Suchergebnisse

Sociologists in particular and social scientists in general tend to quickly turn to social surveys to collect data for their research projects. This stems from mainstream social science research tradition that is dominated by positivist and empiricist tradition that emphasizes quantification. There is however another method of data collection, the documentary research method, or the use of documentary sources in social research, that is often overlooked. This paper argues that although the documentary research method is not very popular in social science research, it is nevertheless an acceptable and respectable research method that is also scientific and requires rigorous adherence to research ethics.

This edited collection of contributions from media scholars, film practitioners and film historians connects the vibrant fields of documentary and disability studies. Documentary film has not only played an historical role in the social construction of disability but continues to be a strong force for expression, inclusion and activism. Offering essays on the interpretation and conception of a wide variety of documentary formats, Documentary and Disability reveals a rich set of resources on subjects as diverse as Thomas Quasthoff's opera performances, Tourette syndrome in the developing world, queer approaches to sexual functionality, Channel 4 disability sports broadcasting, the political meaning of cochlear implant activation, and Christoph's Schlingensief's celebrated Freakstars 3000.

This article analyses a series of 'Desiring China: Sexuality and Female Subjectivity' screening and discussion of Chinese independent documentary films at the University of Hong Kong in 2016. It explores a feminist positionality in Chinese independent documentary film to deal with privacy, gender, violence, and trauma: 1) filmmaker's position on the ethics of care and (intimate) solidarity with protagonists, 2) protagonist's position of confession and appeal in reclaiming autonomy from gender based violence and discrimination; 3) filmmaker's and protagonist's different positions on reducing documentary's negative impact on protagonist's personal life through controlling distribution, 4) evolving positions of protagonist and filmmaker on self-transformation and the re- open for screening, 5) activist position of representation as in politics and filmmaking's position of representation as in arts, and 6) tensions between theory and practice requires scholars, filmmakers, and activists to situate and contextualise ethics for discussion and practice.This article argues for the need to adopt a feminist ethics of care when producing, exhibiting, and critiquing documentaries about women and social margins in contemporary China. It promotes equal power relationship among documentary participants and innovation of cinematic language, to deal with ethical dilemmas and potential limitations of filmmaking and exhibiting Chinese independent documentary films.

Sy Taffel is a senior lecturer in media studies and co-director of the Political Ecology Research Centre at Massey University, Aotearoa New Zealand. He has published work on political ecologies of digital media, media and materiality, hacktivism, automation, and pervasive/locative media. He is the author of Digital Media Ecologies (Bloomsbury 2019) and a co-editor of Ecological Entanglements in the Anthropocene (Lexington, 2017 with Nicholas Holm).