Suchergebnisse

The volume provides the first extensive analysis of Husserl's and Cassirer's approaches to the investigation of culture. It assembles contributions by leading international scholars and young researchers, offering an advanced comparison of the philosophies of culture in both thinkers

What is it about humans that makes language possible, and what is it about language that makes us human? If you are reading this, you have done something that only our species has evolved to do. You have acquired a natural language. This book asks, How has this changed us? Where scholars have long wondered what it is about humans that makes language possible, N. J. Enfield and Jack Sidnell ask instead, What is it about humans that is made possible by language? In Consequences of Language, their objective is to understand what modern language really is and to identify its logical and conceptual consequences for social life. Central to this undertaking is the concept of intersubjectivity, the open sharing of subjective experience. There is, Enfield and Sidnell contend, a uniquely human form of intersubjectivity, and it is essentially intertwined with language in two ways: a primary form of intersubjectivity was necessary for language to have begun evolving in our species in the first place and then language, through its defining reflexive properties, transformed the nature of our intersubjectivity. In the authors' analysis, social accountability—the bedrock of society—is grounded in this linguistically transformed, enhanced kind of intersubjectivity. The account of the language-mind-society connection put forward in Consequences of Language is one of unprecedented reach, suggesting new connections across disciplines centrally concerned with language—from anthropology and philosophy to sociology and cognitive science—and among those who would understand the foundational role of language in making us human

Translator's Introduction: Maksakovsky's The Capitalist Cycle -- Pavel V. Maksakovsky -- The Capitalist Cycle: An Essay on the Marxist Theory of the Cycle -- Foreword by A.S. Mendel'son -- Introduction -- 1. Methodological Foundations of the Theory of the Conjuncture -- 2. The General Theory of the Cycle -- 3. The Role of Credit in the Conjuncture -- 4. The Problem of Crises in the Works of Marx -- 5. In Place of a Conclusion -- Bibliography -- Index.

Plagiate und andere Fälle wissenschaftlichen Fehlverhaltens landen regelmäßig in den Medien und geben auch Außenstehenden Einblicke in problematische Forschungsprozesse. Während diese Skandale ein Schlaglicht auf offensichtliche oder absichtliche Fehler werfen, sind die alltäglichen Herausforderungen wissenschaftlicher Praxis weitaus komplexer. Die Autor*innen analysieren die Vielschichtigkeit und Verwobenheit von fragwürdigen Forschungspraktiken, Machtstrukturen und Fehlverhalten. Ihr Konzept der wissenschaftlichen Fairness dient als Folie zur Analyse bestehender Problematiken und zeigt in einem Gegenentwurf Handlungsoptionen für mehr Integrität, Verantwortung und wissenschaftsethisch gute Forschung auf

Despite often being dismissed as bizarre, apocalyptic thought has persistent appeal in political life. This book explains apocalyptic thought's political appeal by examining it through the eyes of secular thinkers and makes original contributions to both the history of political thought and contemporary political philosophy

Introduction -- Unit Outline. Week 1 Sensory Media: Eighteenth-Century Print Media Cultures ; Week 2 Sensory Media: "New" Media and Nineteenth-Century Urban Cultures ; Week 3 Sensory Media: Media and Experience in the Twentieth Century ; Week 4 Mass Communications and "Mass" Audiences in Interwar Britain ; Week 5 Domestic Consumption of Broadcasting in Interwar Britain ; Week 6 Media Representations of Everyday Life in Interwar Britain ; Week 7 Advertising, Consumer Culture, and National Identity in the Postwar Period ; Week 8 Media, Consumer Culture, and Generation: Childhood and Youth in the Postwar Period ; Week 9 Memory, "The Past," and Everyday Life on Screen -- Assessment Options -- Further Reading.

Introduction -- Unit Outline. Week 1 Introduction: Why Study Domestic Culture? ; Week 2 Gender, Class, and the Separation of Spheres ; Week 3 Working-class Domestic Life in the Nineteenth Century ; Week 4 The Garden and the Suburb ; Week 5 Gender, Class, and the Politics of Suburban Domesticity ; Week 6 Domestic Space as Workplace 1: Domestic Service and Domestic Labour ; Week 7 Domestic Space as Workplace 2: Housewives and Homemaking ; Week 8 Domestic Consumption ; Week 9 Representing Class and Domestic Culture ; Week 10 Feminism, Femininity, and Domestic Culture -- Assessment Options -- Further Reading -- Enrichment Materials.

