The Rise of the Regions - Norwegian film policy and the new regional cinema
In: Nordisk kulturpolitisk tidskrift: The Nordic journal of cultural policy, Band 18, Heft 1, S. 125-142
ISSN: 2000-8325
In: Nordisk kulturpolitisk tidskrift: The Nordic journal of cultural policy, Band 18, Heft 1, S. 125-142
ISSN: 2000-8325
In: Internasjonal politikk, Band 62, Heft 4, S. 616-621
ISSN: 0020-577X
In: Nordisk kulturpolitisk tidskrift: The Nordic journal of cultural policy, Band 13, Heft 1, S. 87-108
ISSN: 2000-8325
In: Nordisk kulturpolitisk tidskrift: The Nordic journal of cultural policy, Band 17, Heft 1, S. 114-131
ISSN: 2000-8325
In: Nordisk kulturpolitisk tidskrift: The Nordic journal of cultural policy, Band 13, Heft 1, S. 27-43
ISSN: 2000-8325
In: Nordisk kulturpolitisk tidskrift: The Nordic journal of cultural policy, Band 19, Heft 1, S. 98-115
ISSN: 2000-8325
In: Nordisk kulturpolitisk tidskrift: The Nordic journal of cultural policy, Band 16, Heft 2, S. 340-365
ISSN: 2000-8325
In: Nordisk kulturpolitisk tidskrift: The Nordic journal of cultural policy, Band 25, Heft 2, S. 1-24
ISSN: 2000-8325
In: Nordisk politiforskning, Band 2, Heft 2, S. 183-196
ISSN: 1894-8693
In: NUPI Rapport, No. 172
Grannes, A.: Mosaikk og konflikt i post-sovjetisk Sentral-Asia: Historie, etnisk, spraklig, religioes og annen bakgrunn for dagens konfliktbilde. S. 5-56. Koelberg, A.: The great game - et spill uten deltagere? S. 57-74. Neumann, I. B.: Russland i Sentral-Asia. S. 75-80. Thordarson, F.: Etnisk konflikter i Kaukasus. S. 81-94. Heradstveit, D.: Konfliktar i Kaukasus. S. 95-110. Robins, P.: "Silent competition": Iran and Turkey in Azarbaijan and Central Asia. S. 111-124. Heradstveit, D.: Etno-nasjonalismen i eks-Soviet. S. 125-148
World Affairs Online
In: Stockholm Studies in Culture and Aesthetics
Sápmi, the Sámi area, is transnational; it transcends four nation states, Norway, Sweden, Finland, and Russia. Art and art history has been considered natural parts of a nation state's inventory at least since the 19th century and has contributed to the production and maintenance of national identities and narratives. What is the role of the nation state in art history, and how has the national paradigm affected the presentation of Sámi art, historically and today? Focusing on the discipline of art history in Norway, the volume exposes the prevailing representation of Sámi art, duodji, and dáidda as ethnographic material and relates it to the politics of nation building in the nineteenth and early twentieth century. The book examines the representation of Sámi art, artefacts, practices, materialites, actors, concepts, and themes in Norwegian Art History, to uncover some of the established disciplinary mechanisms and narratives. The central method is historiography in combination with fieldwork in archives and museums, aimed at doing art historiography in the expanded field – to move beyond the traditional textual focus and question naturalized institutional and disciplinary boundaries. This is one of very few historiographical studies of the art historical discipline in Norway, and the only one that does this by centring on Sámi traditions, items, actors, and conceptualizations.
In: Internasjonal politikk, Band 71, Heft 4, S. 591-600
ISSN: 0020-577X
In: Internasjonal politikk, Band 65, Heft 3, S. 71-84
ISSN: 0020-577X
A national interest, as an expression, fits poorly in the Norwegian language and the country's political culture. Norwegian politicians rarely mention it and internationally the country is isolationist due to its small size, distant location and historical circumstances. However, in the northern European context, Norway has strong resource and environmental political interests, as well as keeping a stable and peaceful relationship with its neighbor Russia. L. Pitkaniemi