Another Debate on African History?
In: Current anthropology, Band 21, Heft 1, S. 129-130
ISSN: 1537-5382
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In: Current anthropology, Band 21, Heft 1, S. 129-130
ISSN: 1537-5382
In: International affairs, Band 46, Heft 4, S. 863-863
ISSN: 1468-2346
In: Current anthropology, Band 41, Heft 3, S. 357-384
ISSN: 1537-5382
In: Africa development: a quarterly journal of the Council for the Development of Social Science Research in Africa = Afrique et développement, Band 18, Heft 1, S. 99-117
ISSN: 0850-3907
In: Social studies: a periodical for teachers and administrators, Band 68, Heft 1, S. 27-30
ISSN: 2152-405X
Alla fine del sec. XV, gli Europei scopritori dell'Africa occidentale trovarono che il cavallo era impiegato nel Benin e nei vicini paesi yoruba. Poiché non si conosce l'esistenza di antenati selvatici dell'Equus caballus in questa o in alcuna altra zona dell'Africa, si trattava di equini importati. Sulla base di argomenti zoologici, archeologici, storici ed etnologici, il presente articolo intende chiarire tempi e modi di tale introduzione.Il cavallo e anche qui essenzialmente animale da guerra e simbolo di prestigio sociale: il suo arrivo, dall'Africa settentrionale per via del Sahara, è connesso con l'impiego del carro da guerra. L'A. discute brevemente le questioni della iniziale domesticazione equina, dell'uso e della diffusione dei carri ippotrainati, delle singolari raffigurazioni di questi nello stile del «galoppo volante» tipico dell'arte minoico-micenea e presente tra l'altro nelle figurazioni rupestri sahariane; e delle presumibili relazioni commerciali che dovettero indirettamente collegare quest'ultima area, e quella del Mediterraneo occidentale nell'eta del bronzo, con le zone oltre il Sahara. Di qui, secondo l'A., giunse il cavallo nel bacino del Niger, mentre piu deboli sono considerate le possibilita di connessione degli stati dell'Africa occidentale con Kush e Meroe. Se però l'evidenza archeologica suggerisce per tali contatti epoche non posteriori al II millennio a.C., queste appaiono di molto anteriori ai tempi in cui si presume siano sorti in Africa occidentale stati in grado di sfruttare corpi di caval- leria: il piu antico stato locale di cui si abbia notizia, il Ghana, non risale a prima del IV sec. d.C. Fra le ipotesi relative al destino del cavallo in queste zone durante il lungo e oscuro intervallo, l'A. tende a scartare quella di un rinselvatichimento della specie come si sa essere avvenuto in America; egli pensa piuttosto a un uso del cavallo come animale da sacrificio, o a un suo persistente impiego per il traino di carri; meno probabile il suo uso come cavalcatura, prevalso poi in epoca moderna. La piu antica varieta di Equus presente in Africa occidentale sarebbe infatti, secondo l'A., una razza di ponies di piccole dimensioni, poco atta a essere cavalcata; piu tardo sarebbe l'arrivo della piu robusta varieta berbera, di quella araba, di quella dongolana. Comunque impiegato agli inizi, il cavallo contribuì a trasformare in senso militare le ancor piccole comunita dell'area sudanese-guineana viventi di coltivazione e allevamento di tipo «neolitico»; e i contatti trans-sahariani che accompagnarono l'introduzione del nuovo nobile animale dovettero incoraggiare la fondazione dei primi stati della zona.
BASE
In: Teaching Africa, S. 14-30
In: The black scholar: journal of black studies and research, Band 24, Heft 3, S. 40-43
ISSN: 2162-5387
In this article I argue that what enabled affiliation to the larger political project against apartheid was precisely the production of a subject that was always, and necessarily, threaded through a structure of racial capitalism. This hinders the emergence of a history of colonialism and nationalism that theorises and historicises the relations of knowledge and power.In what I am calling a postcolonial critique of apartheid, I make explicit the way the question of knowledge and power was often exchanged for historicist constructions of historical change, especially in relation to the transition from the apartheid to the postapartheid. Tangential to my argument is a reminder of the way the native question in the first half of the twentieth-century produced a disciplinary upheaval in South African knowledge projects by combining the impulses drawn from colonial discourse and nationalist anti-colonial narration. Herein we might encounter the problem of South African radical historiography, and its concomitant constructions of the postapartheid.
BASE
In: Review of African political economy, Band 40, Heft 138
ISSN: 1740-1720
Equating a 'turning point' with what William Sewell terms an 'event', it is argued that Marikana is a turning point in South African history. The massacre was a rupture that led to a sequence of further occurrences, notably a massive wave of strikes, which are changing structures that shape people's lives. We have not yet reached the end of this chain of occurrences, and the scale of the turning point remains uncertain. In common with other events, Marikana has revealed structures unseen in normal times, providing an exceptional vantage point, allowing space for collective creativity, and enabling actors to envisage alternative futures.
This catalogue provides a formalized list of acquisitions of key documents on the political developments in South Africa after the dramatic changes of 1989/90 which are kept by the South African History Archive. Apart from documents which focus at the national level, numerous important local level documents are listed, ranging from proposals issued by one of the political players and other party documents to conference proceedings and media briefings etc. Among the issues tackled are the negotiations, the education crisis, human rights, women's and workers' rights etc. (DÜI-Eng)
World Affairs Online
In: New African histories
"Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, Ambivalent gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships with photography-and with visibility more generally-in ways that engage and disrupt the easy categories and genres that have characterized the field to date. Authors pose new questions concerning the instability of the identity photograph in South Africa; ethnographic photographs as potential history; humanitarian discourse from the perspective of photographic survivors of atrocity photojournalism; the nuanced passage from studio to screen in postcolonial digital portraiture; and the burgeoning visual activism in West Africa. As the contributors show, photography is itself a historical subject: it involves arrangement, financing, posture, positioning, and other kinds of work that are otherwise invisible. By moving us outside the frame of the photograph itself, by refusing to accept the photograph as the last word, this book makes photography into an engaging and important subject of historical investigation. Ambivalent's contributors bring photography into conversation with orality, travel writing, ritual, psychoanalysis, and politics, with new approaches to questions of race, time, and postcolonial and decolonial histories."--
In: African economic history, Heft 9, S. 213
ISSN: 2163-9108
In: African economic history, Heft 19, S. 224
ISSN: 2163-9108