Author
In: Adelphi series, Band 61, Heft 490-492, S. 6-6
ISSN: 1944-558X
In: Adelphi series, Band 61, Heft 490-492, S. 6-6
ISSN: 1944-558X
In: A Current Bibliography on African Affairs, Band 53, Heft 3, S. 261-271
ISSN: 2376-6662
In: A Current Bibliography on African Affairs, Band 53, Heft 4, S. 362-372
ISSN: 2376-6662
In: A Current Bibliography on African Affairs, Band 54, Heft 1, S. 65-75
ISSN: 2376-6662
In: A Current Bibliography on African Affairs, Band 54, Heft 2, S. 167-177
ISSN: 2376-6662
In: International journal of intelligence and counterintelligence, Band 34, Heft 2, S. 298-299
ISSN: 1521-0561
In: European Journal of Computer Science and Information Technology, Band 9, Heft 1, S. 1-26
SSRN
In: Russian Foundation for Basic Research Journal. Humanities and social sciences, S. 55-63
ISSN: 2587-8956
Evald Vasilievich Ilyenkov (1924–1979) takes special place in the Russian philosophy: he largely influenced the character of the movement, which may be regarded as "philosophical Renaissance" of the second half of the 20th century originating in our country. Evald introduced a number of ideas that were ahead of their time and could only be truly appreciated nowadays. In particular, it concerns the understanding of how to ascend from the abstract to the concrete when building a scientific theory. In his understanding of the problem of the ideal, Evald Ilyenkov anticipated the central problem of the modern complex of cognitive sciences: "enactivistic" approach and the idea of "broadened cognition".
The objective of the study was to introduce a number of previously unknown texts of the 60s and the 70s by Evald Ilyenkov into scientific circulation, as well as to provide extensive commentaries thereto, develop references, and describe the social and political context of the philosopher's work. To do so, the author uses materials of personal, public and academic archives. During Evald Ilyenkov's lifetime, his works were severely edited, censored and abridged; the goal of the study was to restore the original version of the works and publish manuscripts that had never been released in the Soviet times. By the end of 2020, four volumes of Evald Ilyenkov's collected works have been published. The publisher brings these works to the new level, setting a high standard of translation and studies of the philosopher's global heritage.
In: Review of Pacific Basin Financial Markets and Policies, Band 24, Heft 4
ISSN: 1793-6705
In: International political science abstracts: IPSA, Band 71, Heft 6, S. 895-933
ISSN: 1751-9292
In: Philippine political science journal, Band 41, Heft 3, S. 263-268
ISSN: 2165-025X
In: RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, Heft 4, S. 30-49
The article considers some new aspects for the issue of attribution of "L'Abuzé en court" ("Deceived at Court") – the French anonymous text of the second half of the 15th century. In the world historiography questioning the authorship of the work since long has been abandoned. Until the 19th century the author of the text was considered to be the king Rene of Anjou (1409–1480). Later that hypothesis was refuted by scholars, as long as the style of the composition did not correspond to the king`s other works. Nothing is known about "L'Abuzé en court" and the text itself does not contain any visible references to its creator. However, a broader view of the context helps one to identify significant circumstances updating the longstanding issue. So far the view of researchers has missed such important aspects for the identification of "L'Abuzé en court" – as the roles-playing nature of medieval culture, especially the courtly one, intense literary and theater activity at the court of the king Rene of Anjou, in particular, of his jester Tribulet, who was extremely appreciated by the king, and the wide popularity of the text. Those circumstances, considered together, including the life events of the king himself, allow one to make a conclusion not only on the Angevin-Provençal court`s origin of the text, but also on the influence / participation of the jester Triboulet in its creation.
In: RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, Heft 1, S. 42-57
Im Auftrag des Presse- und Informationsamts der Bundesregierung hat das Meinungsforschungsinstitut forsa ab Kalenderwoche 12/2020 regelmäßig repräsentative Bevölkerungsbefragungen zum Thema ´Corona-Krise´ (COVID-19) durchgeführt. Die einzelnen Fragegebiete wurden je nach Befragungszeitraum angepasst.
GESIS
In: Thesis eleven: critical theory and historical sociology, Band 162, Heft 1, S. 137-154
ISSN: 1461-7455, 0725-5136
J.M. Coetzee has unquestionably achieved the status of 'international author' within dominant conceptions of world literature: his works circulate widely in both English and translation and have been legitimated by the principal arbitrators of the global cultural industry. He has, however, recently positioned himself as 'an international author, but in a different sense'; that is, as a writer whose internationalism is achieved through his location in 'the South'. This article considers how Coetzee's narratives thematize being 'international' in this 'different sense'. It focuses on the pivotal works of Youth: Scenes from Provincial Life (2002) and the opening chapters of Elizabeth Costello: Eight Lessons (2003) while tracking an orientation southward across his oeuvre in allusions to Joseph Conrad, Jorge Luis Borges and, in particular, Pablo Neruda as well as in Coetzee's repeated turn to littoral settings. These settings open to what the article describes as the 'blue southern hemisphere', implicating narrative world-making in the geophysical properties and 'troubled histories' that constitute the South and recasting the act of writing from 'the far edges' into a planetary perspective that contends with the uncanny nature of settler societies in the southern temperate zone.