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Photographers International
In: Zukunft: die Diskussionszeitschrift für Politik, Gesellschaft und Kultur, Heft 8, S. 62-63
ISSN: 0044-5452
Photographers of the Civil War
In: Military Affairs, Band 26, Heft 3, S. 127
The Emirates by the first photographers
Early photographers encounter Tongans
In: Journal of New Zealand & Pacific Studies, Band 8, Heft 2, S. 209-226
ISSN: 2050-4047
Four early photographers are examined here in relation to their encounters with Tongans and Tonga. These photographers are Andrew Garrett, Gustav Adolph Riemer, Clarence Gordon Campbell and Walter Stanhope Sherwill. Garrett, an American natural historian who specialized in shells and fish, took two ambrotypes of Tongans in Fiji in 1868, which are two of the earliest Tongan photographs known. Riemer, born in Saarlouis, Germany, was a marine photographer on S.M.S. Hertha on an official diplomatic visit and took at least 28 photographs in Tonga in 1876. Campbell, a tourist from New York, took 25 culturally important photographs in 1902. Sherwill, a British subject born in India, moved to Tonga about the time of the First World War. He probably took many photographs with more modern equipment, but only two have been identified with certainty. This article presents information about the photographers and those depicted, where the original photographs can be found and the research that made it possible to glean cultural information from them. These early photographers are placed in the context of other more well-known early photographers whose works can be found in archives and libraries in New Zealand, Australia, Hawai'i and Germany. In addition, summary information about two Tongan-born photographers is presented, as well as where their photographs/negatives can be found.
The Greatest Photographers of the Twentieth Century
In: NBER Working Paper No. w15278
SSRN
Working paper
Firecrackers: female photographers now
Free Birth Control and Unfree Photographers: Dubious rights threaten true liberty
In: Reason: free minds and free markets, Band 46, Heft 2, S. 16-17
ISSN: 0048-6906
Women's Work: Photographers of the Sandinista Revolution
This article focuses on the early careers of Margarita Montealegre and Claudia Gordillo, both of whom produced substantial photographic documentation of Nicaragua during the Sandinista Revolution (1978–1990). Working around the ideological strictures of that moment, I propose reading their work against inherited notions on how political imagery should operate in a revolutionary context. Rejecting the demand for sensationalist images, Montealegre and Gordillo turned their gaze toward fellow citizens, using the camera as a means to observe Nicaraguan society up-close. Aesthetically and politically, each pursued different, yet intersecting directions in their work, exploring how revolutionary ideals, and social change intertwined. The Revolution marked a moment of profound historic change, whereby identities were shaped and political imaginaries formed in ways that remain consequential to date. Revisiting these photographers' archives now, across the span of four decades, reveals previously overlooked contingent details and an ample range of interpretative possibilities.
BASE
In the picture - Northern Ireland's top photographers
In: Soldier: the British Army magazine, Band 54, Heft 11, S. 32-34
ISSN: 0038-1004
Profile of Local Television Reporters and Photographers
In: Journalism quarterly, Band 66, Heft 1, S. 181-185