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Intro -- Acknowledgements -- Contents -- Chapter 1: Introduction -- 1.1 The Scale of Music Studies -- 1.2 Towards the Cultural Production of Scale: An Unfinished Project -- References -- Chapter 2: Musical Metropolis: Janelle Monáe's Scalar Agility -- References -- Chapter 3: A Postcode-Scale Genre: Grime's Scale as 'Level of Resolution' -- References -- Chapter 4: Musical Scale-Jumping: 'What a Wonderful World' from Lysekil to Lviv -- References -- Chapter 5: The Cultural Production of Scalability: Music, Colonialism and the Moravian Missionary Project -- References -- Chapter 6: From the Particulars to the General: A Small-Scale Conclusion -- Index.
Introduction: rethinking African cultural production / Frieda Ekotto and Kenneth W. Harrow -- The critical present: where is "African literature"? / Eileen Julien -- African writers challenge conventions of postcolonial literary history / Olabode Ibironke -- Provocations: African societies and theories of creativity / Moradewun Adejunmobi -- In praise of the alphabet / Patrice Nganang -- African cultural studies: of travels, accents, and epistemologies / Tejumola Olaniyan -- Le freak, c'est critical and chic: North African scholars and the conditions of cultural production in post-9/11 U.S. academia / Lamia Benyoussef -- Reading "beur" film production otherwise: the poetics of the human and the transcultural / Safoi Babana-Hampton -- Revealing the past, conceptualizing the future on-screen: the social, political, and economic challenges of contemporary filmmaking in Morocco / Valerie K. Orlando -- Thresholds of new African dramaturgies in France today / Maria Minich Brewer -- Island geography as creole biography: Shenaz Patel's Mauritian literary production / Magali Compan
World Affairs Online
Chapter 1: Introduction -- Chapter 2: Ideological Contention -- Chapter 3: Incipient Practice and Culture -- Chapter 4: Incipient Practice, Class, and Ideology -- Chapter 5: The Factory Without Bosses -- Chapter 6: Incipient Practice and Subaltern Groups -- Chapter 7:Conclusion.
In: Art and law issue 4.4 (2020)
This work sets out to consider the fate of creativity and forms of cultural production as they fall into and between the regimes of cultural heritage law and intellectual property law. It examines and challenges the dualisms that ground both regimes, exposing their (unsurprising) reflection of occidental ways of seeing the world. The work reflects on the problem of regulating creativity and cultural production according to Western thought systems in a world that is not only Western. At the same time, it accepts that the challenge in taking on the dualisms that hold together the existing legal regimes regulating creativity and cultural production lies in a critically nuanced approach to the geo-political distinction between the West and the rest. Like many of the distinctions considered in this book, this is one that holds and does not hold
In: Routledge research in cultural and media studies 35
"In this book, Goriunova offers a critical analysis of the processes that produce digital culture. Digital cultures thrive on creativity, developing new forces of organization to overcome repetition and reach brilliance. In order to understand the processes that produce culture, the author introduces the concept of the art platform. An art platform is a specific configuration of creative passions, codes, events, individuals and works that are propelled by cultural currents and maintained through digitally native means. Art platforms can occur in numerous contexts bringing about genuinely new cultural production, that, given enough force, come together to sustain an open mechanism while negotiating social, technical and political modes of power.Amateur and folklore work, aesthetic forms of organization and geeky publics, creativity, freedom, and humour are reinterpreted in the theoretical apparatus offered in this book and tested through case studies derived globally. Software art, digital forms of literature, 8-bit music, 3D art forms, pro-surfers, and networks of geeks are test beds for enquiry into what brings and holds art platforms together. Goriunova provides new means of understanding the development of cultural forms on the Internet, placing the phenomena of participatory and social networks in a conceptual and historical perspective, and offering powerful tools for researching cultural phenomena overlooked by other approaches. This book an invaluable resource for scholars of digital media and cultural studies, and a readership involved in every kind of network culture."--
In: Routledge research in cultural and media studies 35
"In this book, Goriunova offers a critical analysis of the processes that produce digital culture. Digital cultures thrive on creativity, developing new forces of organization to overcome repetition and reach brilliance. In order to understand the processes that produce culture, the author introduces the concept of the art platform. An art platform is a specific configuration of creative passions, codes, events, individuals and works that are propelled by cultural currents and maintained through digitally native means. Art platforms can occur in numerous contexts bringing about genuinely new cultural production, that, given enough force, come together to sustain an open mechanism while negotiating social, technical and political modes of power.Amateur and folklore work, aesthetic forms of organization and geeky publics, creativity, freedom, and humour are reinterpreted in the theoretical apparatus offered in this book and tested through case studies derived globally. Software art, digital forms of literature, 8-bit music, 3D art forms, pro-surfers, and networks of geeks are test beds for enquiry into what brings and holds art platforms together. Goriunova provides new means of understanding the development of cultural forms on the Internet, placing the phenomena of participatory and social networks in a conceptual and historical perspective, and offering powerful tools for researching cultural phenomena overlooked by other approaches. This book an invaluable resource for scholars of digital media and cultural studies, and a readership involved in every kind of network culture."--
In: Creative Working Lives
1. Introduction: Refiguring the digital tools of creative work and cultural production -- Part 1: Frameworks for studying softwarization and cultural production -- 2.TikTok as a platform tool: Surveying disciplinary perspectives on platforms and cultural production -- 3.The Spatial Languages of Virtual Production: Critiquing Softwarization with Aesthetic Analysis -- 4.Generative AI and the Technological Imaginary of Game Design -- Part 2: Studies of cultural subjectivities after softwarization -- 5.Autoharps, Chord Organs, and MIDI Packs: Easy-Playing Instruments, Gender, and Classes of Musical Participation -- 6.Figurations of the Tool Agnostic -- 7.The expressive subject: prosumers, virtuosi, and digital musical control -- 8.Artist and Agency: Technologies for Exploring Self and Place -- Part 3: Socialities of softwarized cultural production -- 9.Alternative gamemaking tools as grassroots platforms -- 10.Bypassing defaults in data visualisation design processes: a Tableau case study -- 11.The Creative Appropriation of a Scientific Software: The FITS Liberator, a Case Study -- 12.Dolby Atmos Music and the Production of Risk.
In: Routledge studies in human geography 47
1. Studio technologies : changing concepts and practices -- 2. Technology, collaboration and creativity -- 3. Emotional labour and musical performance -- 4. The studio sound-space -- 5. Recording studios in urban music scenes -- 6. Recording studios in project networks (1) : the networked studio -- 7. Recording studios in project networks (2) : a global urban geography of music production -- 8. MP3s and home recording : the problems of software -- 9. Changing employment relations and experiences of work -- 10. Networking, reputation building and getting work.
Cultural Production in Virtual and Imagined Worlds foregrounds how the two important fields of visual culture and Internet culture interact. This collection of essays explores the intersections, overlaps and disparities in terms of how the two discourses illuminate our everyday negotiations as we become increasingly dependent on the Internet and virtual/visual imaginings for constructing who we are. What is being examined here are the ways in which we use visual/virtual lenses to see the worl
In: Comparative feminist studies series