Il dramma iugoslavo
In: Politica internazionale: rivista bimestrale dell'IPALMO, Heft 4-5, S. 95-100
ISSN: 0032-3101
In: Politica internazionale: rivista bimestrale dell'IPALMO, Heft 4-5, S. 95-100
ISSN: 0032-3101
In: http://mdz-nbn-resolving.de/urn:nbn:de:bvb:12-bsb10754494-2
Volltext // Exemplar mit der Signatur: München, Bayerische Staatsbibliothek -- P.o.it. 210 hb
BASE
In: International feminist journal of politics, Band 4, Heft 1, S. 129-131
ISSN: 1468-4470
In: Affari esteri: rivista trimestrale, Band 21, Heft 83, S. 484-495
ISSN: 0001-964X
World Affairs Online
In: Le nuove ragioni del socialismo: mensile di cultura e politica riformista ; mensile del Movimento per le Ragioni del Socialismo, Band 2, Heft 11, S. 9-11
In: International feminist journal of politics, Band 4, S. 129-130
ISSN: 1461-6742
In: Ventunesimo secolo: rivista di studi sulle transizioni, Heft 48, S. 181-207
ISSN: 1971-159X
In: Mondoperaio: rivista mensile periodico dei socialisti, Heft 2, S. 18-23
ISSN: 0392-1115
World Affairs Online
In: Varia Musicologica
Venetian playwright and pioneer of modern theatre Carlo Goldoni (1707-1793) led a 'double life' as a librettist, authoring nearly as many libretti as comedies- libretti which, born from the same mind and the same hand that brought forth his famous, and famously controversial, overhaul of the practices of comic theatre, could not but push the limits of the standing tradition to open a new chapter in opera history. Goldoni became one of the first to give shape to the dramma giocoso per musica, an innovative, realistic, and enduring new genre with intimate connections to prose comedy that met with overwhelming international success, becoming the foundation for the works of future generations, including W. A. Mozart and his Italian librettist Lorenzo da Ponte. Perhaps because of his stature and influence as a comic playwright, Goldoni has rarely been considered as an innovator in the musical sphere. This study aims to shed new light on his primary role in the evolution of Classical opera, and on the legacy of his innovations in the European musical tradition.