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The concept of transmesis – a relatively new coinage that even among the seasoned theoreticians and practitioners of translation sometimes elicits a bewildered "trans what?" – is perhaps best illustrated in the works of Jorge Louis Borges. His character Pierre Menard from the widely anthologized story "Pierre Menard, Author of the Quixote," for example, intends (apparently disregarding Horace's famous "nec verbum verbo" reservation, if of course he happened to be familiar with it) "to produce a few pages which would coincide – word for word and line for line – with those of Miguel de Cervantes" (66). Borges's "Library of Babel" in addition to the "the minutely detailed history of the future" also contains "the translation of every book in all languages" (Ficciones 81-82).

Those working on the Caribbean have regularly adopted the figures and practices of translation in their work and also have devoted attention to the study of various translational processes. The presence of the Caribbean in translation studies remains, however, considerably less evident. This essay reflects on this missed cross-disciplinary rendezvous, foregrounding the importance of questions of cultural translation in a Caribbean context but at the same time considering the practical intralinguistic and interlinguistic underpinnings of any analysis of translation in the Caribbean (and of the Caribbean in translation). Drawing on a number of examples, ranging from the relief effort following the Haitian earthquake in 2010 to current CARIFORUM and CARICOM language policy, the discussion focuses on the region as a translation zone. The essay concludes that although the Caribbean may be usefully defined in terms of translation, it is also essential—in reciprocal terms—that wider discussion of translation should itself be actively "Caribbeanized."

Translation has played a major role alongside original literature in each of the South African languages in aiding the construction of their cultural and literary identities. Because ofapartheid(literally, 'apartness'), Afrikaans carried a political burden and literary authors in this language were considered the protectors of Afrikaner cultural and national identity. After outlining the historical origins and the consolidation of apartheid, this paper charts the emergence of aversetliteratuur('protest literature') movement among disillusioned Afrikaans authors during the apartheid era. Growing censorship and the first banning of an Afrikaans novel under the 1974 Publications and Entertainment Act led to translation and self-translation (into English) being used as a tool of resistance by Afrikaans writers against the ideology of apartheid. The paper moves on to explore the effects of apartheid-imposed conflict on other authors such as South African authors writing in English. It then focuses on the ideological agenda informing the language policy-makers' and Africanists' selection of books to be translated into African languages, as part of the government's attempts to promote mother tongue education in African schools and thus perpetuate the segregation of black South Africans. The concluding section discusses how changes in political life since 1990 have influenced the use of translation in South African literature.

Abstract
This section includes eighty-six short original essays commissioned for the inaugural issue of TSQ: Transgender Studies Quarterly. Written by emerging academics, community-based writers, and senior scholars, each essay in this special issue, "Postposttranssexual: Key Concepts for a Twenty-First-Century Transgender Studies," revolves around a particular keyword or concept. Some contributions focus on a concept central to transgender studies; others describe a term of art from another discipline or interdisciplinary area and show how it might relate to transgender studies. While far from providing a complete picture of the field, these keywords begin to elucidate a conceptual vocabulary for transgender studies. Some of the submissions offer a deep and resilient resistance to the entire project of mapping the field terminologically; some reveal yet-unrealized critical potentials for the field; some take existing terms from canonical thinkers and develop the significance for transgender studies; some offer overviews of well-known methodologies and demonstrate their applicability within transgender studies; some suggest how transgender issues play out in various fields; and some map the productive tensions between trans studies and other interdisciplines.

The article offers an overview of the development of translation history during the past decade. It focuses on recent debates, research areas and methodological avenues in translation history with special emphasis on interdisciplinarity. Driven by a move away from a Euro-centric view of translation, researchers have become interested in producing connected and comparative histories of translation. The dialogue with the general field of history has led to the adoption of new methods and forms of analysis, such as microhistory, histoire croisée, archival research, oral history and digital translation history, and to the birth of new areas of research such as the role of translation in conflict and war.