Suchergebnisse

Chan, Siu-han. ; Thesis submitted in: July 2004. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. ; Includes bibliographical references (leaves 184-193). ; Abstracts in English and Chinese. ; ABSTRACT --- p.i ; 論文摘要 --- p.ii ; ACKNOWLEDGEMENTS --- p.iii ; CONTENTS --- p.v ; INTRODUCTION ; Chapter 1.1 --- Empirical Puzzles and Theoretical Concern --- p.1 ; Chapter 1.2 --- The Cultural Scene in Hong Kong --- p.5 ; Chapter 1.3 --- Defining the New Wave Cinema --- p.8 ; Chapter 1.4 --- The Objectives of the Thesis --- p.12 ; Chapter Chapter 2 --- In Quest of Theoretical Perspective and Analytical Framework ; Chapter 2.1 --- Existing Studies of the New Wave Cinema --- p.13 ; Chapter 2.2 --- The Study of Popular Culture in Hong Kong --- p.21 ; Chapter 2.3 --- Culture Industry: The Approach of the Frankfurt School --- p.28 ; Chapter 2.4 --- The Elective Affinity of Culture Industry with Hong Kong Society --- p.33 ; Chapter 2.5 --- Analytical Framework --- p.36 ; Chapter Chapter 3 --- The Anxiety of Political Subjectivity ; Chapter 3.1 --- Prelude --- p.45 ; Chapter 3.2 --- The Perturbed Hong Kong People --- p.50 ; Chapter 3.3 --- The Hong Kong Diaspora --- p.57 ; Chapter 3.4 --- The Negative Projection on the Colonizers --- p.60 ; Chapter 3.5 --- The Ambivalence Towards the Motherland´ؤChina --- p.66 ; Chapter 3.6 --- Discourse on Political Modernization: The Anxiety of Political Subjectivity --- p.86 ; Chapter Chapter 4 --- The Contradiction of Societal Modernization ; Chapter 4.1 --- Prelude --- p.89 ; Chapter 4.2 --- Looking back at the Pre-modernized Social Order --- p.91 ; Chapter 4.3 --- Rethinking the Entanglement of the Old and the New --- p.102 ; Chapter 4.4 --- Representing the Modernized New Social Order --- p.110 ; Chapter 4.5 --- Discourse on Societal Modernization: The Contradiction of Societal Modernization --- p.123 ; Chapter Chapter 5 --- The Fragility of Hong Kong Cultural Identity ; Chapter 5.1 --- Prelude --- p.126 ; Chapter 5.2 --- Historical Memories as Cultural Receptacles --- p.128 ...

Tam, Wai Fung. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. ; Filmography: p. 133-136. ; Includes bibliographical references (leaves 123-129). ; Abstracts in English and Chinese. ; Acknowledgements --- p.iii ; Abstract --- p.iv-vi ; Table of Contents --- p.vi-viii ; Introduction --- p.1 ; Chapter Chapter 1: --- Background´ؤMembership of the Chinese "Sixth Generation´ح Directors --- p.7-23 ; Chapter -- --- The Early Stage of the "Sixth Generation´ح Cinema --- p.7 ; Chapter -- --- Current Commercial Turn among the "Sixth Generation´ح Directors --- p.14 ; Chapter Chapter 2: --- Discourses on Chinese "Sixth Generation´ح Cinema --- p.24-61 ; Chapter -- --- Analytical Framework --- p.24 ; Chapter -- --- Scholastic Discourse on "Sixth Generation´ح Cinema --- p.27 ; Chapter -- --- The Differences between Western Political Interpretations and the Chinese Populist Discourse on "Sixth Generation´ح Cinema --- p.35 ; Chapter -- --- The Western Discourse´ؤA Liberal Political Definition --- p.36 ; Chapter -- --- Chinese Populist Discourse on "Sixth Generation´ح Cinema --- p.43 ; Chapter -- --- New Bom Generation --- p.52 ; Chapter -- --- Independent Filmmaking´ؤDirectors' Views on the Naming of "Sixth Generation´ح --- p.55 ; Chapter Chapter 3: --- "The Interrelationship between the Filmmakers, Discourses and Social Context" --- p.62-86 ; Chapter -- --- Evaluations on the Discourses of "Sixth Generation´ح --- p.62 ; Chapter -- --- The Dominant Features of the "Sixth Generation´ح Cinema --- p.65 ; Chapter -- --- Relationship between the "Sixth Generation´ح Cinema and Chinese Socio-political Context --- p.70 ; Chapter -- --- How "Independent´ح the "Sixth Generation´ح Filmmakers are? --- p.82 ; Chapter Chapter 4: --- Examining the Subversive Functions of the Naming of "Sixth Generation´ح --- p.86-114 ; Chapter -- --- Political Subjectivity of the "Sixth Generation´ح Directors and its Relation with the Event --- p.86 ; Chapter -- --- The Split Subject of the "Sixth Generation´ح Directors --- p.97 ; Conclusion --- ...

Grassroots intellectuals: theoretical and historical perspectives -- Wang Xiaobo and the silent majority: redefining the role of intellectuals after Tiananmen -- Minjian historians of the Mao era: commemorating, documenting, debating -- Investigating and transforming society from the margins: the rise and fall of independent cinema -- Professionals at the grassroots: rights lawyers, academics, and petitioners -- Journalists, bloggers, and a new public culture.