Suchergebnisse
Filter
La politique de Rabelais
In: http://hdl.handle.net/2027/iau.31858024196937
Thèse -- Dijon. ; Bibliographical foot-notes. ; Mode of access: Internet.
BASE
Le Rabelais (Paris. 1885) ; Le Rabelais : quotidien politique et littéraire
Périodicité : Quotidien ; Etat de collection : 14 oct. 1885 [I, n° 1]
BASE
Kolumne: Das Lachen des Francois Rabelais
In: Neue Wege: der Geist des digitalen Kapitalismus ; Religion, Sozialismus, Kritik, Band 97, Heft 3, S. 96-97
Rabelais et la Musique
In: Bulletin de la Classe des Beaux-Arts, Band 24, Heft 1, S. 78-111
Rabelais und seine Welt: Volkskultur als Gegenkultur
In: Suhrkamp-Taschenbuch Wissenschaft 1187
Rabelais und seine Welt: Volkskultur als Gegenkultur
In: Suhrkamp-Taschenbuch Wissenschaft 1187
Le Rabelais (Nice. 1880) ; Le Rabelais : revue artistique et litttéraire / dir. Hardy-Polday
Variante(s) de titre : Le Rabelais : revue politique et littéraire ; Périodicité : Mensuel ; bimensuel ; Etat de collection : 1,n.1,1880-8,n.84,1898 ; Appartient à l'ensemble documentaire : PACA1
BASE
Montaigne, Rabelais, and Marot as readers of Erasmus
In: Studies in French literature 22
Irony and ideology in rabelais. Structures of subversion
In: History of European ideas, Band 14, Heft 1, S. 144-145
ISSN: 0191-6599
The Truth of Laughter: Rereading Luther as a Contemporary of Rabelais
In: Dialogism: An International Journal of Bakhtin Studies, Band (3), Heft 52-77
SSRN
The problem of unbelief in the sixteenth century: The religion of Rabelais
In: History of European ideas, Band 8, Heft 6, S. 737-737
ISSN: 0191-6599
Le Rabelais travesti: la réécriture "évangélique" du Gargantua
It is now taken for granted among Rabelais scholars that Gargantua presents stylistic inconsistencies that evince a lack of inspiration: in fact, the text is marked by discrepancies and "étourderies". Conversely, critics haven't yet come to an agreement as regards the dating of the editio princeps (1534 or 1535), and this has relevant ideological, as well as material, implications. This essay compares the two first editions of the text (based on Mireille Huchon's method and findings), with a view to responding to these questions. The essay argues that the first version of Gargantua, dating from 1533-1534, was essentially comic and popular in character. Later on, supporting the interests of the Du Bellay clan, Rabelais hastily added elements – which can be firmly identified at the formal level – that position it in the political and ideological climate of 1535.
BASE
Through the Eyes of the Fantastic: Lefebvre, Rabelais and Intellectual History
In: Historical materialism: research in critical marxist theory, Band 10, Heft 4, S. 89-111
ISSN: 1465-4466
Henri Lefebvre's intellectual biographies, especially his (1947; 2001a [1955]) works on Rene Descartes & Francois Rabelais, are studied. Overviews of Lefebvre's involvement with the Parti Communiste Francais (PCF) during the 1940s & 1950s, & the PCF's motivations for expelling Lefebvre from the organization in 1958 are presented. An analysis of Lefebvre's various intellectual biographies of various French writers revealed an overwhelming concern with the historical & intellectual contexts within which these authors produced their works; indeed, it is noted that Lefebvre contented that a proper dialectical materialist approach to French philosophy & literature necessitated heavy consideration of the intellectual contexts surrounding these writers' works. After discussing Lefebvre's contention that the rise of the bourgeois class & Rabelais's association with the peasant class strongly affected Rabelais's writings, the appearance of "the fantastic" in Rabelais's & Cervantes's respective works is compared. In addition, differences between Lefebvre's & Mikhail Bakhtin's respective readings of the contexts that affected Rabelais' works are considered. The implications of adopting Lefebvre's "fantastical approach" to studying the everyday reality of the material world are also pondered. 61 References. J. W. Parker