This volume contains the previously unpublished correspondence of the philosopher and writer Günther Anders (1902-1992) with philosophers of a related philosophical tradition. Some of the letters date from the pre-war period of the 1920s and 1930s, the majority dates from the post-war period up to the 1970s. Based on the correspondence of this volume, Anders' intellectual and biographical development from an academic philosopher to a politically engaged thinker and activist can be traced. Moreover these letters make it clear that he was part of an intellectual network that included numerous philosophers, writers and activists of the 20th century and therefore are also a contemporary historical document which illustrates a part of German history of philosophy of the 20th century

It is only recently, with the increasing interest in origami and folding in natural sciences and the humanities, that the fold as a new conception in a whole range of disciplines has begun to be conceived in a broader way. Folding as a material and structural process offers a new methodology to think about the close relationship of matter, form and code. It henceforth crosses out old dichotomies, such as the organic and the inorganic or nature and technology, and blurs the boundaries between experimental, conceptual and historical approaches. This anthology aims to unfold this new interdisciplinary field and its disciplinary impact, ranging from materials science, biology, architecture, and mathematics to literature and philosophy

New insights on the reception of Etruscan antiquity in the modernist period. "L'Étrurie est à la mode", French archaeologist Salomon Reinach bluntly stated in 1927. Since the beginning of the nineteenth century, Etruria had not only been attracting the attention of archaeologists and specialists of all sorts, but it had also been a fascinating and, in some cases, captivating destination for poets, novelists, painters and sculptors from all over Europe. This volume deals with the impact of the constantly expanding knowledge on the Etruscans and their mysterious civilisation on Italian, French, English, and German literature, arts and culture, with particular regard to the modernist period (1890–1950). The volume brings a distinctive point of view to the subject by approaching it from an interdisciplinary and comparative perspective, and by looking at a quite diverse range of topics and artefacts, which includes, but is not limited to, the study of drawings, art works, travel essays, novels, cooking recipes, schoolbooks, photographs, and movies. By exploring a new paradigm to understand ancient cultures, beyond the traditional ideas and models of "reception of the classics", and by challenging the alleged fracture between the so-called "two cultures" of humanities and natural sciences, Modern Etruscans will be of interest to scholars from various disciplines. Designed as a learning tool for university courses on the interplay between literature and science in the twentieth century, it is suited as recommended reading for students in the humanities. Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content)

This fascinating book comprises case studies of careers from 24 countries across the globe, highlighting culture-specific career issues, and encouraging reflection on one's own career. Interwoven with current theoretical and empirical insights from career studies, it emphasises the importance of our respective contextual settings

Introduction -- Unit Outline. Lesson 1: Selfhood and Individualism ; Lesson 2: Education ; Lesson 3: The Self as a Work of Art ; Lesson 4: Women's Roles: Domesticity and/or Liberty? ; Lesson 5: Gender, Power, and Political Theory ; Lesson 6: Faith and Belief ; Lesson 7: Law and Politics ; Lesson 8: Popular Culture -- Assessment Options -- Further Reading.

This book focusses on Russia's cultural statecraft in dealing with a number of institutional cultural domains such as education, museums and monuments, high arts and sport. It analyses to what extent Russia's cultural activities abroad have been used for foreign policy purposes, and perceived as having a political dimension. Building on the concept of cultural statecraft, the authors present a broad and nuanced view of how Russia sees the role of culture in its external relations, how this shapes the image of Russia, and the ways in which this cultural statecraft is received by foreign audiences. The expert team of contributors consider: what choices are made in fostering this agenda; how Russian state authorities see the purpose and limits of various cultural instruments; to what extent can the authorities shape these instruments; what domains have received more attention and become more politicised and what fields have remained more autonomous. The methodological research design of the book as a whole is a comparative case study comparing the nature of Russian cultural statecraft across time, target countries and diverse cultural domains. It will be of interest to scholars and students of Russian foreign policy and external relations and those working on the role of culture in world politics