Suchergebnisse

Iver Neumann has been an inter-disciplinary entrepreneur for political science in Norway. For Neumann, interdisciplinarity has been coupled with an understanding of politics as the search for meaning and identity. These features are well-developed in European political science, particularly within the field of international relations, but they are more rarely encountered in Norway. This brief article provides a sketch of political science as it evolved and matured in its Norwegian incarnation. In situating Iver Neumann within the discipline, I emphasise his international and eclectic orientation. The personal, national and international meet in Neumann's works, as do popular culture and politics.

A Danish researcher tells about his experiences with the Norwegian Institute of International Affairs (NUPI) in the 1970's, 80's and 90's and how the institute has changed over the years. Earlier the institute was heavily focused on security policy research, but in the late 20th century this focus widened into other research areas. L. Pitkaniemi

Iver Neumann has been one of the most productive and visible foreign policy and IR scholars of his generation. He has had great influence both internationally and at NUPI. He has, however, not become a prophet in his own country. Norway's political science community has expressed little interest in the three traditions that have been the lasting anchor points in Neumann's works: the English School, the German tradition of critical theory and French post-modernism. This article suggests that Norwegian political studies have expressed a lack of curiosity – if not an active skepticism – towards political theory in general and continental approaches in particular. The errand here is not to wonder why. Rather, it is to provide the briefest of glimpses into some of the perspectives that lie outside the Anglo-American, methodological mainstream of Norwegian political science.

With a summary and list of tables and figures in English

Forside; Titelside; Kolofon; Indhold; Forord; Indledning (Frits Andersen og Jakob Ladegaard); Fortiden i nutiden (Gunvor Simonsen); Døde rotter under Christiansborg (Pernille Ipsen og Hermann Von Hesse); Slavefortællinger som flerstrenget erindring (Frits Andersen); Den grumme arv (Alex Frank Larsen); Oplyst slaveri? (Jakob Ladegaard og Sine Jensen Smed); En spøgelseshistorie (Elisabeth Skou Pedersen); Mediestorme om kolonihistoriens aftryk i dansk visuel kultur (Mathias Danbolt); Slavesagen litterært betragtet (Hans Hauge)