Suchergebnisse

At head of title: Estratto dagli Atti del Collegio Veneto degli Ingegneri. Ingegneri L. Marangoni, G. Minio, M. Oreffice. ; Mode of access: Internet.

Attributed by H.N. Gay, to Gabriele Carnazza. ; Mode of access: Internet.

At head of title: Umberto Zanotti-Bianco e Andrea Caffi. ; Mode of access: Internet.

At head of title: Gino e Fausto Trespioli. ; Mode of access: Internet.

Includes index. ; Titel printed in red and black; title vignette; head- and tail-pieces; initials. ; Libro secondo has half title: Dell' huomo indiviso, e nel suo tutto considerato. ; Frontispiece and portrait included in pagination and signature count. ; Includes frontispiece and portrait of Scarlattini both engraved by Domenico Maria Bonaveri. ; Errata: page 463-464 (second series); page 328 (third series). ; Signatures: [cross]-2[cross]⁴ A-3M⁴ ²A-2S⁴. ; Mode of access: Internet. ; Binding: contemporary goatskin, rubbed at edges; gilt rules on boards; gilt title on spine; edges sprinkled red; title stamped on bottom edge of textblock; inscription on frontispiece: Ad Usum Fr: Peregrinis Antonij di Orlandis Ord[o] Carm."

L'autrice-interprete Lella Costa è paragonabile a un giullare e spicca per la sua femminilità. Nei suoi monologhi, con la sua retorica "femminile" tratta con leggerezza argomenti di profilo sociale, politico e culturale. Il monologo, che giunge fino alla poesia e al canto, permette di comprendere meglio ciò che ci circonda tramite un personaggio dalle mille sfaccettature. ; The authoress- performer Lella Costa can be compared to a jolly and her femininityis outstanding. In her monologues she talks about social, political and cultural issues with "feminine" rehtoric. The monologue, that includes poetry and singing, allows us to better understand what surrounds us through multifaceted characters.

In the early 1940s, on the fringes of the military Resistance in German-occupied and state-collaborationist France, another form of Resistance began to take shape, a literary Resistance, which proposed itself clandestinely as a unanimous response to and condemnation of the occupiers and their policies. Thanks to literary personalities such as Jean Bruller and Pierre de Lescure, among others, a cultural Resistance was born through the essentially clandestine publication of novels, poetry collections, pamphlets and feuilletons: a smuggled literature whose publication had at times an almost virulent character, as in the case of Le silence de la mer and L'honneur des poètes, and which represented a unanimous response to occupationist censorship, curbing its filters in order to reach the widest possible portion of the public. This contribution therefore aims to analyse, starting from a selection of works published by the publishing house Éditions de Minuit, the relationship that was established between clandestine literature published during the Occupation and its readers: the shared situation, the common goal and the same enemy represented, for authors, publishers and readers alike, a single horizon to which they could turn through the written and read word, which contained the choked cry of rebellion, a shared language that transformed civil despair into a feeling of revolt, reflecting the will not to yield of readers who, identifying with the authors' smuggled words, at the same time drew strength from them, both as individuals and collectively. The readers, who were also clandestine, responded to an editorial call that, with its language, gave rise to many resistance fighters, both military and intellectuals, united by a feeling of Resistance that never waned, also and above all thanks to the immeasurable contribution made by clandestine literature, its authors and their great complicity with the readers who relied on them and, at the same time, supported them.

Acquisition made accessible thanks to a 2015-2017 grant from the Council on Libraries and Information Resources. ; Q. Cavagna 20910: Former shelf-mark: Cavagna 20913. ; Q. Cavagna 20910: Paper scrap with manuscript notes in Italian removed to item folder. ; Q. Cavagna 20910: Bound with nine other works, many to do with local politics or government, printed at Milan, Pavia, or Cremona between about 1710 and 1784. ; Both copies: University of Illinois bookplate: "From the library of Conte Antonio Cavagna Sangiuliani di Gualdana Lazelada di Bereguardo purchased 1921". ; Includes bibliographical references. ; Head-piece; initial. ; Possible date of publication from page 29: "Milano 3. ottobre 1753." ; Mode of access: Internet.

Signatures: a⁴ b² A-2C⁴ 2D². ; Engraved frontispiece, port. of author, 18 engraved plates. ; Mode of access: Internet. ; In Getty copy port. of author trimmed and mounted on support leaf. ; Printed label of Omar G. Goffi, ingegnere militare. Property stamp of Pierpaolo Vaccarino. Unidentified armorial property stamp and signature on t.p. Signature of Nicolò Pucetti on p. 1 and 182. ; Binding: later sprinkled paper, half mottled sheepskin. Spine tooled in gilt, with author & title on label. Edges red.

The author focuses on the European Union and the domestic legislative framework related to the definition of "active farmer", underlining its critical points and its ambiguities. The author proposes some indications on the reasons of the failure of the model of active farmer introduced by EU legislation in order to make European Union action more efficient, with a view to containing expenditure in the agricultural sector. According to the author, the reasons for the failure derive from a lack of clarity on the real needs that the European Union and domestic bodies want to express through the filter of the active farmer. The author underlines how these regulatory measures have had an exclusive interest: a reduction in expenses, by postponing the identification and implementation of concrete measures to a wide discretionary power of individual member states. This context, according to the author, has in fact determined that the role of active farmer has been rendered meaningless and has led to a weakening of efficient action to protect the financial interests of the European Union.

The author discusses the politics during which the storyline of Tomasi di Lampedusa's novel "Il Gattopardo" is set, namely the Italian Unification or the Risorgimento. The author also takes into account, the political setting of when the story was published (posthumously) in 1958. ; N/A

The paper aims at showing the cultural and intellectual atmosphere the author brothe in the years of the Resistance movement. The author, who in that period was a partisan, vows that the Resistance movement will be studied in school in a way that show its capacities in stimulating youth trust in the future.