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Frontmatter -- Preface -- Contents -- List of Figures -- Tabula Gratulatoria -- Vasileios Petrakos: A Life Dedicated to the Service of Greek Archaeology -- Part I: Epigraphy and Ancient History -- Thucydides, Historical Geography and the 'Lost Years' of Perdikkas II -- Athens, Samothrace, and the Mysteria of the Samothracian Great Gods -- De quelques épitaphes d'étrangers et d'étrangères au Musée d'Érétrie -- Φυτωνυμικά τοπωνύμια Κωμών της Αργολίδος -- Le recours à l'arbitrage privé dans les actes d'affranchissement delphiques -- Προξενικό ψήφισμα από την Αιτωλία -- Women's Religion in Hellenistic Athens -- Notes on Athenian Decrees in the Later Hellenistic Period -- "Those Who Jointly Built the City" -- Part II: Archaeology -- Attica and the Origins of Silver Metallurgy in the Aegean and the Carpatho-Balkan Zone -- Cultural Variation in Mycenaean Attica. A Mesoregional Approach -- Mythical and Historical Heroic Founders: The Archaeological Evidence -- Das Volutenkapitell aus Sykaminos -- Dionysos Lenaios at Rhamnous. Lenaia ἐν ἀγροῖς and the "Lenaia vases" -- Philoktet in Attika -- Part III: History of Greek Archaeology -- Peiraieus in 1805 -- Karl Otfried Müller in Marathon, Rhamnus und Oropos -- Spyridon Marinatos and Carl Blegen at Pylos: A Happy Collaboration -- Vassilis Petrakos et les fouilles suisses d'Érétrie -- List of Contributors -- Index of Epigraphical Texts -- Index Locorum -- Index of Mythological Names -- Index of Geographic Names (Place Names, Ethnic and Demotic Adjectives) -- Index of Ancient Personal Names -- Index Rerum -- Index of Modern Personal Names
Δεν παρατίθεται περίληψη στα ελληνικά. ; Tonia Kafetzaki, Female Contention and Communist Commitment: Working Women in the Midwar Novels and Essays of Galateia Kazantzaki The paper examines the representations of working women in the midwar novels of Galateia Kazantzaki (1881-1962), the relation of these representations to the author's political views on female labor —as articulated in two essays written in the same period—, as well as the manner in which her views are integrated into the discussion of these issues during this time period, specifically in the confrontation between the radical feminists, the socialists and the communists. G. K. was a writer with an enduring interest in the social status of women, an intellectual who actively participated in the debates of the Left regarding the role of art, and unswerving in her commitment to the communist movement. Including women in her work, she intended to denounce the decay of the bourgeois system that imposes upon women additional forms of exploitation, to tackle issues regarding the status of her female contemporaries and to examine women's labor in relation to women's emancipation perceived as a change in mentality and morals. Her prose in its entirety, literary and political, is an interesting expression of female contention in the period between the wars, an expression consistent with the basic tenets of the communist party, conversant with the views of the radical feminist scene, and showing a clear proximity to socialist opinions. Revealing a broader and more liberal attitude regarding women's labor and women's issues than the political party she is affiliated to, she chiefly expresses her concern for attaining a new female ethos, a new consciousness.
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The late James Adam's edition of The Republic of Plato was published in 1902 and has long been out of print; it still remains among the most detailed and valuable critical editions available. D. A. Rees, Fellow and Tutor of Jesus College, Oxford, has written an introduction of 15,000 words for this edition. In it, he surveys Adam's work on The Republic and reviews subsequent work on the textual problems, language and meaning of the book. The book is divided into two volumes; Volume I, printed here, Introduction and Books I–V, and Volume II. Books VI–X and Indexes
