From the J.M. Andrade collection (with his bookplate). Forms part of the Hubert Howe Bancroft Collection (No. 60, Rare B). Stamp of J.F. Ramirez on leaf 2r. ; 19th century quarter leather (re-backed) over marbled boards; marbled endpapers. ; Bancroft Library copy: Imperfect: title page and leaves 149-151, 160 wanting (replaced by manuscript).

[8], 39, [1]; [4], 110, [2] p., folded plate : map ; W.S. = William Symonds. ; Edited by Thomas Abbay, who initials the introduction to part 1 and signs that to part 2. ; The map has title "Virginia" and is signed "grauen by William Hole 1606". For the various states see Sabin 82832 and 82823. ; "The proceedings of the English colonie in Virginia" has separate dated title page, pagination, and register. ; The last leaf is blank. ; Variant: with an additional leaf of dedication to (1) the Earl of Hereford by Smith, or (2) to T. Watson and J. Bingley by "Philip Fote" (possibly a pun on the heading "To the hand" on *2r in all copies). ; Reproduction of the original in Harvard University. Library.

This literature review examines the potential of collaborative art making as a tool to foster a sense of belonging in today's gender and sexual minority youth who identify as lesbian, gay, bisexexual, transgender and queer (LGBTQ). Living with a unique layer of minority stress, LGBTQ youth are at high risk for developing mental health issues such as depression, anxiety, and suicidal ideation due to ostracization and rejection from their families and communities. By reviewing the implementation of collaborative art making to bring together other marginalized groups across cultural backgrounds as well as the use of art making with LGBTQ youth for purposes such as political activism, community outreach and self advocacy, it is concluded that collaborative art making could be a useful method to combat thwarted belongingness and diminish resulting mental health issues. The author is a queer white millenial woman living in north eastern United States of America.