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Shakespeare's Political Realism: The English History Plays
In: American political science review, Band 96, Heft 1, S. 177-178
ISSN: 0003-0554
Shakespeare's Political Realism. The English History Plays
In: Zeitschrift für Politik: ZfP, Band 49, Heft 4, S. 464-466
ISSN: 0044-3360
Shakespeare's English History Plays as Political Science Pedagogy
In: Teaching Political Science, Band 15, Heft 3, S. 98-103
Shakespeare's English History Plays as Political Science Pedagogy
In: Teaching political science, Band 15, Heft 3, S. 98
ISSN: 0092-2013
Freedom in Shakespeare's English History Plays
In: Interpretation, Band 40, Heft 2, S. 221-251
Students read Shakespeare's plays to learn about politics and office, love and friendship, and other great themes of human life. This education is the core of the 'Shakespeare myth,' which is that Shakespeare educates the complete human being-man, woman, and citizen. In this paper, I provide support for the truth of this myth by challenging the suggestion that the Shakespeare of the 1590s is a traditional theist who accepts the divine machinery of providential history, a secularizing Machiavel, or a protorepublican advocating living together as equals under the rule of law. Instead of these Shakespearian simplifications, I present Shakespeare as a philosophical liberal who is interested in legitimacy, stability, participation, security, and the place of the individual within society, but not in a way that requires the complete enlightenment of his age's political forms and religious life, or that denies enlightenment altogether. Adapted from the source document.
BOOK REVIEWS - Political Theory - Shakespeare's Political Realism: The English History Plays. See Edmondson, Henry T., III, above
In: American political science review, Band 96, Heft 1, S. 196
ISSN: 0003-0554
Shakespeare and the political way
In: Oxford scholarship online
Elizabeth Frazer presents an examination of Shakespeare's thoughts and views on politics as expressed through many of his major plays, particularly the tragedies.
The politics of Irish drama: plays in context from Boucicault to Friel
In: Cambridge studies in modern theatre
The power and the imagination: the enigmatic state in Shakespeare's English history plays
[Extract] The king is running out of money for his war in Ireland. So he confiscates Henry Bolingbroke's estate. Richard II's expropriation and exile of Bolingbroke proves a turning point in the history of the English state. The events that flow from it transform the nature of British political history in deep-going and unexpected ways.The banishment of Bolingbroke brings about the downfall of Richard.
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LIFE IN SCIENCE: THE 2ND ALL-RUSSIAN CONGRESS OF POLITICAL SCIENTISTS: Does Russia Need Political Science?
In: Političeskie issledovanija: Polis ; naučnyj i kul'turno-prosvetitel'skij žurnal = Political studies, Heft 3, S. 184-187
ISSN: 1026-9487, 0321-2017
[Introduction to] Staging Power in Tudor and Stuart English History Plays: History, Political Thought, and the Redefinition of Sovereignity
Staging Power in Tudor and Stuart English History Plays examines the changing ideological conceptions of sovereignty and their on-stage representations in the public theaters during the Elizabethan and early Stuart periods (1580-1642). The study examines the way in which the early modern stage presented a critical dialogue concerning the nature of sovereignty through the lens of specifically English history, focusing in particular on the presentation and representation of monarchy. It presents the subgenre of the English history play as a specific reaction to the surrounding political context capable of engaging with and influencing popular and elite conceptions of monarchy and government. This project is the first of its kind to specifically situate the early modern debate on sovereignty within a 'popular culture' dramatic context; its purpose is not only to provide an historical timeline of English political theory pertaining to monarchy, but to situate the drama as a significant influence on the production and dissemination thereof during the Tudor and Stuart periods. Some of the plays considered here, notably those by Shakespeare and Marlowe, have been extensively and thoroughly studied. But others-such as Edmund Ironside, Sir Thomas Wyatt, and King John and Matilda-have not previously been the focus of much critical attention. ; https://scholarship.richmond.edu/bookshelf/1207/thumbnail.jpg
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