Suchergebnisse

Politicians often deploy analogies to shape public discourse. If picked up by the media, these references to the past can powerfully shape how political events are perceived. This article examines why some analogies became popular through an exploration of the creation and development of the analogy comparing Mangosuthu Buthelezi, the leader of the Inkatha Freedom Party in South Africa, to Jonas Savimbi, the leader of the National Union for the Total Independence of Angola, during South Africa's transition. Tracing the evolution of the Buthelezi–Savimbi comparison through an analysis of media reports indicates that analogies that possess predictive power are likely to gain traction in public discourse and become effective tools for policy advocacy.

Radiophonic art could not have emerged at the end of the 1920s without an intense period of experimentation across the creative fields of radio, new music, phonography, film, literature and theatre. The engagement with sound recording and broadcast technologies by artists radically expanded the scope of creative possibility within their respective practices, and more particularly, pointed to new forms of (inter-)artistic practice based in sound technologies including those of radio. This paper examines the convergence of industry, the development of technology, and creative practice that gave sound, previously understood as immaterial, a concrete objectification capable of responding to creative praxis, and so brought about the conditions that enabled a radiophonic art to materialize.

"Crowdsourcing" now gets 10 million hits on Google, and is being applied to research in commercial, media, academic, civil society and state spheres. Although appearing recent and technology-based, there are also relevant but overlooked manual precursors which embody the fundamentals of using large groups for research. This analytical review provides the bases for developing initiatives further, by assessing: What are the strategies, strengths and weaknesses of crowdsourcing research? What are the questions that should be asked when planning a research design? How is crowdsourcing being applied in relation to state crime, and why? What might be the implications for justice systems, and for criminal and international courts?