'Decentering' a discipline: Recent trends in Latin American literary studies
In: Latin American research review: LARR ; the journal of the Latin American Studies Association (LASA), Band 31, Heft 3, S. 203
ISSN: 0023-8791
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In: Latin American research review: LARR ; the journal of the Latin American Studies Association (LASA), Band 31, Heft 3, S. 203
ISSN: 0023-8791
In: Latin American research review, Band 31, Heft 3, S. 203-217
ISSN: 1542-4278
In: Medieval feminist forum: MFF ; journal of the Society for Medieval Feminist Scholarship, Band 38, S. 47-48
ISSN: 2151-6073
In: Soviet studies, Band 15, Heft 3, S. 308-330
In: Latin American research review: LARR ; the journal of the Latin American Studies Association (LASA), Band 36, Heft 2, S. 202-208
ISSN: 0023-8791
In: Latin American research review, Band 36, Heft 2, S. 202-208
ISSN: 1542-4278
In: Social research: an international quarterly, Band 53, Heft 3, S. 411
ISSN: 0037-783X
In: Journal of family history: studies in family, kinship and demography, Band 7, Heft 4, S. 425-434
ISSN: 1552-5473
In: Latin American research review: LARR ; the journal of the Latin American Studies Association (LASA), Band 33, Heft 2, S. 258-270
ISSN: 0023-8791
In: Latin American research review, Band 33, Heft 2, S. 258-270
ISSN: 1542-4278
In: New global studies, Band 15, Heft 2-3, S. 193-226
ISSN: 1940-0004
Abstract
Literary studies has taken a global turn through such institutional frameworks as global romanticism, global modernism, global anglophone, global postcolonial, global settler studies, world literature, and comparative literature. Though promising an escape from parochialism, nationalism, and Eurocentrism, this turn often looks suspiciously like another version of Anglo-European imperialism. This essay argues that, rather than continue the expansionary line of recent decades, global literary studies must allow other perspectives to draw into question its concepts, practices, and theories, including those associated with the terms literature, discipline, and comparison. As a settler colonial (Pākehā) scholar in Aotearoa New Zealand, I attend particularly to Māori literary scholars from Apirana Ngata, Te Kapunga Matemoana (Koro) Dewes, and Hirini Melbourne to Alice Te Punga Somerville, Tina Makereti, and Arini Loader. Their work highlights the limitedness of global literary studies in its current disciplinary guise. Disciplines remain important when they bring recognition to something previously marginalized, as in the battle to have Māori literature recognized within Pākehā institutions. What institutionalized modes of global literary studies need, however, is not discipline but indiscipline: a recognition of the limits of dominant disciplinary objects, frameworks, and practices, and an openness to other ways of seeing the world.
In: Australian Feminist Studies, Band 3, Heft 6, S. 149-156
ISSN: 1465-3303
In: Soviet studies, Band 3, Heft 1, S. 60-64
In: Women in German yearbook: feminist studies in German literature & culture, Band 17, Heft 1, S. 225-244
ISSN: 1940-512X
In: Women in German yearbook: feminist studies in German literature & culture, Band 11, Heft 1, S. 81-97
ISSN: 1940-512X
The discourse on writing and sexual difference in German Romanticism functions as a discourse of censorship. A philosophical justification for excluding women from the "author function" (Foucault) and for subjecting their writing to male control was elaborated by Fichte in The Science of Rights . Goethe and other men of letters developed aesthetic norms for women's writing that were based on a male perspective of appropriate gender roles for women. Women authors' self-representation and literary activity were shaped by gender censorship that they were able to subvert only superficially by such means as public disclaimers, accommodation to male-defined standards, and anonymous or pseudonymous publication. (JC)