Published in print by Universitätsverlag der TU Berlin, ISBN 978-3-7983-2906-5 ; Thanks to its vitality, the art scene in Athens, faced with the economic and political crisis, is met with an increased attention by media and specialist publishers. The Catalogue and the accompanying exhibition in Berlin and Athens – running parallel to documenta 2017 in Kassel and Athens – pose crucial questions regarding the relation of economic crisis, art production and new forms of political art. A social research undertaken in 2016, interviewed and photographed Greek and international artists working in Athens in various art forms, ranging from street art, painting, sculpture and installations to photographic art. The seriousness and passion, with which the artists follow their visions under adverse life conditions, is impressive. The biographical photographic portraits of 14 artists reflect their artistic and political positions, and are in dialogue with the presented works, which results in a vivid insight into the relation of art, biography, and political crisis. The accompanying essays discuss the sociological and aesthetic conception of the "artists' exhibition", the social impact of the economic crisis in Greece, contemporary art and crisis, the importance of street art in Athens, and the art scene in the crisis. The appendix gives a description of ATLAS.ti, a software developed at Technische Universität Berlin, and its use by professionals in the field of culture. ; Die Athener Kunstszene erfährt durch ihre Lebendigkeit angesichts der ökonomischen und politischen Krise Griechenlands gegenwärtig in Medien und Fachpresse eine gesteigerte Aufmerksamkeit. Der Katalog und das begleitende Ausstellungsprojekt in Berlin und Athen stellen - begleitend zur documenta 2017 in Athen und Kassel - aktuelle Fragen zum Zusammenhang zwischen ökonomischer Krise, künstlerischer Produktion und neuen Formen politischer Kunst in Griechenland. In einer sozialwissenschaftlichen Recherche im Jahr 2016 wurden in Athen tätige Künstlerinnen und Künstler interviewt und fotografiert, von der Street Art über Malerei, Bildhauerei, Installationen bis zur Fotokunst. Beeindruckend ist die Ernsthaftigkeit und Leidenschaft, mit der die Kunstschaffenden, zum Teil unter großen Entbehrungen, ihre Visionen verfolgen. 14 biografisch-fotografische Künstlerporträts reflektieren die jeweilige künstlerisch-politische Position und treten in einen Dialog mit den ausgestellten Werken, so dass sich ein lebendiger Einblick in das Verhältnis von Kunst, Biografie und politischer Krise ergibt. In den begleitenden Essays werden die sozialwissenschaftlich-ästhetische Konzeption der "Künstler-Ausstellung", die sozialen Folgen der Krise in Griechenland, die griechische Gegenwartskunst und die besondere Bedeutung der Street Art in Athen diskutiert. Im Anhang wird ATLAS.ti, eine an der TU Berlin entwickelte Software, in ihrer Bedeutung für Kulturschaffende vorgestellt. ; Χάρις στη ζωτικότητά της, η καλλιτεχνική σκηνή στην Αθήνα, εν καιρώ οικονομικής και πολιτικής κρίσης, κινεί το ενδιαφέρον τόσο των ΜΜΕ όσο και των εκδοτών του είδους. Ο Κατάλογος μαζί με την συνοδευτική έκθεση σε Αθήνα και Βερολίνο -η οποία θα γίνει παράλληλα με την έκθεση "documenta 2017", που θα παρουσιαστεί στο Κάσσελ της Γερμανίας και στην Αθήνα- εγείρουν κρίσιμα ερωτήματα γύρω από τη σχέση οικονομικής κρίσης, καλλιτεχνικής παραγωγής και νέων μορφών πολιτικής τέχνης. Μια κοινωνιολογική έρευνα, που πραγματοποιήθηκε το 2016, φωτογράφησε και πήρε συνεντεύξεις από διάφορους καλλιτέχνες, Έλληνες και μη, που δουλεύουν στην Αθήνα με ποικίλες μορφές τέχνης, από street art, εικαστικά, γλυπτική και εγκαταστάσεις μέχρι και φωτογραφία. Η σοβαρότητα και το πάθος με τα οποία οι καλλιτέχνες ακολουθούν το όραμά τους υπό αντίξοες συνθήκες, προκαλεί αίσθηση. Τα φωτογραφικά πορτρέτα των 14 καλλιτεχνών αντανακλούν τις καλλιτεχνικές και πολιτικές αντιλήψεις τους, ενώ ταυτόχρονα συνδιαλέγονται με τα παρουσιαζόμενα έργα, προσφέροντας έτσι μια διεισδυτική ματιά στη σχέση τέχνης, βιογραφίας και πολιτική κρίσης. Τα συνοδευτικά άρθρα, πραγματεύονται την κοινωνιολογική και αισθητική σύλληψη της "έκθεσης των καλλιτεχνών", τις κοινωνικές επιδράσεις της οικονομικής κρίσης στην Ελλάδα, τη σχέση σύγχρονης τέχνης και κρίσης, τη σημασία της τέχνης του δρόμου στην Αθήνα και την καλλιτεχνική σκηνή εν καιρώ κρίσης. Στο παράρτημα παρουσιάζεται το λογισμικό "ATLAS.ti", που δημιουργήθηκε στο Technische Universität του Βερολίνου, καθώς και η χρήση του από επαγγελματίες στον χώρο του πολιτισμού.
