Suchergebnisse

This book contains the mature fruit of Hugo Grotius' political thought on church and state. It was finished in 1617, but Grotius' arrest prevented publication. For the first time Grotius' own Latin text is printed here, from two manuscripts. It is demonstrated that the claims made by the publisher of the first edition (1647), the source of all subsequent editions, are false. The first critical edition is provided with an extensive introduction, an English translation, a commentary, and elaborate indices. In an appendix texts concerning its context and genesis are printed. An earlier draft of De imperio was recently discovered. All material from this unpublished work has been integrated here. This fundamental, theoretical text, written for an international public, anticipates many views from later Grotian work. The print edition is available as a set of two volumes (9789004120273)

This book contains the mature fruit of Hugo Grotius' political thought on church and state. It was finished in 1617, but Grotius' arrest prevented publication. For the first time Grotius' own Latin text is printed here, from two manuscripts. It is demonstrated that the claims made by the publisher of the first edition (1647), the source of all subsequent editions, are false. The first critical edition is provided with an extensive introduction, an English translation, a commentary, and elaborate indices. In an appendix texts concerning its context and genesis are printed. An earlier draft of De imperio was recently discovered. All material from this unpublished work has been integrated here. This fundamental, theoretical text, written for an international public, anticipates many views from later Grotian work. The print edition is available as a set of two volumes (9789004120273)

The practice and composition of music require patronage and institutional support, and they require it in a different fashion from that found in other forms of art. This collection of essays brings together the most recent and important contributions by leading scholars in the field to this crucial aspect of Renaissance musical culture. The articles approach the topic from a number of perspectives and consider the institutions and individuals engaged in supporting music; the systems of employment, benefices and sponsorship put in place to facilitate the support; and where, how and why music was sung and played. Taken together, these articles enable conclusions to be drawn about the interests of patrons and about the social and artistic status of musicians and composers within the courtly and urban context. - Publisher