Suchergebnisse

National audience Why count the deaths of migration? Why do we engage in these accounts by trying, in the absence of official data, to gather the figures that NGOs find it difficult to collect? Because the victims of 'war on migrants' are now an inseparable component of Europe's migration policy at its borders. And because it is essential to give readability to a situation that is too often reduced to fatality or a variety of facts. ; National audience Pourquoi compter les morts de la migration ? Pourquoi se livrer à cette comptabilité macabre en tentant, en l'absence de données officielles, de rassembler les chiffres que parviennent difficilement à recueillir les ONG ? Parce que les victimes de la " guerre aux migrants " sont aujourd'hui une composante indissociable de la politique migratoire menée par l'Europe à ses frontières. Et parce qu'il est indispensable de donner une lisibilité à une situation trop souvent réduite à la fatalité ou au fait divers.

This dissertation explores the way AIDS and death are treated in American gay literature, with a focus on works by David Feinberg, Tony Kushner and Armistead Maupin. At a crossroads where a theme (AIDS) meets a type of literature (gay literature, which pre-existed the epidemic), this dissertation takes into account the many dimensions of the HIV/AIDS epidemic: aiming at anthropological knowledge through literature (Laplantine), moving "beyond traditional disciplinary boundaries" (Campbell & Kean), it shows that, when it comes to AIDS, history probably missed the boat, but literature did not. The media, the government officials, the health authorities and the general population never took the full measure of the HIV/AIDS crisis; gay authors, by contrast, fully confronted the epidemic, while HIV was taking hold in their bodies, and produced works that deserve to be read and examined, notably because, three decades after the first cases, the HIV/AIDS epidemic still is not under control. Based on an examination of works by the three authors, that constitute a sample both in generic terms (autobiography/autofiction, novel, drama) and in terms of reception, it shows that the gay literature of AIDS is, at most, a crack or a slit, not a breakaway from the literatures that came before. As a result of this anachronistic epidemic (it appeared at a time when Man seemed to be able to believe that epidemics were a thing of the past), the body wounded by AIDS takes center stage in their lives and in their works. The dying body becomes a topos, a place of exploration and the motif that structures the text. The three authors take a somewhat surprising stance: they make an extensive use of humor—this dissertation shows that such a stance is far more than mere defense: it is part of a process of identity construction through language. The gay literature of AIDS testifies to the creation of new death rituals, as well as a new language that aims at making sure that the memory of all those young men killed by AIDS remains alive. ...

Damage of distress is not enshrined in the Dintilhac nomenclature. It is now only recognised by case law. However, its reparation remains difficult for several reasons. If the case law agrees to compensate for anxiety as such, in principle mere concerns cannot suffice to justify an action for damages. Like any other damage, the certainty of the harm caused by distress must be established. To use the terms of the case-law, L. ; Le préjudice d'angoisse n'est pas consacré par la nomenclature Dintilhac. Il est aujourd'hui seulement reconnu par la jurisprudence. Sa réparation reste, malgré tout, difficile pour plusieurs raisons.Si la jurisprudence accepte d'indemniser l'anxiété en tant que tel, en principe de simples inquiétudes ne peuvent suffire à justifier une action en réparation. À l'instar de tout autre préjudice, la certitude du préjudice d'angoisse doit être établie. Pour reprendre les termes de la jurisprudence, l …