Suchergebnisse

In 1951, performers from Daly River and Tiwi Islands Aboriginal communities staged a corroboree strike. The musicians and dancers had routinely entertained visiting cruise ships in the Darwin Botanic Gardens, but now joined dockside workers to protest the jailing and exiling of two Aboriginal agitators Lawrence Wurrpen (Urban) and Fred (Nadpur) Waters. In Melbourne, the Australian Aborigines' League expressed solidarity with the Darwin strikes and protested the exclusion of Aboriginal voices from the Jubilee of Australian Federation. The League's leaders Doug Nicholls and Bill Onus produced a new work of musical theatre featuring east coast Aboriginal performers Fred Foster, Margaret Tucker, Georgia Lee, Harold Blair, and others in 'Out of the Dark — An Aboriginal Moomba'. In this paper we examine political uses of performance in Australia's assimilation era, and show how Aboriginal agitators used music and dance to connect struggles for rights across Australia, and to keep cultural identity alive. In doing so we show how performance operated both as work and as assertion of cultural sovereignty.

This article considers how Indigenous peoples in Central Australia share and keep digital records of events and cultural knowledge in a period of rapid technological change. To date, research has focused upon the development of digital archives and platforms that reflect Indigenous epistemologies and incorporation of protocols governing access to information. Yet there is scant research on how individuals with little access to such media share and hold—or not, as the case may be—digital cultural information. After surveying current enabling infrastructures in Central Australia, we examine how materials are held and shared when people do not have easy access to databases and the Internet. We analyze examples of practices of sharing materials to draw out issues that arise in managing storage and circulation of cultural records via Universal Serial Bus (USB) flash drives, mobile phones, and other devices. We consider how the affordances of various platforms support, extend, and/or challenge Indigenous socialities and ontologies.