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In: Berg European studies series
In: Bulletin of Chelyabinsk State University, Heft 8, S. 38-44
In: The European legacy: the official journal of the International Society for the Study of European Ideas (ISSEI), Band 10, Heft 6, S. 585-593
ISSN: 1470-1316
In: Filozofski vestnik: FV, Band 22, Heft 2, S. 111-126
ISSN: 0353-4510
In: Filozofski vestnik: FV, Band 22, Heft 2, S. 43-58
ISSN: 0353-4510
Sebastian Luft explores the philosophy of culture championed by the Marburg School of Neo-Kantianism. Following a historical trajectory from Hermann Cohen to Paul Natorp and through to Ernst Cassirer, he defends the attractiveness of a philosophical culture in the transcendental vein.
In: SUNY series, feminist philosophy
World Affairs Online
In: Voprosy filosofii: naučno-teoretičeskij žurnal, Heft 4, S. 41-50
In: Human affairs: HA ; postdisciplinary humanities & social sciences quarterly, Band 21, Heft 2, S. 140-156
ISSN: 1337-401X
This paper explicates and defends Morton White's holistic pragmatism, the view that descriptive and normative statements form a "seamless web" which must be tested as a "unified whole". This position, originally formulated as a methodological and epistemic principle, can be extended into a more general philosophy of culture, as White himself has shown in his book, A Philosophy of Culture (2002). On the basis of holistic pragmatism, the paper also offers a pragmatist conception of metaphilosophy and defends the need for interdisciplinary inquiry.
The purpose of the study is to trace the evolution of the philosophical concept of creativity in the Russian culture across different historical periods, based primarily on the systematic analysis of the attitudes towards the role of the Artist in Russian literature. According to the authors, the prophetic function of art was fundamental to the Russian literature and culture in general. Since the first monuments of the ancient Russian literature words had always strong impact on people and society, and this function has been saved with the advent of the Internet in Russia. This article deals with the main stages of changing the philosophical concept of artistic creativity in historical, community, cultural and social context. By the end of the 17(th) century when the role of the Artist had transformed from the "promoter" or "translator" of the God's divine ideas into the co-creator of the world, the nature of literary text continued to be sacred, and secular literature claimed the role of the spiritual authority of the nation. By the second half of the 18(th) century sublime poetry had become the benchmark against which the society had to rearrange itself. The so called Decembrist revolt of 1825 was a perfect illustration of how the philosophical ideas of the Romanticism, proclaimed on paper, influenced the Russian history and politics. In the mid-nineteenth century the literary works by Dostoevsky became the pinnacle of the idea of the writer as a teacher, prophet and spiritual authority. As a result of the revolutionary changes in Russia in 1917 the method of Socialist Realism in the 20(th) century was a clear example of how the literature or more broadly art could be used for political ends.
BASE
Contents; Abbreviations of Weber's Works; Acknowledgments; Introduction; 1 Causality and Scientific Inquiry; 2 Weber's Conception of Causality; 3 The Significance of Concept Formation; 4 Weber on Concept Formation; 5 Conceptual Apparatus and the Logic of Scientific Inquiry; 6 The Cultural Significance of Weber's Wissenschaftslehre; 7 Weber, Peirce, and a Relational Vision of Religion and Science; References; Index; About the Author. Max Weber and Charles Peirce: At the Crossroads of Science, Philosophy, and Culture shows that a relational conception of science is implicit in Max Weber's reflections on scientific inquiry as a bridge between the Geisteswissenschaften (soft sciences) and Naturwissenschaften (hard sciences). Because he is not a trained philosopher, Weber does not have the precise philosophical language in which to articulate his ideas clearly. Consequently, his relational vision of science remains obscure. Basit Bilal Koshul brings clarity and precision to Weber's insights using the pragmaticist philosophy of Charles Peirce. He makes explicit the phenomenology, semiotics, and logic that are implicit in Weber's methodological writings and translates them into Peircean terms. Since Peirce explicitly offers his philosophy of science as a critique of the modern divide between the humanistic and natural sciences and of the divide between religion and science, this translation has a double effect. It clarifies Weber's insights on the methodology of scientific inquiry, and it extends the reparative force of these insights into the larger culture of which science is one part. The reconstruction of Weber's relational conception of science along the lines of Peirce's pragmaticism, in turn, reveals that Weber's work points toward deep affinities between religion and science. Given the fact that the same phenomenology, semiotics, and logic that underpin Peirce's philosophy of science are also at the root of his philosophy of religion, we can begin to appreciate the fact that Weber's work makes an important contribution to bridging the divide between religion and science. In providing models that bridge divides and move towards complementary relationships, Weber and Peirce not only help us to better understand disenchantment as the fate of our times, but also offer uniquely valuable resources to reach for cultural horizons that lie beyond it.
"Minerva's Night Out presents series of essays by noted philosopher and motion picture and media theorist Noël Carroll that explore issues at the intersection of philosophy, motion pictures, and popular culture. Presents a wide-ranging series of essays that reflect on philosophical issues relating to modern film and popular culture Authored by one of the best known philosophers dealing with film and popular culture Written in an accessible manner to appeal to students and scholars Coverage ranges from the philosophy of Halloween to Vertigo and the pathologies of romantic love"--
In: History of science, philosophy and culture in Indian civilization: project of history of Indian science, philosophy and culture
In: Life, thought and culture in India Pt. 5