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Wittgenstein is often regarded as the most important philosopher of the twentieth century, and in recent decades, his work has begun to play a prominent role in literary studies, particularly in debates over language, interpretation, and critical judgment. Wittgenstein and Literary Studies solidifies this critical movement, assembling recent critics and philosophers who understand Wittgenstein as a counterweight to longstanding tendencies in both literary studies and philosophical aesthetics. The essays here cover a wide range of topics. Why have contemporary writers been so drawn to Wittgenstein? What is a Wittgensteinian response to New Historicism, Post-Critique, and other major critical movements? How does Wittgenstein help us understand the nature of style, fiction, poetry, and the link between ethics and aesthetics? As the volume makes clear, Wittgenstein's work provides a rare bridge between professional philosophy and literary studies, offering us a way out of entrenched positions and their denials-what Wittgenstein himself called 'pictures' 'that held us captive.'

Key words: German ecocriticism, cultural ecology, Peter Finke, Gregory Bateson, cultural ecosystem, cultural self-renewal, Turkish ecocriticism, discursive representationEcocriticism is gaining increasing international recognition as a field of research that opens up new perspectives reaffirming the relevance and responsibility of the humanities, in an age of pressing social and political problems seemingly incapable of purely technological and economic solutions. Many of its most significant practitioners in Germany subscribe to the theory of Cultural Ecology. Drawing on the ideas of Gregory Bateson, Peter Finke and others, Cultural Ecology presents a new framework for understanding the particular contribution of literature and art to our general social knowledge, including knowledge about our relationship with the natural environment. Palabras clave: ecocrítica alemana, ecología cultural, Peter Finke, Gregory Bateson, ecosistema cultural, renacimiento cultural, ecocrítica turca, representación discursivaLa ecocrítica está obteniendo cada vez más reconocimiento internacional como un campo de investigación que establece nuevas perspectivas que reafirman la relevancia y la responsabilidad de las humanidades en una era de problemas políticos y sociales urgentes que, aparentemente, no encuentran solución puramente tecnológica ni económica. Muchos de sus profesionales más importantes en Alemania se adhieren a la teoría de la Ecología Cultural. Valiéndose de las ideas de Gregory Bateson, Peter Finke y otros, se ha desarrollado un nuevo marco para entender la contribución particular de la literatura y del arte a nuestro conocimiento social general, incluyendo el conocimiento sobre nuestra relación con el entorno natural.

Martin Heidegger is one of the most influential philosophers of the 20th Century, and a key philosophical resource for literary critics. Not only has he written about poetry, generations of poets have engaged his writings. And yet, for Heidegger poetry and literature are separate. An essential part of the project of this book therefore is to show how both the distinction and connection between literature and poetry is staged within Heidegger's thought. It offers Heidegger's perspective on a range of key themes, topics, poets, and writers, including Poetry and Poetics, Ancient Greek theatre and tragedies and then specifically Friedrich Hölderlin, Thomas Mann, Paul Celan, Euripides and Sophocles. As the Chapters comprising this book make clear, Heidegger's work remains indispensable for any serious engagement with either literature or poetry today.

This review traces recent developments in German Hobbes scholarship. Relevant publications are discussed along three major fields of inquiry: Hobbes and Liberalism, Hobbes on Politics and Religions, and Hobbes on the Passions, Politics, and Education.

This article examines the state of the field in literature and human rights and, more generally, analyzes the relationship between ethics and aesthetics. It gives special attention to the paradox of representing suffering: namely, that speaking for others is both a way of rescuing and usurping the other's voice. The use of individual narratives depicting inhumane treatment is important in supporting the human rights regime, which in the long run may limit suffering, but such narratives may also cause further suffering for the victim whose story is told.

In the globalised world of today, traditional definitions of national Self and national Other no longer hold. The unmistakable transformation of German and Dutch societies demands a thorough rethinking of national boundaries on several levels. This book examines how literature of migration intervenes in public discourses on multiculturality in Germany and the Netherlands, epitomised in the strikingly parallel debates on the 'German Leitkultur' and the Dutch 'multicultural drama' in the year 2000. By juxtaposing detailed analyses of literary work by the Turkish-German writers Emine Sevgi özdamar and Feridun Zaimoglu and the Moroccan-Dutch writers Abdelkader Benali and Hafid Bouazza, New Germans, New Dutch offers crucial insights into the specific ways in which this literature negotiates its national context of writing. This book demonstrates how German literature of migration seeks alternative forms of community outside the national parameters, whereas the Dutch literature negotiates difference and re-imagines Dutchness within the national framework.

In the globalised world of today, traditional definitions of national Self and national Other no longer hold. The unmistakable transformation of German and Dutch societies demands a thorough rethinking of national boundaries on several levels. This book examines how literature of migration intervenes in public discourses on multiculturality in Germany and the Netherlands, epitomised in the strikingly parallel debates on the 'German Leitkultur' and the Dutch 'multicultural drama' in the year 2000. By juxtaposing detailed analyses of literary work by the Turkish-German writers Emine Sevgi özdamar and Feridun Zaimoglu and the Moroccan-Dutch writers Abdelkader Benali and Hafid Bouazza, New Germans, New Dutch offers crucial insights into the specific ways in which this literature negotiates its national context of writing. This book demonstrates how German literature of migration seeks alternative forms of community outside the national parameters, whereas the Dutch literature negotiates difference and re-imagines Dutchness within the national framework.