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Δεν παρατίθεται περίληψη στα ελληνικά. ; Dans cette approche on aborde la question des facteurs principaux qui ont déterminé ou influencé l'historiographie espagnole pendant les dernières décennies: d'une part, les conditions politiques et surtout la présence du régime franquiste. Et d'autre part, les facteurs scientifiques, propres à la science de l'histoire. On examine les directions générales de l'historiographie du pays, de sa thématique et de sa méthodologie, ainsi que les interprétations de l'histoire espagnole proposées par les historiens, avant la guerre civile, pendant le régime franquiste et après la consolidation de la démocratie dans le pays. On constate que les facteurs politiques, bien qu'importants, ne sont pas les seuls qui ont influencé les sciences sociales. La situation de l'historiographie avant la guerre civile, la tradition conservatrice catholique, renforcée par le régime franquiste, la tradition libérale et d'autres facteurs liés aux sciences sociales, ont joué un rôle significatif dans le processus historiographique. Après la saturation de l'historiographie dithyrambique et nationaliste des années quarante, on assiste à un renouvellement de la science, dans les années cinquante, dû, en partie, à l'ouverture timide du régime et aux relations scientifiques avec d'autres pays. Sur la base de ce renouvellement, où la figure de Jaime Vicans Vives prédomine, s'effectuent toutes les transformations de la thématique, de la méthodologie et d'interprétation qui caractérisent la science de l'histoire dans les années suivantes.
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Δεν παρατίθεται περίληψη στα ελληνικά. ; Eleni Fournaraki, «Wherefore deprive her of the vote?». Universal male suffrage and the exclusion of women from politics in 19th century Greece Through study of the Greek case, this article tries to explore the exclusion of women from political rights in the context of liberal democracy as a historiographical problem. In contrast to the vast majority of representative states at the time, political circumstances prevailing in Greece led to the constitutional establishment of universal male suffrage in 1864, though not without provoking the discontent of a sizeable portion of the political scene for several years thereafter. According to «conventional» historical accounts, there can be no doubt that women's exclusion from «universal suffrage» in 1864, while not explicity articulated in the Constitution or any pertinent legislation, was regarded as self-evident. Furthermore, prior to 1910-20 the possibility of attributing the vote to women did not preoccupy party politics, while a suffragist movement did not appear before the Inter-war period. Our own approach can be summarized as follows: exploration of the meaning of women's exclusion from political rights in a democratic conjuncture that assured those rights to all adult men may reveal the full dimensions of the conflict dynamic that democratic conquests presuppose. In the first place, this dynamic applies to men themselves, or more precisely to the less privileged among them. As empirical data reveal, the question of women's political rights, even if acquiring those rights was not an existing possibility, could appear as a constructive element of the political discourse: women's exclusion could have been put forward as one of the issues in the argument against universal male suffrage. It is precisely the self-evident and trivial nature of this exclusion together with that of children which could offer a more convincing argument against the conception of suffrage as a natural right. A lack of internal coherence and consistency in the argument of the advocates of «universal suffrage», could be pointed out through the emphasis, conversely, on the irrationality of a regime that guaranteed political participation down to the very last «illiterate» or «vagrant» man, while depriving all women of the vote, especially those who had the ability to possess and administrate property. Support for suffrage for those women was not totally absent from such argumentation, which served to reveal the contradictions that women's exclusion from political rights brought to the heart of the modern system for the legitimization of sovereignty. Through examination of the arguments employed by the science of constitutional law to justify exclusion, we observe a broader process of redefinition and rationalization of the existing gender hierarchy, in modern terms. Crystallized in the last quarter of 19th century, this process appealed to the notion of the biological and psychological «specificity» of «female nature)) in order to legitimize the incompatibility of women as a whole with politics.
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Δεν παρατίθεται περίληψη στα ελληνικά. ; Powerful revisionist currents are now flowing through the social sciences against what have been termed «society-centred» modes of explanation. The swift away from social determination has centred on the problem of the material referent of political motivation. This essay, talking about the language, wants to discuss some of the most problematic legacies of the social historical methodology. Linguistic turn in history focuses on the ways meaning is constituted in and through language in order to explain the world. Discourse is the organising concept term for conceptualising and practising the history of meaning. Discourse operates so as to structure thought and speech in certain ways and to preclude being structured in others. The problem of organising a social identity becomes one of representation: ideas certainly do matter, but the ways in which they matter, indeed their very existence as identifiable ideas, depend on processes of institutional and cultural mediation. That's why there is always an element of discordance between «social being» and its interpretation in «social consciousness». The disequilibrium results from the fact that their linkage is a product of human convention. People's responses to their experiences help shaped social change.
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In: Bibliothēkē Hellēnōn kai xenōn syngrapheōn 34 = G 5