Elicitive Conflict Mapping
In: Many Peaces
Intro -- Foreword -- Preface -- Contents -- List of Figures -- Chapter 1 Introduction -- Author's Perspective -- Research Interest -- Method -- State of the Art -- Chapter 2 Elicitive Conflict Mapping (ECM) -- Overview of the Transrational Model -- Excursion: The Kalachakra as Metaphor for the Elicitive Conflict Map -- The First Principle of ECM: Correspondence -- The Second Principle of ECM: Resonance -- The Third Principle of ECM: Homeostasis -- Themes -- Layers -- The Sexual-Family Layers -- The Socioemotional-Communal Layers -- The Mental-Societal Layers -- The Spiritual-Policitary Layers -- Levels -- ECM as Work Method -- Chapter 3 The Actors -- The Dry Dock: Preparation and Supervision of Elicitive Conflict Workers -- The Team as Social System: More Than the Sum of its Members -- Involved Parties in Elicitive Conflict Work -- Chapter 4 Learning Examples -- Film as a Learning Example -- Film Example a: The March -- Synopsis -- Rationale for Selection -- The Episode -- El-Mahdi Agrees to Landing at Dawn -- Inspection of the Episode -- The Involved Parties -- Claire Fitzgerald as Character -- Isa El-Mahdi as Character -- Marcus Brown as Character -- The Relational Layers -- The Sexual-Family Layer -- The Socioemotional-Communal Layer -- The Mental-Societal Layer -- The Spiritual-Policitary Layer -- Elicitive Conflict Mapping -- Facilitating -- Course of Action 1 (Sexual-Family) -- Course of Action 2 (Socioemotional-Communal) -- Course of Action 3 (Mental-Societal) -- Course of Action 4 (Spiritual-Policitary) -- Film Example B: Carnage -- Synopsis -- Rationale for Selection -- The Episode -- Inspection of the Episode -- The Involved Parties -- Penelope Longstreet as Character -- Michael Longstreet as Character -- Alan Cowan as Character -- Nancy Cowan as Character -- The Relationship Layers -- The Family-Sexual Layer